Category Archives: Painting Challenges

Chloe the Rat

This is a tale of two women; one, a loner, a creature of the wild; with but one friend in the world. The other: a princess, cruel and spoiled, with no friends at all.

The girl Chloe was a child of the forest, a foundling. She was raised in the ways of the Pathfinder by Keeler the Guide, a ranger of Rowanwood; and Sarapen Moonsilver, the Barkwarden. Chloe was a peculiar child who grew into a peculiar woman. She took to the teachings of the ranger and druid well enough, but neither could call her daughter or friend. Something was different about her. It was as if she felt no kinship to the forest at all, or to those who lived within. Except for one.

Chloe met the dryad Briarose one day while traversing the Rowanwood alone. Eager for company, the dryad invited Chloe to stay for a while and trade news of Rowanwood, for Briarose could not venture far from her ancient oak and wanted to hear of the forest beyond her reach. Chloe obliged, more from a sense of boredom than anything else; but she soon found herself returning to the dryad’s tree more often, sometimes planning her travels to include Briarose’s grove as a stop along the way. The two became friends, though they could not be more different.

Chloe’s travels took her far throughout the Rowanwood, and she was only able to meet with her friend Briarose once every few months or so. It was during one of these meetings that the dryad told Chloe she had met another girl from the land outside the forest. Her name was Circa, and she was a princess. Princess Circa had stumbled into her grove while hiding from her royal guard, who had accompanied her on what she called a “terribly boring” hunting trip. They spoke for a while and Circa told her how hers was a life of luxury and privilege. She had many servants and everyone obeyed her commands. She invited Briarose to come visit her in her castle. Of course, Briarose had to refuse, as she could not leave her tree. When she told Circa this, the princess got a strange look on her face. A few minutes later, the two heard the sounds of the princess’s hunting party calling for her. Circa left to join them, but told Briarose that they would see each other again soon.

Something about this made Chloe uneasy, but she said nothing. When she returned to the grove several weeks later, she found it uprooted and destroyed. Briarose’s tree lay on the ground. The ancient oak had been ravaged for lumber. She found the body of her friend beneath it, still clinging to the trunk, and she imagined the scene as her friend must have begged and pleaded with those responsible to stop hurting her tree. To stop murdering her.

Chloe knew who was responsible, of course: the spoiled princess, Circa. She wanted Briarose and did not care that the dryad could not come to her court even if she wanted to, for she was bound to the tree. Bring the tree, then, Chloe imagined her saying. Chloe followed the tracks of the princess’s guards to the edge of the forest, where they passed into the plains beyond. She tracked them all the way to Malfort, the capital of Evalaux; and could have tracked them to the castle itself, but there was no need. Chloe knew she could not get to the princess directly. Better to spend her efforts elsewhere.

And she did. Chloe had no friends in Malfort. She had no friends at all, since the death of Briarose. Her first task, then, was to make some. She did not like people, so instead she made friends with the rats of Malfort. All of them.

Within months, Chloe and her rats controlled the entire underworld of Malfort; easily wresting it from the grip of the Thieves’ Guild that operated in the sewers and shadows. Chloe’s legend grew. Rats bred unchecked, spreading disease and pestilence in the city above, spoiling foodstuffs and fouling wells. The people of Montfort cried out to the palace for help. They were suffering. They were dying. Unrest stirred, and the power of the royal family began to shake. Surely the king would do something?

The king could do nothing, because the king was dead. His seneschal found him in his chambers one morning, or what was left of him, anyway. He had been devoured by rats in his sleep. There seemed nowhere Chloe’s rats could not reach.

Princess Circa found herself suddenly in charge in a palace overrun by rats. She barricaded herself inside and hired as many rat catchers as she could from the surrounding towns and cities of Evalaux. She paid them extravagant sums to ply their trade, with promises of riches untold to the one who could rid the palace and the city of the rats. The rat catchers all died horribly; some devoured by rat swarms like the king, some made to ingest the very poisons they employed in their trade. They died, the people despaired, and Chloe’s grip tightened around the princess’s throat.

Over the course of the next several months, Chloe squeezed.

Today, Princess Circa still lives in the ruined palace, though her servants and guards fled long ago. She wanders the halls, incoherent and bedraggled and quite mad, attended only by rats. Outside, life has returned to normal for the people of Malfort. The tides of vermin no longer plague the city as they did. The disease has been checked, commerce and trade has resumed. The wells run clean and the storehouses are safe. All is well again.

