The 4-7 of you who visit this blog regularly may have been wondering what has become of me, as I haven’t been posting very much. Two things have contributed to my absence. At the end of July, I went on vacation and returned with Covid. The less said about the actual vacation the better, as it wasn’t one I wanted to go on in the first place, and one on which I thoroughly expected to get Covid. Guess what? I got it.
I’d managed to avoid Covid thus far, and I am fully vaccinated and boosted; but there are some things you can’t avoid, especially when you are surrounded by people who think Covid is “all done” and it’s time to party like it’s 1999. (I’ve avoided getting bitten by a lion so far, too; but I never actually put my hand in a lion’s mouth, and if I did, I would hardly be surprised if I got bit.) I take some comfort in the fact that this isn’t the Covid of two years ago, so I never felt in any danger of dying. But let me tell you, Covid fucking sucks. I haven’t been right in a month, and I still feel like shit. Hence, not much in the way of hobbying (or anything else, really).
The other reason is I’ve been playing Ghost of Tsushima. As weak and lethargic as I am in real life, I am still fully able to hold a PS5 controller in my hand, which means I am still fully capable of drawing my katana and slicing a bandit in half, all in one motion, and then watching his friends run away like the honorless dogs they are. It never gets old. I know this because I have literally killed hundreds of bandits in this manner, then casually flicked the blood off my sword before returning it to its sheath. I’m not bored yet.
BUT…it’s the Season of Scenery, and the god of scenery, Dave Stone, must be appeased. Covid is not an excuse that will fly with Dave. He’s already calling my house in the middle of the night. There are unmarked helicopters circling my home. If I don’t get something done, I’m doomed.
Behold: The Dragon’s Graveyard! A resin piece by Dave himself, available through Wargames Terrain Workshop. I picked it up along with the model Dave sculpted for next month’s challenge. I painted the ground with a mix of Craftsmart Brown and Black before highlighting it with some GW Mournfang Brown and XV-88 before finally giving it a drybrush of Ivory. The bones were painted with the Reaper Bone Triad, and the rocks were painted with Reaper Dusky Skin Shadow and highlighted with GW Dawnstone and Administratum Grey. I added some tufts and that’s about it. It was a nice day yesterday, so I painted this piece outside, even though I usually enjoy sunlight about as much as your average vampire.
“OK, guys…get ready. That dragon’s lair is around here somewhere. Soon we’ll be swimming in gold…awww, shit.”
That’s probably all I’m doing for the Season of Scenery this year, although who knows? Looking forward to next month’s challenge!
Today is July 4th; and here in America we celebrate our liberation from the tyranny of the evil British with day-long festivals of song and story (i.e. your drunk uncle reminding you that “There’s NOTHING more important than family” , somehow making family a five-syllable word, and yelling for Skynrd’s Freebird). These festivities almost always include copious amounts of barbecued meat, deviled eggs and potato salad; washed down with the alcoholic beverage of your choice (i.e. cheap beer). Since we are America, there’s a better than average chance of firearms being involved, too; and not necessarily in a good way (if there is such a thing).
Note: A quick look at the news, and guess what? Fucking predictable. (Fucking preventable, too; but this is supposed to be a happy post.)
But: this is not the way of things here at the palatial estate of The Angry Piper. Sure, there’s barbecued meat and drinking involved, but here, all I’m thinking about is the Season of Scenery, and what my plans are for it.
So, what am I doing for the Season of Scenery this year? I’m making my first non-wargaming plastic model kit in decades, and it’s a good one. From 1994: the AMT official Star Trek model of space station Terok Nor, a.k.a. Deep Space Nine!
I picked up this kit a couple of years back. The box is in sad shape, but it was never opened (as the stale waft of air I got when removing the shrink wrap can attest).
I opened it up, and it’s complete and in good shape. It even has this Star Trek Fan Club card in it. Wonder if I can still join?
Now, in the interest of full disclosure, this will be my second attempt at this kit. I first tried it way back in 1995 or so; but I didn’t get very far. I put together the ring pieces, but was distressed by the gaps between them. So, I did what any modeler worth his sack would do. I used putty.
Of course, back then, this is what I had for putty: Testors modeling putty, which, like most Testors products (with the notable exception of Dullcote) SUCKS DONKEY BALLS. This has the consistency of watery toothpaste; not putty. They actually still make this shit, believe it or not. Anyway, suffice it to say that I used a lot of this and not only failed to fill any gaps, I made my model look so bad, I never wanted to touch it again and I threw the entire fucking thing in the trash. What a waste, I know. Almost 30 years later, I’ve learned a thing or two about modeling and more important; I’ve learned how to fill a fucking gap with ACTUAL, REAL putty, not whatever this shit is. I think I got this.
