Visitors to Dead Dick’s Tavern may recall me lamenting the fact that I don’t get to play many games any more, especially roleplaying games. Since I opened an Instagram account about a year ago, I’ve met some pretty cool hobbyists and gamers, many of whom live much too far away from me for us to ever be able to sit around the same table. Because of remote play during the COVID pandemic, that hasn’t been as much of an obstacle, and I’ve been able to get some gaming in with some very cool people.
One of them, my friend Bruno, has a YouTube channel called The Chronicles of the Crimson Hound, and through this, he has come up with something truly ingenious that all but guarantees he gets to play a ton of games. I’d be lying if I said I didn’t envy the guy.
Bruno created a character: the Crimson Hound, a vampiric vigilante super hero in a cyberpunk-style city. Bruno’s brilliance is that he gets other people to GM games for the Crimson Hound, using whatever rules system and running whatever story they like; then he puts the game sessions up on YouTube. So far, the folks running the games have mostly been gamers who have websites and podcasts of their own; so viewers get to see a variety of game mastering styles and get a feel for diverse methods of storytelling and gaming. The serials are broken down into sessions of about 15 minutes each, so they’re great to listen to while you’re…oh, say, cooking dinner or painting miniatures. Check them out!
Anyway, Bruno asked me to GM a game for the Crimson Hound, which made me feel immensely flattered. Run a game for a vampiric vigilante in a pulp/cyberpunk setting? Yes, please! On YouTube? No, thank you. Some folks, like Bruno, are handsome and charismatic enough to be on YouTube. Others, like me, are far too handsome for YouTube but lack any charisma whatsoever. Sad, but true.
Still, I felt bad because Bruno was kind enough to playtest one of my Call of Cthulhu adventures that I am planning to submit to the Miskatonic Repository. In other words, when I asked, he said yes; while when he asked, I declined. Kind of a dick move on my part. (See? No charisma.)
So, as a way to say thanks, I decided to immortalize Bruno’s creation, The Crimson Hound, for Forgotten Heroes. The Crimson Hound isn’t “forgotten”, of course; his legend is only just beginning! But this challenge gave me all the excuse I needed to practice my green stuff kung-fu. (Special thanks to Dave from Wargames Terrain Workshop for the quick assist in answering my noob sculptor questions.) Besides, Carrion Crow is usually pretty lenient when it comes to enforcing the rules.
The base miniature was Captain Griffon, by Reaper, from their Chronoscope line. (If I remember right, Bruno wanted to use this miniature himself for the Hound, once upon a time.) I couldn’t find anything better in my rather extensive pile of Heroclix. I had considered using a Robin miniature as a base, but I picture the Hound is bigger (and cooler) than Robin.
In his single-minded pursuit of vigilante justice, the Crimson Hound has used stun batons, handguns and even an enchanted short sword. I considered giving him one or more of these, but in the end I decided just to stick with his bare hands. The Hound is a brute, after all. He’s not too subtle when it comes to kicking ass.
I added some green stuff to bulk out his shoulders and his collar, and sculpted his mask and his knee pads. Then I let him dry and sanded him down with an emery board, because Dave said to.
Of course, unbeknownst to Bruno, while I was IN THE MIDDLE OF sculpting and painting the Crimson Hound, Bruno put up a new Instagram post, showing the Hound’s upcoming NEW COSTUME. In other words, not this one anymore.
Here he is, all painted up. I tried to be as faithful to the top picture as I could, but there was no way in hell I was going to even attempt that belt. It’s way beyond my green stuff skillz. As it is, looks like I could have done a better job sanding him down. Hope you like him, Bruno!
Here’s a funny little anecdote: for my final touch, I decided to give the red parts of the costume a light wash of Citadel’s Bloodletter glaze, which really does a good job of highlighting and tying together the different shades of red. It was supposed to be the very last thing I did, but shortly after the application, I noticed a bunch of mysterious white spots all over the model, wherever I put the Bloodletter. Seems my glaze went bad somehow, and I had to redo all the red. Isn’t that funny? Ha ha ha.