But the people know, and they will not forget. Chloe the Rat is now princess of Malfort, and her palace is below the streets.

September’s Character of the Month is a Ranger; albeit a pretty unconventional one. This project has been pretty light on evil characters so far (only Rafinphel the Adored is expressly evil, and he’s not MY character), so I thought it was time. I imagined a ranger so obsessed with vengeance that she usurped nature for her own ends. This is the result.

For Chloe, I used Reaper’s Vermina, the Rat Queen, from their Chronoscope line. There are two versions of this character. This one, sculpted by Werner Klocke, has an anime-vibe to it. The other one is much more Victorian-looking and is sculpted by Patrick Keith. I’ve had this one for many years. She was supposed to be a non-player character in a D&D 3.5 campaign; but the game fell apart before I had a chance to paint her and she’s languished under chipped black primer ever since.

Since it’s obviously not September anymore, Chloe is late. But that’s ok. I have another Character of the Month for October coming by the end of the month; and hopefully more Star Wars, too.

Season of Scenery 2021

Well, Dave Stone’s Season of Scenery has come and gone, and here’s what I have to show for it. Thanks as always to Dave for hosting this fun challenge!

I painted up the 20mm Gaslands scenery that I said I would. The tire stacks took me about half an hour in total to complete; whereas the barrel groups took WAY TOO FUCKING LONG. Those barrels were some tedious bastards, I can tell you that for nothing. Now that I have these done, I should play Gaslands at some point just to drive some cars into these explosive barrels.

I also painted these fuel and/or gas tanks (they’re actually milk and livestock feed tanks from model railroads). While most of them are in 20mm scale; as you can see they could be used equally as well in 28mm games. I weathered and rusted them up quite a bit using MIG rust pigments and Citadel Typhus Corrosion.

Up next, I have some 28mm 3D-printed scatter terrain I recently picked up with an Etsy coupon. These crate and barrel piles look nice, and I can always use more of them. I also took the opportunity to paint some extra barrels and bits I had lying around.

I also managed to get to these remnants of some 3D-printed SciFi crates I ordered. I painted them in the same white theme I used for the others. You can see them in my Star Trek battle reports.

Finally, the things I’m happiest about. These two Armorcast vending machines have been an incomplete project for years. I bought them at Gen Con in 2012; and I planned on using them for zombie games; but that didn’t happen. Then my intent was to use them in supers games; but that didn’t happen either. Then last year I took them out and put them on my desk because I wanted to get to them for Summer of Scenery 2020; but guess what didn’t happen? And there they have sat in all their annoying base-coated glory, just taking up space on my painting desk and not paying rent. Well, now they’re done, and I now NEED to use them in a game just to justify their existence.

Did I get to everything? No. But I don’t give a shit because it’s STAR WARS TIME, BAYBEEEEEEE!!!! I’m finally diving back into Imperial Assault, so watch for that soon!

Reverend Mother Mara, Sisterhood of Calucia

For August’s Character of the Month, I chose to do a Paladin.

When Mother Helen, Preceptress of Cobbage, opened her schoolhouse door to find the abandoned infant on her step, she did not hesitate; for Helen had once served the Sisterhood of Calucia, Guardian of Lost Travelers. Though Helen was a sister no longer and the Sisterhood was no more, she took the child in and cared for her as her own daughter; for what was this poor child if not a lost soul? Helen named the child Mara, who grew to be beloved by all in the small village. She was kind, helpful, charitable and humble. She could also lift a bushel of apples at arms’ length by the age of nine; and by fourteen, she could fully drive a fencepost into hard-packed clay with one swing of her hammer.

Despite (or perhaps because of) her great strength, Mara did not lack suitors when she reached the traditional age of marriage two years later; but Mara had no interest in marrying anyone from the village. These were the same boys who were her playmates for the last sixteen years, and she could not see them now as men. Besides, she needed to care for Mother Helen, who had grown infirm with age, and to assume the duties of Preceptress in her stead; for Mara was easily as wise as she was strong, much wiser than a girl of sixteen years should be.