Also, I seem to remember that “Skill Level 2” was bullshit. This is a more advanced kit that includes the option for LED lights, should you wish to add them. I think you need to add them while you’re building it, though…I’ll have to take a look.
Deep Space Nine is probably my favorite Star Trek series (although I waffle between TNG, TOS and DS9 depending on my mood). Sadly, July 1 marked the last day the series was available for streaming on Netflix here in the US (damn you, Paramount Plus!), so I can’t watch it any time I want to any more. I thought: what better time than now to take a second crack at this kit?
Of course, Dave the Gracious (that’s a new nickname for you, Dave) gives us TWO months for this challenge; and I’d like to think I can get this done with time to spare…so I have these as a backup project: Assets and Hazards for the Alien: Another Glorious Day in the Corps board game. You know, that same board game I was so excited about that I still haven’t played, despite painting all the miniatures?
Oh, wait…that doesn’t actually narrow it down, does it?
Well, Dave Stone’s Season of Scenery has come and gone, and here’s what I have to show for it. Thanks as always to Dave for hosting this fun challenge!
I painted up the 20mm Gaslands scenery that I said I would. The tire stacks took me about half an hour in total to complete; whereas the barrel groups took WAY TOO FUCKING LONG. Those barrels were some tedious bastards, I can tell you that for nothing. Now that I have these done, I should play Gaslands at some point just to drive some cars into these explosive barrels.
I also painted these fuel and/or gas tanks (they’re actually milk and livestock feed tanks from model railroads). While most of them are in 20mm scale; as you can see they could be used equally as well in 28mm games. I weathered and rusted them up quite a bit using MIG rust pigments and Citadel Typhus Corrosion.
Up next, I have some 28mm 3D-printed scatter terrain I recently picked up with an Etsy coupon. These crate and barrel piles look nice, and I can always use more of them. I also took the opportunity to paint some extra barrels and bits I had lying around.
I also managed to get to these remnants of some 3D-printed SciFi crates I ordered. I painted them in the same white theme I used for the others. You can see them in my Star Trek battle reports.
Finally, the things I’m happiest about. These two Armorcast vending machines have been an incomplete project for years. I bought them at Gen Con in 2012; and I planned on using them for zombie games; but that didn’t happen. Then my intent was to use them in supers games; but that didn’t happen either. Then last year I took them out and put them on my desk because I wanted to get to them for Summer of Scenery 2020; but guess what didn’t happen? And there they have sat in all their annoying base-coated glory, just taking up space on my painting desk and not paying rent. Well, now they’re done, and I now NEED to use them in a game just to justify their existence.
Did I get to everything? No. But I don’t give a shit because it’s STAR WARS TIME, BAYBEEEEEEE!!!! I’m finally diving back into Imperial Assault, so watch for that soon!
With one month gone already in Dave Stone’s Season of Scenery, I am lagging a bit behind. I’ve decided to do a bunch of small pieces that have been sitting around for far too long. Hopefully I can get the majority of them done by the end of August; but if not, at least I’ll have made some progress. Much of it is either 3D-printed or resin cast stuff, some of which I’ve owned for almost a decade.
Pretty much everything that’s black up in that picture is 20mm Gaslands scenery: fuel tanks, fuel barrels and tire stacks. These should be very easy to paint and hopefully will go fast. The white stuff is some new 3D-printed cargo piles I picked up in 28mm scale. Again, not hard to do, just time-consuming. The gray stuff is what’s left over from a 3D-printed sci-fi crate order I got last year. I used the other crates in my Star Trek Forgotten Worlds scenarios, but since I didn’t need these large ones I didn’t bother to paint them. Then there’s the vending machines and the Victorian weird science dynamo, both from Armorcast, and both purchased so long ago I can’t remember when. (I don’t even think they make the dynamo anymore.) Those damn vending machines have been sitting on my desk in their respective basecoats for almost ten years. It’s time, man.
Finally, I have three resin barricades I’ve owned since 2003 or so. I bought them for Warhammer 40K, but I never really went back to playing 40K so I never needed them. Primed black on the left side of the picture is a ruined wall fortification, another 40K piece I never got to. While these are the oldest and largest pieces of scenery; they’re also the lowest priority. Still, it would be nice to get to them…maybe if time permits.