That’s probably it for my Forgotten Heroes submissions this year, although I could still pull something out last minute. Stranger things have happened. In the meantime, I will continue to watch the other participants with great interest!
Back in 1986, a small comics company called Silver Wolf Comics put out a handful of black and white titles. The company was owned by Kris Silver, who also created and wrote most of the comics. One of those comics was Grips.
Grips is a “hero” who kills criminals because he’s a psycho himself. He gets off on giving and receiving pain and can will himself into a murderous rage. When he’s not doing the psychotic murderous vigilante thing, Grips likes long walks on the beach and candlelit dinners. He’s also a comic book artist; the artist of Fat Ninja, which was another Silver Wolf comic of the time. But mostly he’s all about killing and maiming bad guys in bloody and vicious ways.
He has long blades that slide out of his forearms that he uses to eviscerate people, like so:
He also shoots little projectile spiky things out of his gloves, like so:
And he uses a pair of spring-loaded tonfa when he feels like beating people’s brains in instead of gutting them, like so:
And he fucking LOVES IT.
When I was in high school, I thought this shit was AWESOME. Looking at it now (something I haven’t done since high school), I realize it is not awesome.
The first Grips comic lasted only 4 issues (I have 1-3). While researching this, I was surprised to find it came back for a second series a few years later, but that one only lasted 5 issues. Sprinkle in a very few appearances in other titles, and that’s about it. Grips would pretty much define the term “Forgotten Hero”, if he wasn’t notable because his book featured art by Tim Vigil. Vigil would later go on to draw Faust (the comic that he is most famous for), which showcases truly shocking levels of violence and hardcore pornography. If I recall correctly, Faust shows lots of graphic sex (consensual and not-so-consensual) with demons, and orgies with lots of blood and other bodily fluids. Not my cup of tea, but YMMV.
Anyway, this is the miniature I used for Grips. He’s Zenith, Superhero; from Reaper’s Chronoscope line. He’s meant to be a speedster, methinks.
First thing I’d need is some blades. I thought of using tines from a plastic fork, but these proved too thick. I ended up cutting them out of some plasticard (actually my expired health insurance card) instead.
Next I used some green stuff to fashion his gauntlets, epaulets, belt and mask. I made sure to include the capsules for his spring-loaded tonfa on his belt.
Then I painted him. I painted the brown parts of his costume GW’s Doombull Brown, then gave them a generous wash of Nuln Oil and highlighted with Coat D’Arms Rat Brown. The black was painted black (surprise!), then highlighted with Vallejo Heavy Charcoal. The belt and gauntlets were painted GW Gehenna Gold and highlighted with Vallejo Gold, while the blades were GW Canoptek Alloy, highlighted with GW Mithril Silver.
I actually kind of like the way he looks. Maybe I’ll use him in a game of Super Mission Force. It’s been too long.
I will have one more Forgotten Heroes submission between now and July. Until then, I’ll be watching to see what everyone else does!
Jon Sable: Freelance was a comic book (and a comic book character) created by Mike Grell, the same guy who created DC’s Warlord. It was one of the First Comics flagship titles and ran from 1983-1988; with another series, simply titled Sable, following afterwards. (That series didn’t last very long.) Unusual for its time, Jon Sable: Freelance was wholly owned by Mike Grell; who presumably still owns the rights to this day.
Jon Sable has had a somewhat bumpy publication history. Once First Comics folded in 1991-1992, Jon Sable didn’t get another comic book series until 2005, when IDW published a six-issue miniseries. The character hasn’t been seen in a comic book since 2010.
Jon Sable was an Olympic athlete at the 1972 Munich games. After witnessing the massacre there he moved to Rhodesia where he used his training as a mercenary and bounty hunter to organize safari trips and become a game warden (because why not?). His family was murdered by poachers, so Sable killed the poachers and moved back to the US to resume work as a freelance mercenary. When he’s working, he paints his face, dresses in black and carries a 1917 Broomhandle Mauser, which he uses to shoot people. When not working, he hides in plain sight by masquerading as B.B. Flemm, an author of children’s books. Yes, he writes the books and supposedly, they’re pretty good, because his publisher is always on his ass about his deadlines, even though she knows he’s really a merc-for-hire and not a children’s book author.