Towards the end of her life, Mother Helen told Mara her own story; how she left the Sisterhood and came to be Preceptress of the small village of Cobbage. Helen was once a novitiate at Glenstrae Abbey, seat of the Sisterhood of Calucia in far-off Dunlaig. The folk of Dunlaig were a superstitious lot who had no use for magic that was not divine, and the Abbess of Glenstrae, Gertrude, was no exception. One dark and moonless night, an elf maiden sought sanctuary at the Abbey. She was in flight from lawless men who wished her harm; yet the Abbess denied her safety. She was fey, after all; and the Abbess decreed that she would find no comfort among the Sisterhood. When they found her body the next morning on the very grounds of the Abbey itself, the Abbess was unmoved. She ordered the corpse buried in the garden, where “at least it would do some good as fertilizer.”

The sisters were in shock. They felt immediately the loss of their Guardian’s favor, for who was more wayward and in need of aid than the poor elf maiden who begged for help and received only scorn? Still, Gertrude was unrepentant and prideful. She would hear no dissent on the matter, though she felt the loss of communion with Calucia more strongly than most.

A fortnight later, the keening started. The elf maiden had risen as a bean sidhe; and she was not done with the Sisterhood of Calucia. Each night for a month she circled the Abbey, keening and wailing; a horrid sight to behold. The sisters pleaded with the Abbess to repent; but Gertrude remained defiant, poisoned by her deep-rooted hatred of all things fey. With no divine magic to hold it at bay, it was only a matter of time before Glenstrae Abbey’s protections failed and the bean sidhe was able to enter what was once consecrated ground. When she did, her unbridled wrath broke fully upon Gertrude most horribly, but left none alive among the Sisterhood.

None but Helen. Cornered by the bean sidhe among the white and silent corpses of her sisters, Helen closed her eyes and called out to Calucia for deliverance. When she opened them, she found the horrid visage of the undead elf mere inches away, staring at her with an expression the young sister couldn’t comprehend. She blinked, and the thing was gone. Mother Helen told Mara she did not know why the creature let her live, if not to tell the tale of what had become of the fallen Sisterhood and of the once-holy Abbey, now fallen to evil and ruin.

Helen died a few nights later. Mara saw to her burial. Over her grave, Mara vowed that she would do what Helen could not. She would atone for the Abbess’s transgressions. She would rebuild Glenstrae Abbey. She would redeem the Sisterhood of Calucia, or she would die in the attempt.

Mara made her intentions known to the village. The blacksmith provided her with armor and a sword; but Mara did not know how to wield a sword; rather, she knew how to swing a hammer. So the smith forged her a hammer instead, a true weapon of war, not a tool for driving fenceposts. Mara accepted it gratefully, and named it “Correction” in honor of the switch Mother Helen occasionally used to chastise pupils who misbehaved.

The road to Dunlaig was long, and Mara encountered many who needed her help along the way. She fixed wagon-wheels for the stranded; planted and plowed for the infirm; defended the weak and powerless; and clothed and fed the needy as best she could, often going without comfort herself. She did this without complaint or recompense as service to the Guardian Calucia in memory of Mother Helen, the woman who cared for her when no one else would.

When she finally reached Glenstrae Abbey, she found it to be a cursed and bleak ruin shunned by all. In the years since the Sisterhood’s destruction others had come here in search of adventure or to loot the valuables of the vaults. All of them perished when the heard the keening wail of the bean sidhe; for the undead creature spared no one foolish enough to willingly enter the Abbey grounds. Now, these cursed souls had risen and become evil things themselves. They surrounded Mara as she strode boldly up to the gates of the Abbey, whispering foul promises of eternal torment; but Mara was unafraid. She shouted her defiance and commanded the undead horde to leave the Abbey, that this would once again be sacred ground. She invoked the name of Calucia, and something wondrous happened.

The undead hordes shrieked in fear and pain. Many of them simply ceased to exist as the power of Mara’s prayer banished their evil forever. Those that remained quailed in fury and terror; but they soon rallied and leapt to the attack. Mara met them head-on with Correction. Within minutes, she was the only thing moving on the grounds of Glenstrae Abbey. The bean sidhe’s minions were utterly destroyed, shattered into oblivion by the holy power of her warhammer.

Mara knelt in prayer and waited. She did not wait long. The restless spirit of the elf maiden appeared, and let out a keening so horrible that Mara felt all of the rage, humiliation and pain of maiden’s death all at once. She could feel the unbridled evil of the scream as a chill upon her soul and knew that she survived only by Calucia’s grace; for it was more than anyone could bear, and Mara knew that all who had heard it before had died on the spot. In the span of one moment, the scream of the bean sidhe aged Mara a full score years; yet Mara, shaken to her core, still stood, somehow alive.