This is one of Owen’s miniatures: Blacksting, the Wyvern; from Reaper. It’s all metal and retails for $34.99 nowadays, but Owen bought it years ago when metal was much cheaper. It’s a very early Reaper miniature sculpted by Kevin Contos.
I don’t even like it, and I would never have purchased it myself. Not to shit all over Kevin Contos’s sculpting. It’s fine. It’s just a weird pose, and I hate miniatures with bases like this. They look stupid in my opinion, which means I have to change them, which means more work for me.
Of course, I’m not painting Blacksting for me. Not really. I’m painting it for Monster May(hem), and I’m painting it in my continued effort to entreat Owen into taking his pile of lead back and returning to the hobby. I’ve tried this before and met with failure; but since Owen had already assembled this beastie years ago, and it IS Monster May(hem), I decided to go ahead with it.
Fingers crossed.
The first thing was to do something about this stupid base, so I decided to go scenic and made it even bigger. I decided this wyvern was hanging out in a swamp, so I used most of what was left of the Model Magic and sculpted some pools, then I stuck some rocks into the Model Magic and let it dry. After that I primed the whole shebang with some Vallejo black surface primer.
I had some plastic foliage I use for big terrain pieces. I figured I could add some to the base after I primed it black and highlighted it with sickly green. Seems to have worked out ok (see below).
Here’s the finished product. I went with a fairly simple blue-black color scheme. The wings were a pain. They’re pretty flat and not very well textured, so highlighting them was not easy and I think it shows. (This is an early Reaper miniature, for better or worse.)
I wrapped the rock he’s squatting on in Army Painter Poison Ivy, and used the plastic foliage as swamp weeds. I used some Vallejo water effects mixed with craft paint for the pools of swamp water. This stuff is awesome! Roger introduced me to it, and I used it last year in Dave’s Summer of Scenery challenge when I did my Sludge Pool. I still had some left over so I used it!
I put a dab of model glue on his stinger, to make it look like it’s dripping venom.
The one thing I’m not wild about is the eyes. I wanted some colors to contrast sharply with the black-blue of Blacksting himself, but I’m not sure I got the effect I wanted. He has yellow orbs with orange irises and a black slit for a pupil. I considered painting them green. Maybe I’ll revisit the eyes at some point, but TBH I’m glad he’s done and I never really wanted to paint him anyway…so maybe not.
Monster Mayhem was amazing this year, with more participants and more submissions than ever before. Thanks so much to everyone who took part and who helped encourage other hobbyists in our community. You guys are an inspiration and I continue to be in awe of the talent and support you all exhibit. What started as a personal challenge several years ago has grown into something I hope to continue every year!
Roger from Rantings from Under the Wargames Table returned and did some Prehistoric Cats, then sculpted a horrible Creeping Eye named S’eye’mon (in honor of Blax the Kleric)! It’s all painted now and I can think of a dozen uses for it for all kinds of games; including running a scenario based on the 1958 movie that inspired Roger: The Trollenberg Terror!
Dave from Wargames Terrain Workshop went full-on “Galaxy Far, Far Away” this year and sculpted a Krayt Dragon, a Joopa, some Denizens of Jabba’s Palace, and a Wort (that big Tatooine toad!). His sculpting and painting are truly awesome. Wonderful work, Dave!
Carrion Crow also came back this year and did a Wendigo miniature from ParagonStar, and it looks creepy as hell. Definitely not something you want to see in your headlights on a winter’s night…
Azazel and Matt, I can’t keep up! You guys put me to shame!
Another first-timer, Tom from The Good Ground painted a Red Slaad, a (new to me) creepy cryptid named Siren Head, and a Balor Demon! Not bad for your first painting challenge, Tom! I’ll warn you: it gets addictive!
The man, the myth, the legend! Mark A. Morin jumped in this year and promptly redefined the word “monster”. He painted two scary structures: an Aztec Temple Sacrificial Altar; and a High Throne! Welcome, Mark! Come back next year!
Mike, aka @sasquatchminis from Instagram, couldn’t make it this year after all; but his IG account is awesome and he’s a friend. So check out his stuff forthwith!
That’s an end to Monster May(hem) 2021 (unless Azazel or Matt has another submission I didn’t see yet). No time to rest! Tomorrow is June, and that means it’s all about Carrion Crow and his annual Forgotten Heroes challenge! I look forward to this challenge every year; and although I might not be as prolific this time around, I’ll have two submissions for sure. If you want to take part, just let the Crow know. He’s pretty cool about that!