There was a (mercifully) short-lived TV series, Sable, that ran for only seven episodes in the 80’s. It’s based on the comic, with some minor differences, like a character called Cheesecake who is a hacker who (wait for it) likes cheesecake; and the fact that Sable is the alter-ego of author NIcholas Fleming (not B.B. Flemm), not the other way around, as it is in the comic. The series starred Lewis Van Bergen as Sable, who you may remember from nothing you’ve ever even remotely given a shit about; and a young Renee Russo as Sable’s publisher, Eden Kendall. I remember watching it in high school as I knew about the comic, but I forgot about most of it until Tom found the pilot episode on YouTube and told me about it. I warn you…it’s a tough slog. Van Bergen’s 80’s mullet is truly extraordinary, however, and it may be worth the watch for that alone.
For my Jon Sable conversion, I was going to use these two Heroclix: Daredevil and Quicksilver. (Quicksilver has served me well in past Forgotten Heroes challenges; I used his head for Jack Frost and his body for Water Wizard before). I also needed to find a 28mm Broomhandle Mauser; which you think would be easy. It’s not. I had to buy this weapon pack from Pulp Alley to find one.
Before I got the Pulp Alley accessories, I noticed this Bullseye Heroclix. He’s carrying a submachine gun that could pretty easily be converted into a Mauser. D’oh! I decided not to use Daredevil or the Pulp Alley accessories after all.
One quick head-swap and some filing, and here’s the result. Kinda looks like Jon Sable already. I also cut off a bit of the back of his gun, so it looks more like a Mauser pistol.
Here’s the finished result. It wasn’t particularly difficult, considering Sable’s “costume” is a black outfit with a holster for his pistol and some face paint. Sometimes he uses a knife, too.
This close-up shows I wasn’t as thorough as I could have been when filing off bits of Bullseye’s costume. In my defense, I can’t see shit anymore. Now that I’m aware of it, I could fix it. Or not, considering I’ll never use Jon Sable for anything, ever.
Forgotten Heroes has provided me with a chance to make miniatures for several First Comics heroes: Badger, Nexus, and now Jon Sable. Add one of the Grimjack miniatures my friend Jeremy (Carrion Crow) gifted me with, and it’s almost the full roster! Still, I hesitate to really call this a submission, as it took almost no time to complete once I had the idea.
I have at least one more entry coming this month, possibly two. In the meantime I look forward to seeing what everyone else is doing!
It’s June, and that means it’s time for my most favoritest, bestest painting challenge ever, Forgotten Heroes! I look forward to this every year, and I will always take part unless Carrion Crow says I can’t, or I’m dead.
What is Forgotten Heroes? Go here. The Crow will explain all.
So…what do I have planned for this year? Two submissions; one that’s going to be easy as pie (I hesitate to call it a proper submission); and another that may take a little more effort. Two submissions is not much for me, but I’m still trying to get through my Aliens: Another Glorious Day in the Corps miniatures, and finish up my British Vospers for Cruel Seas; both of which were put on pause for Monster May(hem) last month. Plus, I will have June’s Character of the Month to do…
Still, a mere two submissions isn’t sitting well with me. This is Forgotten Heroes, man. It’s time to bring it, brah! (I call people “brah” now.)
So if YOU want to take part in Forgotten Heroes, drop by Carrion Crow’s Buffet if you haven’t already and let the man know. Bring something shiny (crows like shiny things) and/or something dead (crows like carrion) to improve your chances.
Not quite a week into Monster May(hem), and I have finally completed my first submission. I present: the Scourge of Planet X: The Ripper Beast!
This miniature from Rattrap Productions has been primed and sitting on my desk since last year’s Monster May(hem). I never got a chance to get to him and moved on to other projects; so I made him my first priority this year. Partially, this is because I’m sick of looking at him; but it’s also because he has been so patient and understanding; two traits not normally associated with Ripper Beasts of Planet X.