The undead thing rushed at her, furious. Mara did not raise her weapon in defense. She only watched as the hooked claws reached to tear her limb from limb, and she spoke only two words. “I’m sorry.”

The bean sidhe stopped. For a moment, the two women stared at each other; for the undead elf maiden looked then much as she did in life: beautiful and fey. Mara stepped forward and embraced her. The bean sidhe slumped and let out a sigh. Then it vanished.

Mara found herself Abbess of Glenstrae. She spent the next several years rebuilding the convent, doing much of the physical labor herself. She exhumed the bones of the elf maiden and reburied them in a place of honor alongside Mother Helen, whose remains she brought back from Cobbage to rest on Abbey grounds. Her good and charitable deeds regained the favor of Calucia, and the Abbey was soon home to novitiates once more. The Sisterhood of Calucia was born anew.

Reverend Mother Mara is Reaper’s Mother Superior, sculpted by Werner Klocke. I was wondering what miniature I was going to use for a paladin. I seem to have picked up this one in a trade and forgot all about it, which only goes to show that (surprise) I have too many miniatures. She was fun to paint, if not particularly challenging.

Up next: My Season of Scenery submissions! Then on to STAR WARS!!!!!

The 2021 Season of Scenery To-Do List

With one month gone already in Dave Stone’s Season of Scenery, I am lagging a bit behind. I’ve decided to do a bunch of small pieces that have been sitting around for far too long. Hopefully I can get the majority of them done by the end of August; but if not, at least I’ll have made some progress. Much of it is either 3D-printed or resin cast stuff, some of which I’ve owned for almost a decade.

Pretty much everything that’s black up in that picture is 20mm Gaslands scenery: fuel tanks, fuel barrels and tire stacks. These should be very easy to paint and hopefully will go fast. The white stuff is some new 3D-printed cargo piles I picked up in 28mm scale. Again, not hard to do, just time-consuming. The gray stuff is what’s left over from a 3D-printed sci-fi crate order I got last year. I used the other crates in my Star Trek Forgotten Worlds scenarios, but since I didn’t need these large ones I didn’t bother to paint them. Then there’s the vending machines and the Victorian weird science dynamo, both from Armorcast, and both purchased so long ago I can’t remember when. (I don’t even think they make the dynamo anymore.) Those damn vending machines have been sitting on my desk in their respective basecoats for almost ten years. It’s time, man.

Finally, I have three resin barricades I’ve owned since 2003 or so. I bought them for Warhammer 40K, but I never really went back to playing 40K so I never needed them. Primed black on the left side of the picture is a ruined wall fortification, another 40K piece I never got to. While these are the oldest and largest pieces of scenery; they’re also the lowest priority. Still, it would be nice to get to them…maybe if time permits.

Sarapen Moonsilver, Druid

For July’s Character of the Month, I chose to do one of my least favorite character classes: the Druid.

Loan the Barkwarden first came upon the girl in a glade deep in the Rowanwood, a basket of mushrooms nearby and a dead fox cradled in her lap. He knew who she was, of course; her silvery-white hair and slightly pointed ears made that much obvious. She was Sarapen, the herbalist’s daughter. That explained the mushrooms; but not the fox. Nor did it explain why the girl was so deep in the wood. No young girl should venture this far into the wild, dark and ancient Rowanwood unaccompanied, for Loan knew of at least a dozen creatures and plants within a stone’s throw that could easily kill her as dead as the fox in her lap. It was unlikely she was lost, though; she seemed unconcerned and unafraid. In fact, she was humming softly.

Sarapen Moonsilver looked up as Loan strode out of the surrounding wood to tower above her. The Barkwarden was huge, a head taller than most men, with tangled brown hair and deep, cobalt blue eyes. His matted and filthy beard hung to his waist, home to all manner of woodland vermin. Various crystals, dried herbs and roots dangled from his tattered robes and from the crooked blackthorn staff he bore. His hands and nails were black with dirt and he stank of the forest. Most children would have screamed and cowered in terror of such a man, but Sarapen Moonsilver did not.

Loan the Barkwarden gazed upon her with blue eyes ablaze. She stared back. “That fox is dead,” he said. The girl nodded. “Did you kill her?”

“No. She was my friend,” said Sarapen Moonsilver. “She was dying and asked me to stay with her.” Gently, she lifted the fox from her lap and lay it down next to her on the grass. She smoothed her skirt, retrieved her basket, and stood.