Thanks once again to everyone who made Monster May(hem) so much fun this year!
Lately I have become fascinated with the many tales of The Baba Yaga. I’m not sure why. I have no Slavic or Russian heritage of which I am aware; and I’m not particularly into folklore. In fact, the first I ever heard of the Baba Yaga was in the Advanced Dungeons and Dragons Dungeon Master’s Guide, by Gary Gygax; in which her Dancing Hut appeared as an artifact of great power. For many years, this was all I knew of her. She was a witch. She had a hut. It walked around on chicken legs, and it was much bigger on the inside than on the outside.
The Baba Yaga featured prominently in the backstory of last month’s Character of the Month, Doval Lakatos, right around the time I became aware that Reaper miniatures makes a Baba Yaga’s Hut kit in the Bones Black line. It retails for $60.00, which is pretty fucking steep considering it does not include the Baba Yaga herself. (She’s a metal miniature sold separately.) I did not pay the 60 bucks; I paid a third of that on eBay from a guy who must have bought it, assembled it and then decided it was too much of a pain in the ass to deal with. I sympathize. It IS a pain in the ass, that’s for sure. I have some significant problems with this model.
First, it doesn’t stand up straight. When assembled the house leans so far forward you can’t see the front, and the chicken legs don’t sit level. I assumed this was because the guy I bought it from assembled it incorrectly, but that’s not the case. A quick look online shows that that’s how it’s supposed to look. Well, I wasn’t having that. I figured I would sculpt a base so the hut could stand up. Normally I use Magic Sculpt for that, but on a base this size, that’s a lot of Magic Sculpt, and it’s not cheap. I needed another solution.
This is Crayola Model Magic. It’s kind of like clay, but it’s spongy and a little weird. It comes in different colors (which doesn’t matter since I was going to paint over it anyway) and dries without baking. I picked up this package at the dollar store for a dollar (surprise) and smeared it all over a square base big enough to fit the hut, let it dry partially; then stood the hut into the stuff, creating these footprints. Then I let it dry fully. It cracked a little, so I filled the crack with some Magic Sculpt.
As you can see, it stands up just fine now, and it fits so snugly I don’t even need to glue it down. Being able to remove it allowed me easy access to work on the base, so that’s what I did; coating it with craft paint and sand, adding a Nolzur’s wood pile, a campfire from Johnny Borg and a stump sculpted from leftover Magic Sculpt.
With the base out of the way, I was free to concentrate on the hut. I’ve seen some pretty amazing paintjobs on this kit over on Instagram; one in particular by @lyresforhire is really cool with the light streaming out from the windows and cracks in the door. But I wanted the hut to look abandoned and run-down; the kind of place a hag would live.
I decided on a pretty straightforward brownish-gray to represent the weathering of the wood slats and shingles. I used mostly craft paint. I added a little green here and there to represent the damp mold and fungus that has taken root in the wood. I painted the glass panes a few shades of gray before giving them a final highlight of white.
The chicken legs were based in GW’s XV-88, then highlighted with some Tau Light Ochre before a final highlight of Golden Yellow. Believe it or not, I had a hard time deciding how to paint the legs. I found out way more than I ever thought I would about chicken legs while researching this. Turns out they come in all kinds of colors.
So, what are my other problems with the hut? Well, I’m not an expert on her by any means, but I have read a fair bit about the Baba Yaga and her hut; and this doesn’t look like Baba Yaga’s hut. This looks more like Baba Yaga’s dilapidated condo. In traditional folkore, Baba Yaga’s hut is circular, about 10-15 feet in diameter (on the outside), and has no windows or doors (unless she wants it to). This thing here has eleven windows, two doors, a side porch with an enclosed balcony, a cupola and front steps. That’s some hut!
Finally, the kit comes with a skeleton in a cage that I didn’t use. I gather it’s supposed to hang from the eave to the right (our view) of the door. The problem is the scale. The skeleton in the cage is so big that if he was standing up straight he’d be significantly taller than the front door of the hut. I opted not to use it, and I forgot to take a picture. You can see it online if you care to look for it.
What about the hag herself? The Baba Yaga miniature is ok. Baba Yaga is often described as an ogress, so the miniature seems a bit small to me. When she’s not in her hut, she flies around in a magical mortar she steers with a pestle. It might have been nice to have that instead of a skull-headed broom and a bundle of sticks.
Anyway, now you can see why I couldn’t very well tell Mark A. Morin that his sacrificial temple didn’t count as a monster when I planned on submitting a house on chicken legs myself!