The Ripper Beast, as the lore goes, is the most feared predator on Planet X. It loves nothing more than to live up to its name by ripping things, usually into bloody chunks. The Ripper Beast is doubly feared because it seems to regenerate as soon as it is wounded, making it nigh-impossible to put down for good.
Despite its renowned savagery, this Ripper Beast seems to be wearing clothing. It has two spiked wristbands and no dangly unmentionables to speak of. This either makes it smarter than you would think, able to clothe itself and perhaps forge weapons; or just oddly modest. The only picture of the Ripper Beast I could find was the one on the cover, there; so I couldn’t verify this. The only example of a painted Ripper Beast miniature I was able to find was the one inside the book, which doesn’t help because it’s black and white.
So I went with the clothing look, and I tried to get it as close to the cover as possible. It’s a retro sci-fi creature, so perhaps some space-spandex is appropriate after all. While I may never use this miniature as intended, it can sure get some use as a super-villain for games of Super Mission Force!
I have at least two more projects for Monster May(hem) I’m trying to get done by month’s end. Both require a lot of base work, so they’re taking longer than usual. Check back soon, but in the meantime, be sure to stop by and see what everyone else has been up to!
Through the rear-view mirror, Kato regarded the Green Hornet as he checked his equipment.
“Hornet Gun: check,” said the Green Hornet. “Hornet Sting: check. Let’s roll, Kato.”
A few minutes later, Kato steered the Black Beauty up to MaClane’s Shipping Yard. The car was set for silent running. In the darkness, it made no more noise than the faintest whisper as it pulled up to the curb. The Green Hornet and Kato exchanged a quick glance in the mirror. Both men nodded, then quietly exited the car on opposite sides.
Time to go to work.
Turn 1: From their concealed positions, the Green Hornet and Kato split up, each making his way to one side of the shipping yard. Being Observant, the Green Hornet comes close enough to an encounter marker to possibly trigger it; but he fails his Brains test. He’ll have to get closer! Kato, meanwhile, sprints to another container. This gives the guard atop the container a chance to spot him; but Kato keeps to the shadows and the guard fails to do so. This brings Kato in contact with another encounter marker. Unfortunately, it’s bad luck for him! Kato startles a stray cat, which yowls loudly. This gives the guard another chance to spot Kato, but the guard fails miserably and doesn’t react at all. Since the alarm hasn’t been raised, only one guard gets to move. The guard stationed atop a shipping container overlooking the meeting moves to his right, along a makeshift bridge.
Turns 2-3: The Green Hornet begins to climb up the side of the shipping container, trying to get a better vantage point. Once atop it, he activates the encounter marker. He takes a moment to angle a long-range microphone towards the meeting. He lucks out! One of the lieutenants coughs loudly, which is enough to identify him as Louie the Lunger, enforcer for “Lemonface” Bucco, boss of the Bowery district! Meanwhile, Kato moves around his container, while the guard atop it ambles down its length, failing yet again to spot Kato, who begins his own climb up the side of the container. Finally, Another guard heads out towards the center of the yard, halfheartedly scanning the darkness.
Turn 4: The guard atop the container Kato is climbing does an about-face and returns to his original position, which means he walks right by Kato for a second time. The guard is oblivious; once again failing to spot the black-clad Kato clinging to the side of the container. Kato quickly climbs up and attacks the guard from behind, delivering a silent but highly-effective kung-fu chop to the guard’s neck. Down he goes! The Green Hornet drops silently from the top of his container, coming into contact with another encounter marker. It’s a restless guard. One of the guards gets the urge to stretch his legs, so he gets to move out of turn. The guard on the bridge continues in the same direction, scanning the darkness, seeing nothing.
Turn 5: The Green Hornet moves quietly around the side of a nearby car, taking aim at the driver with the Hornet gun. He fires off a gas canister and the driver quickly succumbs to the narcotic effects of the knockout gas! A nearby guard fails to see the driver slump to the ground, unconscious! (These guards are really terrible.)