She shrugged. “It was her time.” Loan watched her in silence. A strange girl to be sure, but nothing simple about her. Suddenly, she gave the Barkwarden a penetrating look. “Are you my father?”

Loan the Barkwarden would have laughed, but it had been so long he had forgotten how to do so. “No,” he said gruffly. “I am not your father, child. Your father was a vain elf stooge named Veril who cared nothing for your mother and cared even less about you, if he knew of you at all.”

If she was hurt by his brutal words, she gave no sign. “You know him?”

“Knew of him, yes. He’s dead now; and no great loss, that. He tried to kill a troll that was minding its own business, simply being a troll. It wanted no trouble, but Veril, pompous ass that he was, decided he would kill the troll, and was killed by it instead.”

“Oh,” said Sarapen Moonsilver.

Loan snorted in derision. “Another fool dead, and never has there been a race more riddled with fools than the elves. Elves live long, and they are the biggest fools of all, because they are fools who think they are wise. In truth, no elf has had a single original thought or come up with a new way of doing anything for thousands of years. What do they do instead? They sit around and sing. How much fucking singing can you do in a thousand years, child?”

Sarapen Moonsilver said she didn’t know.

“Yes, the elves are old,” continued Loan the Barkwarden. “That is why they fear humans, and that is why humans fear elves. And why humans and elves alike fear you.”

“Fear me?” asked Sarapen Moonsilver. “Why should anyone fear me?”

“Because you half-elven, and half-human. You are too much the human for the elves, and too much the elf for the humans. It is no accident you and your mother live apart from both; ignored by the elves while giving out stomach remedies, love potions and hedge-cures for the superstitious folk in the village. Your ears and hair mark you as elvish: fey, magical and exotic, everything humans hate. Your wide hips and strong arms mark you as human: impulsive, brash and new, everything elves despise. Both see in you what they fear the most in each other.”

He had not spoken so many words aloud since before she was born. Loan the Barkwarden turned and walked away into the woods. Sarapen Moonsilver watched him go.

Over the next few years he kept a watchful eye on her secretly, or so he thought at first. She always seemed to sense him, whether he wore his own form or that of a beast or tree of the Rowanwood. She grew to into a beautiful young woman and a fine herbalist in her own right; but it was obvious she was much more than a mere hedge-witch.

Unlike with the fox, Sarapen did weep when, several winters later, it was her mother’s time to die. Sarapen had not encountered Loan the Barkwarden since their first meeting in the clearing years ago; so she was surprised to find him at her mother’s cairn a week after her passing. He had swept the snow from the stone and there was a great number of her mother’s favorite summer flowers and blossoms surrounding the grave. Sarapen knew it was Loan’s magic that caused them to bloom out of season. She knew then, too that Loan the Barkwarden had known her mother well and cared for her in his own way, yet neither had ever spoken of the other.

She approached the old man in the company of her friend and protector, a great bear named Sharn. Loan knew this wise and fierce bear, and he nodded in satisfaction that these two had formed a bond. It meant she was farther along the path than he had realized. He reached out and absently scratched the bear’s muzzle, heedless of any danger; for no creature of the forest held any danger to the Barkwarden of Rowanwood.

“So,” said Loan the Barkwarden, “Your mother’s time of dying has come and gone. You are herbalist now.”

“I suppose that’s true, for now,” she answered. “But it will not soon be so. The trees have spoken to me.”

“What did the trees say, Sarapen Moonsilver?” Loan asked. His voice was uncharacteristically soft. Was she so skilled already?

“They told me that I will be Barkwarden one day,” she said.

“I am the Barkwarden of Rowanwood,” the old man said. “I have been such since many of these trees were saplings.”

“But you will not be forever. All things have their time of dying, Loan.” Sarapen Moonsilver turned from the grave and smiled up at the Grand Druid. “Even you.”

“Yes. Even me.” Loan the Barkwarden nodded, his own smile lost in his great beard.

He suddenly remembered how to laugh.

Sarapen Moonsilver is Reaper’s Juliana, Herbalist; a new sculpt by Bobby Jackson from the Reaper Bones Black line.

As soon as I looked at this miniature I knew I wanted to paint her hair white, so I thought that should be the most striking part of the model, not her clothing. I opted to paint her in subdued colors, in simple clothes that a woman who walks through the forest foraging for herbs and mushrooms would likely wear. Once again, I knew I was going to do a lot of base-work on this one, so I thought her plain clothing would also contrast well with all the color on the base.