Monster May(hem) has been HUGE this year and there are still 9 days left! Here is the blogroll:
Roger from Rantings from Under the Wargames Table did some Prehistoric Cats, then sculpted a horrible Creeping Eye from a 1958 horror film! If you want to see how to sculpt a monster from a ping-pong ball and Roger’s trademarked “support sausages”, check it out! Can’t wait to see it painted!
Carrion Crow has started his Wendigo miniature from ParagonStar, and he may just change my opinion of 3D printed models!
Dave from Wargames Terrain Workshop sculpted a Krayt Dragon (seen on The Mandalorian) and a Joopa (from Star Wars: rebels) from scratch and painted them both. Guys like Roger and Dave who scratch-sculpt their own stuff really blow me away. Fantastic work!
Tom from The Good Ground has jumped in this year and painted a Red Slaad and Siren Head, a cryptid I’d never heard of before! Tom’s just kicking his new blog off, so drop by if you haven’t done so already!
As stated before, Mark A. Morin painted this amazing Aztec Temple Sacrificial Altar; and now he’s added another terrible monstrous Aztec structure: the High Throne! Mark’s hobby project focus is the stuff of legend; the dude never seems to get distracted by anything else. Check out his current Aztec project on his blog!
I’m hoping to get one more miniature done before the end, but it’s also a big one with a lot of base work. At least I found a use for the rest of the Model Magic!
Got the song in your head? good. I’d put a picture of Sebastian the crab here, but the Mouse is known to be one litigious rodent…
Anyway, it had to happen eventually. I made a diorama. I’ve never done one before. While I can marvel at and enjoy a good scene as much as the next guy, I’ve always been more practical when it comes to painting miniatures. I do so assuming I will use them in a game someday (see how that has turned out), so keeping miniatures locked in place holds little utility for me. That, coupled with my ambivalence towards scenery-making, has pretty much kept dioramas off my personal hobby list until now.
Behold: The Mermaids’ Grotto. I actually had the idea to do this a few years ago, but shelved it because I couldn’t get excited about making a diorama. I pretty much followed the tutorial from Eons of Battle for constructing underwater bases. The seaweed is made from twist ties; the shells are from a novelty candle that was full of pink sand (don’t ask), and the “rock” is pink XPS board.
All the miniatures are from Reaper’s Dark Heaven line. This one is Children of the Zodiac: Pisces (03300), sculpted by the legendary Sandra Garrity. She was the first one I painted.
This is Pearl, the Mermaid (03078), sculpted by Werner Klocke.
And finally, Coral, the Mermaid (03554) sculpted by Gene Van Horne. This miniature required some cutting and repositioning, as her original pose was this:
As you can see, her tail disappears for a while under the surface of the water. This wasn’t going to cut it in a scene that’s supposed to take place on the ocean floor, so out came the nippy cutters and the green stuff. It’s not a perfect join, but it looks ok.
The octopus and the eel were from Familiar Pack VII, which features a bunch of aquatic critters.
Here’s another shot of Pisces.
Halfway through making this diorama, I realized that my first Fem-bruary submission shows a lot of boobs. Don’t get me wrong, boobs are great; it just wasn’t really my intent to focus so much on them in a month celebrating female miniatures. (I’m not a teenager. It’s just that most mermaids aren’t particularly modest.)
I’m hoping to get a couple more female miniatures done soon, one of which will be my D&D Character of the month; so watch this space.
First: You may have noticed a new look to Dead Dick’s Tavern. I’m experimenting. I’m open to suggestions…
More important: I finally finished up my submission for Dave Stone’s Summer of Scenery over at Wargames Terrain Workshop. Behold: The Sludge Pool!
While waiting for my Vallejo Still Water Texture to arrive in the mail, I did a bit more highlighting and texturing to the base piece. I weathered the barrels and the machinery with MIG rust pigments and a bit of Citadel Typhus Corrosion and Ryza Rust. I added some Vallejo Diesel Stains to the base of the machine and gave the whole thing a blast of Dullcote to lock the rust dust in place. I highlighted the green water coming out of the pipes with some Vallejo Yellow Green.
Then it was time to add the water. I could delay no longer. I was pretty nervous about using the water effects, as the only stuff I had ever previously used was “Magic Water”, a 2-part floral product that requires precise mixing to cure properly. The last time I used it was several years ago, and the swamp scenery I made is still tacky. But my friend Dick Garrison swears by Vallejo Water Texture, and he has achieved some amazing results with it, so who am I to argue with success?