Meanwhile, from his vantage point atop his own shipping container, Kato has a clear shot at another driver. Not one to miss an opportunity, Kato hurls one of his drugged Hornet-darts at the unsuspecting driver; who is quickly overcome by the knockout venom! The Green Hornet and Kato are like the two pieces of bread in a SANDWICH OF JUSTICE! The guard in the middle of the yard moves back to his position atop the metal platform overlooking the meeting. So far, the Green Hornet and Kato have avoided detection!
Turn 6: The guards seem to realize they’re too close together, so they separate to better keep watch over the yard.
Like flowing water, Kato slips down the side of the shipping container. No longer worried about attracting the driver’s attention, he moves closer to the car, trying to get a better look at the mob lieutenants. The Green Hornet makes a break from cover towards another encounter marker. For a brief moment, he is all too visible to the guard atop the metal platform; but the guard is distracted by something on his shoe, and fails to notice the Emerald Avenger as he gets close enough to note the identity of another mob lieutenant! It’s “Clean-Head Chang”, enforcer for the notorious Chinatown crime boss, Wise Uncle Wei!
Turn 7: The Green Hornet backtracks to his original position. Through his powers of Observation, he activates the encounter marker atop the shipping containers; but it’s a dud. Nothing happens. Kato moves closer to the meeting, for a brief moment fully exposed to two of the guards. Both fail their tests to spot him. (These guards are the WORST.)
Turn 8: One of the guards shifts his facing, giving him another chance to spot Kato. He does not. Kato moves towards another encounter marker, desperately trying to identify the last mob lieutenant; or even catch a glimpse of the mystery man. But before that can happen, the Green Hornet, trying to remain out of sight, moves around the back of the shipping container stack.
He activates an encounter marker. It’s the cops, led to the scene by crusading reporter Mike Axford!
Immediately, the mob lieutenants make a break for their cars, while the Mystery Man slinks away into the shadows. MEETING ADJOURNED!
Turn 9: Although Mike Axford is scanning the yard for the elusive Green Hornet, “Clean-Head” Chang runs out into the open in full view of the cops while making a break for his car, not knowing that his driver has been KO’ed by the Green Hornet’s gas gun. The cops fire, but fail to hit the Tong gangster. Meanwhile, Louie the Lunger runs for his car, also unaware that his driver is down for the count because of Kato’s dart. He comes face-to-face with Kato, and wastes no time pulling his gun and taking his shot. He hits! Kato takes a grazing shot along his rib cage!
In response, Kato screams his Battle Cry, leaping into hand-to-hand combat with Louie the Lunger. To his credit, the mobster doesn’t panic; but he does drop to the ground senseless on the receiving end of Kato’s vicious flying kick!
The Green Hornet tries to head off “Clean-Head” Chang, even going so far as to attack Chang’s car with the Hornet Sting in an attempt to disable it. Unfortunately, the device fails, and Chang’s car is unaffected. Chang reaches his car and speeds away, leaving behind his enforcer. The identity of the third mob lieutenant must remain a mystery, as he manages to reach his car and speed away, leaving his enforcer behind as well!
Turn 10: There are only two criminal models left on the table; these are the two goons left behind by the lieutenants as they made their escape. Mike Axford is obsessed with the Green Hornet and doesn’t care about these small fish. He’s desperately scanning the darkness, looking for the Hornet; but finds Kato instead. He hastily points him out the police, who open fire! Although most of the cops miss, Kato is struck again! He’s down to one wound! This serves to highlight his position to the goon atop the shipping container, who also opens fire at Kato with his tommy gun! Despite leaking like a sieve, Kato manages to leap and roll to safety, easily avoiding the hail of bullets! (Kato rolled two natural 10’s, which are Heroic Saves. The bullets never even came close.) The remaining mobster fires upon the Green Hornet, but only sprays the air as our hero vanishes into the concealing darkness!
Turn 11: Kato needs to get out of here, and fast. He sprints to the edge of the board to join the Green Hornet, spending Hero Points to gain extra movement. The heroes flee the scene with the identity of two of the three mob lieutenants, as the cops collar the remaining gangsters and Mike Axford wrings his hat in frustration. But questions persist: who was the third lieutenant, and who was the mystery man? What did they want?