I can’t resist using this Vallejo Water Effect stuff since Roger introduced me to it, so I sculpted a pool of water for her to kneel by. I used some railroad-scale flowering bushes to finish it off, and I think it looks pretty darn good.

Fun fact if you want to use this Vallejo stuff: it interacts poorly with super glue. I know this because I was applying drops to the base to affix the flowers, when I discovered there was a little bit of air in the glue nozzle. It spit a small glob of glue directly onto my perfect, shiny and pristine water effect that I had spent two days waiting to dry. Five minutes later, the water effect was clouded and the glue had encapsulated. I had to take it out with a pair of tweezers; but it continued to react to the water effect for about 10 minutes.

My name is The Angry Piper, so can probably guess how I reacted to this development. Afterwards, I applied another layer of the water effect. It seems to be ok now. As am I.

Coming soon, in no particular order: another Battle Report, this time for some Super Mission Force; but don’t worry. The Green Hornet and Kato will return soon…

Also, it’s the Season of Scenery over at Dave Stone’s place; and I ain’t done shit yet. I have a bunch of small pieces I want to get done this year. Things that have been sitting undone for far too long.

And finally, I’m almost done with my Aliens: Another Glorious Day in the Corps miniatures. Once they’re done I will, of course, post them here. Then it’s on to Imperial Assault; if for no reason than to justify my crazed purchases of that discontinued franchise.

Forgotten Heroes 2021: The Crimson Hound

Visitors to Dead Dick’s Tavern may recall me lamenting the fact that I don’t get to play many games any more, especially roleplaying games. Since I opened an Instagram account about a year ago, I’ve met some pretty cool hobbyists and gamers, many of whom live much too far away from me for us to ever be able to sit around the same table. Because of remote play during the COVID pandemic, that hasn’t been as much of an obstacle, and I’ve been able to get some gaming in with some very cool people.

One of them, my friend Bruno, has a YouTube channel called The Chronicles of the Crimson Hound, and through this, he has come up with something truly ingenious that all but guarantees he gets to play a ton of games. I’d be lying if I said I didn’t envy the guy.

Bruno created a character: the Crimson Hound, a vampiric vigilante super hero in a cyberpunk-style city. Bruno’s brilliance is that he gets other people to GM games for the Crimson Hound, using whatever rules system and running whatever story they like; then he puts the game sessions up on YouTube. So far, the folks running the games have mostly been gamers who have websites and podcasts of their own; so viewers get to see a variety of game mastering styles and get a feel for diverse methods of storytelling and gaming. The serials are broken down into sessions of about 15 minutes each, so they’re great to listen to while you’re…oh, say, cooking dinner or painting miniatures. Check them out!

Anyway, Bruno asked me to GM a game for the Crimson Hound, which made me feel immensely flattered. Run a game for a vampiric vigilante in a pulp/cyberpunk setting? Yes, please! On YouTube? No, thank you. Some folks, like Bruno, are handsome and charismatic enough to be on YouTube. Others, like me, are far too handsome for YouTube but lack any charisma whatsoever. Sad, but true.

Still, I felt bad because Bruno was kind enough to playtest one of my Call of Cthulhu adventures that I am planning to submit to the Miskatonic Repository. In other words, when I asked, he said yes; while when he asked, I declined. Kind of a dick move on my part. (See? No charisma.)

So, as a way to say thanks, I decided to immortalize Bruno’s creation, The Crimson Hound, for Forgotten Heroes. The Crimson Hound isn’t “forgotten”, of course; his legend is only just beginning! But this challenge gave me all the excuse I needed to practice my green stuff kung-fu. (Special thanks to Dave from Wargames Terrain Workshop for the quick assist in answering my noob sculptor questions.) Besides, Carrion Crow is usually pretty lenient when it comes to enforcing the rules.

The base miniature was Captain Griffon, by Reaper, from their Chronoscope line. (If I remember right, Bruno wanted to use this miniature himself for the Hound, once upon a time.) I couldn’t find anything better in my rather extensive pile of Heroclix. I had considered using a Robin miniature as a base, but I picture the Hound is bigger (and cooler) than Robin.

In his single-minded pursuit of vigilante justice, the Crimson Hound has used stun batons, handguns and even an enchanted short sword. I considered giving him one or more of these, but in the end I decided just to stick with his bare hands. The Hound is a brute, after all. He’s not too subtle when it comes to kicking ass.