I poured some into a plastic cup and added a few drops of green craft paint, the same kind I used to paint the basin. It mixed together perfectly, and I poured it out and moved the base this way and that until it covered the bottom. It flows like thick water, kind of like motor oil, so it was quite easy to work with. My first layer was done.
I noticed a problem about 12 hours later. Vallejo Water Texture is a “self-leveling” fluid. My workbench is level. The bottom of the piece is level. I found out the hard way that the inside of the basin, where I was pouring the texture, was obviously not level, because the water effects began to pool on certain sides of the basin. Dumb, rookie mistake. Since the mixture was still fluid enough to flow, albeit slowly, I quickly mixed and added more water texture and paint to shore things up. Then I played around trying to get the stuff to flow where it was needed. I wasn’t entirely successful, as you can see.
I added a second layer of clear (no paint added) texture out of the bottle, hoping that would obscure the uneven bottom layer. It didn’t.
Don’t get me wrong: I love this product, and I think it looks amazing. But it took more like 48 hours for it to cure before I added the next level, and then another 48 hours before I thought it was ok to touch.
Overall, I can live with how it looks. I think the Vallejo product is pretty impressive and easy stuff to use. After 2 layers (3 mm thickness or so), I have about half a 200 ml bottle left. The area I covered wasn’t small, though. Note the Space Marine for scale. The bottle cost me 17 dollars (US$).
So…I’m thinking of adding one final layer of clear water, but I’m not sure if it will really do anything aside from make the basin look deeper. Thoughts?
I’ve hit a bit of a painting slump. Actually, it’s a bit more than that. It’s a general hobby slump. I haven’t painted a miniature since I finished up Kratos for Forgotten Heroes. In fact, I’ve barely done anything at all since July 1st.
Partly this was due to real life work anxiety getting in the way of any pleasant diversions I might seek. Now that that is mostly over, though, my painting mojo still has yet to return. A quick turn around some of the blogs I follow shows I am not alone in this; for whatever reason, we all hit a slump every now and again, or as The Dude would say, “strikes and gutters. man…strikes and gutters.”
So what HAVE I been doing? Playing video games, mostly. I recently did a replay of The Last of Us and the DLC, Left Behind; because I don’t know how long I can resist buyingthe long-awaited sequel, released a couple of months ago. The Last of Us is a true masterpiece; the only video game that I have ever played, finished, and immediately replayed. I did the same thing again recently. It’s an amazing storytelling experience, and it serves very well to get my mind off of shit I don’t enjoy thinking about. My mind naturally goes to these places when I paint; hence the whole no painting thing lately.
I’ve also been making some Starship Corridor tiles, using Heroic Maps Starship Corridors and DM Scotty’s 2.5D method. There’s a pretty great video on it here by The Mighty Gluestick (ironically not by DM Scotty, but whatever). It’s pretty quick work, but I’ve since run out of double-wall cardboard and need to get some. I really don’t want to buy it from a craft store, but I don’t have any heavy-duty boxes lying around.
I still plan on producing something for the Summer of Scenery over at Wargames Terrain Workshop, but it won’t be as much as I would have liked. In other words, no Western town or graveyard; but as you can see, I managed to give the sludge pool a quick basecoat (space marine included for scale)…
…followed by a black wash and some texturing with Stirland Mud. I’ll hit it with some light drybrushing before beginning the weathering process. Hopefully my Vallejo Water Texture will arrive by month’s end and I can complete this thing soon.
In the meantime, I need to find a project that will drag me back to the painting table.
That’s the name of the challenge hosted by Dave over at Wargames Terrain Workshop. I’ve decided I can certainly find some things to make or paint over the next two months. The challenge for me is to make scenery that I will use, but also to clear out some stuff that’s been sitting idle for a long time.
Like this thing. I bought it about 12 years or so, by my best guess. It’s all one piece, constructed out of some kind of foam. It feels a lot like solidified ‘Great Stuff”, that gap-sealing foam that comes in a spray can.
It’s not a small piece. I should have included a miniature for scale, but I forgot. The barrels are definitely 28mm scale oil barrels, if that helps.
The pool area is deep enough for water effects. I’m not great at it (mine never seem to dry completely), but I’m strongly considering using them, as I think it will really make this piece stand out once it’s done.
Now, one terrain piece should be easy. But why stop at one? I’ve had another project sitting in a labelled, white box for about a decade. With a recent Reaper order, the time may have come to complete it…