Analysis: This game was a lot of fun, and it flew by pretty quickly. With two Grade 3 models, you would think the odds were stacked in favor of the heroes; and for a while, that was the case. Once the alarm sounded, though, all bets were off. The fact that the guards couldn’t spot snow in a blizzard helped; but Kato survived by sheer luck alone. I fully expected him to go down in a hail of gunfire from the cops, but they rolled like shit. Then, he pulled off a miraculous dodge when one of the gat men opened up with his tommy gun. Lucky!
I was really pleased with how the two heroes methodically took out the sentries while trying to discover as many clues as possible. The encounter markers weren’t going their way; but they did get seven full turns before the cops showed up, and the identities of 2 of the 3 lieutenants. The final VP tally: Heroes: 7, Gangsters: 1. A pretty decisive (though by no means complete) victory for the heroes!
Epilogue: The Next Day
Britt Reid paced the room, pounding his fist into his palm in frustration. “Blast it, Kato, why does Mike Axford have to be so darn good at his job?”
“Isn’t that what you pay him for?” asked Kato. He was propped up in bed, his ribs bandaged. Despite the pain, he was feeling fortunate that mobsters were such lousy shots.
“The Daily Sentinel is lucky to have a reporter so tenacious. The Green Hornet, not so much. Axford brought the cops down on us before we could find out what was really going on in that storage yard.”
“We know the identities of two of the lieutenants,” said Kato, ” Louie the Lunger and Clean-Head Chang. That’s something.”
“It would have been nice to be able to interrogate at least one of them, and find out the identitiy of the third,” said Reid, “not to mention the mystery man, and what they were doing in the first place. Chang got away, and Louie is cooling his heels in a cell downtown.” Reid sighed in exasperation. “D.A. Scanlon says he isn’t talking.”
“Sorry I got shot, boss,” said Kato.
“That’s ok, my friend,” deadpanned Reid. “Just try to do better next time.” The two men exchanged smiles. “So, what now?” asked Kato.
“Clean-Head Chang is top enforcer for Wise Uncle Wei,” said Reid. “I think it’s time Wei got a visit from the Green Hornet.”
Kato nodded, sliding out of bed; but Reid stopped him. “You need to stay here and rest up, Kato. I’ll handle this one alone.”
Kato shook his head. “I don’t think that’s a good idea.”
“You worry too much, Kato. I have done this before, you know.” Reid smiled. “I’ll tell you all about it when I get back.”
Kato sat back and watched as Britt Reid left. A few minutes later, he slid out of bed, wincing in pain. The Green Hornet needed Kato, and there was no way he wasn’t going to be there.
Scenario: At midnight, three of the most powerful mob lieutenants in the city are meeting with a mysterious figure. Who do these lieutenants work for and what are they discussing? Who is this mystery man? And why wasn’t the Green Hornet invited? The Green Hornet and Kato plan on finding out the answers to these questions; but there’s another problem: Ace Reporter Mike Axford has also learned of the meeting and tipped off the police. It’s only a matter of time before they arrive…can the Green Hornet find his answers before then?
Victory Conditions: The Green Hornet must discover three clues (the identities of the enforcers) and escape the board. The criminals must prevent him from learning everything before the cops arrive and they are forced to make their escape. Victory points are awarded for clues. Each clue discovered by the Green Hornet is worth 1 VP, each clue that goes undiscovered is worth 1 VP for the criminals. In addition, each model that is eliminated is worth one VP equal to his grade (i.e. a Grade 3 model is worth 3 VP, etc.), and each Mob Lieutenant (not including the mystery man) that is able to escape is worth 1VP to the criminals. Whoever has the most VP at the end wins.
Forces: The Hero player controls the Green Hornet (Grade 3 Crimefighter) and Kato (Grade 3 Crimefighter). The Criminal Player starts with 3 Enforcers (Grade 2) and 6 Gat Men (Grade 1). (Each lieutenant brought a driver and a goon.) The lieutenants and the drivers are armed with pistols; the goons are armed with submachine guns. The Police (3 Grade 1 Officers) and Mike Axford (Grade 1 Reporter) are controlled by either player, subject to the conditions below.