I added some green stuff to bulk out his shoulders and his collar, and sculpted his mask and his knee pads. Then I let him dry and sanded him down with an emery board, because Dave said to.

Of course, unbeknownst to Bruno, while I was IN THE MIDDLE OF sculpting and painting the Crimson Hound, Bruno put up a new Instagram post, showing the Hound’s upcoming NEW COSTUME. In other words, not this one anymore.

D’oh!

Here he is, all painted up. I tried to be as faithful to the top picture as I could, but there was no way in hell I was going to even attempt that belt. It’s way beyond my green stuff skillz. As it is, looks like I could have done a better job sanding him down. Hope you like him, Bruno!

Here’s a funny little anecdote: for my final touch, I decided to give the red parts of the costume a light wash of Citadel’s Bloodletter glaze, which really does a good job of highlighting and tying together the different shades of red. It was supposed to be the very last thing I did, but shortly after the application, I noticed a bunch of mysterious white spots all over the model, wherever I put the Bloodletter. Seems my glaze went bad somehow, and I had to redo all the red. Isn’t that funny? Ha ha ha.

Ha.

That’s probably it for my Forgotten Heroes submissions this year, although I could still pull something out last minute. Stranger things have happened. In the meantime, I will continue to watch the other participants with great interest!

Forgotten Heroes 2021: Grips

Back in 1986, a small comics company called Silver Wolf Comics put out a handful of black and white titles. The company was owned by Kris Silver, who also created and wrote most of the comics. One of those comics was Grips.

Grips is a “hero” who kills criminals because he’s a psycho himself. He gets off on giving and receiving pain and can will himself into a murderous rage. When he’s not doing the psychotic murderous vigilante thing, Grips likes long walks on the beach and candlelit dinners. He’s also a comic book artist; the artist of Fat Ninja, which was another Silver Wolf comic of the time. But mostly he’s all about killing and maiming bad guys in bloody and vicious ways.

He has long blades that slide out of his forearms that he uses to eviscerate people, like so:

He also shoots little projectile spiky things out of his gloves, like so:

And he uses a pair of spring-loaded tonfa when he feels like beating people’s brains in instead of gutting them, like so:

And he fucking LOVES IT.

When I was in high school, I thought this shit was AWESOME. Looking at it now (something I haven’t done since high school), I realize it is not awesome.

The first Grips comic lasted only 4 issues (I have 1-3). While researching this, I was surprised to find it came back for a second series a few years later, but that one only lasted 5 issues. Sprinkle in a very few appearances in other titles, and that’s about it. Grips would pretty much define the term “Forgotten Hero”, if he wasn’t notable because his book featured art by Tim Vigil. Vigil would later go on to draw Faust (the comic that he is most famous for), which showcases truly shocking levels of violence and hardcore pornography. If I recall correctly, Faust shows lots of graphic sex (consensual and not-so-consensual) with demons, and orgies with lots of blood and other bodily fluids. Not my cup of tea, but YMMV.

Anyway, this is the miniature I used for Grips. He’s Zenith, Superhero; from Reaper’s Chronoscope line. He’s meant to be a speedster, methinks.

First thing I’d need is some blades. I thought of using tines from a plastic fork, but these proved too thick. I ended up cutting them out of some plasticard (actually my expired health insurance card) instead.

Next I used some green stuff to fashion his gauntlets, epaulets, belt and mask. I made sure to include the capsules for his spring-loaded tonfa on his belt.

Then I painted him. I painted the brown parts of his costume GW’s Doombull Brown, then gave them a generous wash of Nuln Oil and highlighted with Coat D’Arms Rat Brown. The black was painted black (surprise!), then highlighted with Vallejo Heavy Charcoal. The belt and gauntlets were painted GW Gehenna Gold and highlighted with Vallejo Gold, while the blades were GW Canoptek Alloy, highlighted with GW Mithril Silver.

I actually kind of like the way he looks. Maybe I’ll use him in a game of Super Mission Force. It’s been too long.

I will have one more Forgotten Heroes submission between now and July. Until then, I’ll be watching to see what everyone else does!

Berjotr Skaldisson, Monster Slayer

For June’s Character of the Month, I decided to do a Barbarian.