Setup: Play is on a 24”x24” surface, representing the yard of MacLane’s Storage Yard. There are shipping containers stacked around the yard, forming a central clearing of sorts. Crates, barrels and oil drums are liberally scattered about the yard, providing cover and spots to hide. There are three cars each facing an unobstructed path through the containers in roughly a Y-shaped pattern. In the center of these cars, the three Mob Lieutenants are deployed, along with the Mystery Man. One Gat Man is deployed next to each car; these are the lieutenants’ drivers and they don’t usually take part in any of the action unless the shooting starts. The remaining 3 Gat Men are deployed on Guard Duty. The guards can be placed among or atop the shipping containers. The Green Hornet and Kato start on one board edge, in cover but at least 8” away from any enemy model.
Stealthy: A hero can attempt to take out a guard in melee without alerting any of the others. If a hero attacks a guard in melee and KO’s him, he does so silently. If the guard doesn’t go down, he immediately sounds the alarm. If a hero attacks a guard with line of sight to another guard, any attempts to spot him are made at +1.
Sounding the Alarm: Any guard who spots a hero model or who survives a round of melee can sound the alarm. This instantly alerts all the guards on the table, who can activate and act normally in subsequent turns. The bosses make a break for it as if The Police Arrive (see below).
The Police Arrive: When this happens (or when the alarm is sounded), all the bosses immediately make a break for their cars, and will reach them in one turn. The drivers can shoot at any of the heroes or the police they can see for one turn, then they speed away with their boss on the following turn. Any of the bosses who get off the board escape. As for the mystery man, he cannot be captured. He vanishes without a trace!
The police choose their targets as follows: first, they fire at any model that fired upon them, otherwise they fire at the closest hero or criminal they can see. Whichever model is the target, the opposing player rolls for the cop’s attacks. The Green Hornet and Kato will not enter combat with the police or with Mike Axford (no matter how much they want to), the one exception being the Green Hornet can use his gas gun if needed.
Pesky Mike Axford: Mike Axford is obsessed with unmasking the Green Hornet, and is constantly pointing out his whereabouts to the cops. By spending a Hero point, the player controlling the mob enforcers can force the police to fire upon either of the heroes, even if there is a closer criminal target. The criminal player cannot do this if any criminals fired upon the police earlier this turn, however. Axford cannot be the target of attacks, nor can he attack any other model.
The Green Hornet (Grade 3): DR 5 Brains 4 Will 3 Brawn 3 Guts 10 Heater 5 Shiv 5 Dodge 4 Speed 5 Brawler +1d10, Pugilist +1, One-Two Punch, Sharpshooter +1, Quick +1, Nerves of Steel +2, Observant, Quick Recovery, Heroic Action
Another challenge for the Green Hornet; his aide, Kato; and their rolling arsenal, the Black Beauty!
Britt Reid, publisher of the Daily Sentinel, sat in his home office, uneasily drumming his fingers on the desk. “Very interesting, Kato.”
“What’s that?” Kato asked, setting a glass in front of his boss and friend. With a flourish,he held aside the sleeve of his white valet jacket and began to fill the glass with orange juice, raising the decanter impossibly high before lowering it at just the right moment to avoid an overflow.
Reid smiled at Kato’s theatrics.“Three of the city’s biggest mob lieutenants have a meeting tonight, Kato– a secret meeting with a mysterious fourth party…and it seems the Green Hornet wasn’t invited!”
“Maybe our invitation got lost in the mail,” Kato said dryly. “What do you think it’s about?”
“I don’t know, my friend. But one thing I do know: this is one soiree the Green Hornet isn’t about to miss!”
Kato nodded. “I’ll get the car ready.”
It’s long past time I played some Pulp. Although my Star Trek skirmishes last year scratched an itch for adventures in spaaaaaace; I wanted to get back to some good old-fashioned two-fisted Pulp action. And who better for that than the Green Hornet and Kato?
I used .45 Adventure 2nd Edition, my favorite rules for Pulp gaming. You can get the PDF here for a measly 10 bucks, and it’s well worth it. That being said, I made a few changes; the same changes I used when playing the Star Trek games using Fantastic Worlds. I’ll repeat them here: .45 Adventure has a detailed combat system that involves wound location and deteriorating statistics based on damage received. For example, you get shot in the arm, your shooting and brawling abilities go down; you get shot in the legs, your movement speed decreases, etc. The better your character, the higher his stats and the more wound boxes he has; therefore wounds have less of an effect on heroic characters and a greater effect on scrubs.
For my taste, this was a bit more bookkeeping than I wanted to deal with. I decided a model has a number of wounds equal to its rank and damage resistance (DR) commensurate with their abilities, and that wound location doesn’t matter. If a character is wounded, he loses a wound. Rank 3 and Rank 2 characters are KOed when they lose their last wound; Rank 1 scrubs aren’t so lucky: they’re dead (unless they are supposed to be KOed). This makes combat a lot faster and more deadly, but requires a lot less effort to keep track of a character round-to-round. Heroic characters (like the Green Hornet) may have access to abilities that allow them to shrug off and/or heal wounds, or to act regardless of them, but goons go down fast. As it should be!
The tradeoff is that a lot of special abilities in .45 Adventure are based around wound location, such as Supreme Effort, which allows a model to use his starting stats for a wound location for a turn (regardless of how badly damaged that location is); or Dead Shot, which improves your chances of hitting a specific location. Since I scrapped wound location, none of the models could use these; which somewhat limited the selection of skills I had access to. Each location also has its own Damage Resistance value. It’s generally easier to wound someone if you hit them in the head as opposed to hitting their arm, for example. I scrapped that too, and just assigned a blanket DR to an entire model. The more important or tough the model is, the more DR it has. This makes the game move a lot faster at the expense of some of the detail of the system; I like it, but YMMV.
That about covers the rules. But, what about the scenario?
It’s simple: At midnight, three of the most powerful mob lieutenants in the city are meeting with a mysterious figure. Who do these lieutenants work for and what are they discussing? Who is this mystery man? And why wasn’t the Green Hornet invited? The Green Hornet and Kato plan on finding out the answers to these questions; but there’s another problem: Ace Reporter Mike Axford has also learned of the meeting, and tipped off the police. It’s only a matter of time before they arrive…can the Green Hornet find his answers before then?
Of all heroes, I didn’t set out to repaint and rebase Aquaman. It came about quite by accident. Recently I had a quick rummage through the bitz box on an unrelated project, and I discovered this Aquaman Heroclix left over from a Forgotten Heroes conversion I did back in 2018. I had popped him off his dial and used the water spout to make the Water Wizard.
(I never throw anything away. That Water Wizard was also made from a Quicksilver body and a Weather Wizard head; the Weather Wizard’s body was used to make the Aquarian. along with a head from a different Aquaman miniature, the hook of which was used on this Pulp Figures conversion. Finally, the Quicklsilver head was used the year before to make Jack Frost, along with a body from a Heroclix Scorpion. As for Scorpion’s head, I have no idea where that ended up.)
The entire time I worked on this conversion, this song was running through my head. It will run through your head too, if you listen to it. It’s insidious, and you will grow to like it. It drove me so nuts I looked up the video on YouTube. It reminded me how much I love this movie, because…Julie Adams. I know, right? What is it with girls named Julie? Adams, Newmar, Christie…it’s a good name, is what I’m saying.
Anyway, I had some “seaweed” and some shells left over from my Under the Sea diorama last month, so that got me thinking of making another underwater base. Since Aquaman is at his coolest in his element (as cool as he can be, anyway), it seemed appropriate to base him underwater. Again, credit to Eons of Battle for the base tutorial.
And here he is. I painted his stupid water hand to look like flesh so he would better resemble the classic, lame-ass Aquaman we all know and mock. (“Go talk to some fish!”)
Here’s my attempt at making Aquaman cool; although if Jason Momoa can’t do it, who am I to think I can? He was a fun little project in the midst of some others, and it’s been a while since repainted some ‘Clix. It’s a bit of an amuse-bouche for June…when Forgotten Heroes comes around again!