From the night Berjotr Skaldisson was born, it was assumed he would follow in the footsteps of his father Gilvi and become a skald; but by the time he reached his tenth winter, it became apparent that Berjotr had no skill for it. He could not sing, nor could he compose poetry. He could not remember the lineage of his own Jarl, never mind the lines of the Kings of Old. Berjotr could not so much as keep time with a drum while his father sang. He was a disappointment, that was certain; the son of a skald who had none of his father’s skill. But before long, Berjotr Skaldisson discovered where his true skills lay: he was very strong, and he was very good at killing things.

The Winter of Despair is remembered well by the people of Thord. Many died that year, not as warriors, but of starvation; for the summer raiding parties had not returned with plunder enough to last beyond the first snows. To make matters worse, that was the winter of Vargyr, the Great Bear; who devoured livestock and men equally and had no fear of Jarl Hranulf’s warriors.

One night, one of Hranulf’s thanes burst into the hall, bloodied and raving. He told of how Vargyr the Great Bear had devoured his family, after first crashing through the heavy oak door of his house. The warrior had no chance to even fetch his sword before the bear was upon them. He was lucky to escape at all. While the Jarl’s men listened to the thane’s tale in fear and awe, young Berjotr took up a greataxe and quietly left the mead hall. He set out into the cold darkness, pausing only long enough to retrieve two things from a nearby hut: a shovel and a young pig. When he judged himself far enough away from Hranulf’s hall, Berjotr used the shovel to dig a shallow ditch in the frozen ground, big enough for him to lie in. Then he used his greataxe to kill the pig, splitting its body in twain. He pulled the bloody corpse of the pig over him as he lay in the ditch and waited. Vargyr scented the kill and came before the pig’s blood had time to freeze. As the beast began to drag the pig’s corpse away, Berjotr sprang up and–in the time it takes for a man to draw a single breath–killed Vargyr, the Great Bear. The beast didn’t even have time to bellow in pain.

Thus Berjotr, son of Gilvi, decided that if he could not sing the songs of the skalds, he would instead give them songs to sing.

In his twelfth winter, already bigger and stronger than any of Hranulf’s warriors, Berjotr hunted and killed a pair of mated Thunderwyrms. The year after, he killed a snow spider that had built a nest too close to the settlement. Jarl Hranulf began to worry for his throne as Berjotr Skaldisson’s legend began to grow, so Hranulf sent the boy south with raiding parties for the next three years in the hopes he would not come back. Always Berjotr returned.

Unlike the others, Berjotr did not enjoy raiding. He felt always apart from his fellows and though he fought beside them, he called no man friend. He cared nothing for loot. He killed men easily enough, but his heart wasn’t in it. After three years of raiding, he decided he would go no more. He craved more of a challenge than plundering villages could provide, and besides, the longboats made him seasick.

The raiding party returned to Thord to find Hranulf’s mead hall destroyed, the Jarl dead, and most of the villagers gone; taken by trolls several weeks earlier. Berjotr followed the trolls’ trail into the mountains, entered their cave lair, rescued what remained of the villagers, and killed every male, female and young troll he found. Over several more years, he killed countless ogres, serpents, wolves, draugr, tree-men, cold ones, ice toads, and of course, men; for Berjotr Skaldisson’s legend had grown, and always there were those foolish enough to believe the legends untrue. There seemed to be nothing and no one Berjotr Skaldisson could not kill.

Berjotr was known throughout Thord by the time songs of his deeds finally reached the ears of the ice giant Brynnga, who flew to the settlement on his great frost dragon, Orl. From high above the mead hall, the enraged Brynnga bellowed his challenge to Berjotr Skaldisson: meet him in battle or he would lay waste to the hall and slay all the people within. So, Berjotr took up his greataxe once again and strode out to meet the giant, wearing the skin of Vargyr, the Great Bear he killed in the Winter of Despair.

Striding fearlessly into the plumes of Orl’s icy breath, Berjotr killed the dragon. Then, one arm frozen to his side and half his face burned black with frostbite, he killed the giant.

The people of Thord wanted Berjotr to be Jarl, but Berjotr had no interest in sitting in a mead hall while his warriors brought him treasure. Likewise he had no interest settling down and taking a wife. Although he swore he was finished with raiding, he did embark on a longboat once again, this time for lands unknown; for by the age of twenty-one, Berjotr Skaldisson had killed everything he could kill in Thord, and the skalds were hoarse from singing the songs of his deeds. It was time for him to move on.

Berjotr Skaldisson is Reaper’s “Barbarian Axeman of Icingstead” (14620), from their Warlord line. While the backstory is different and the miniature no doubt looks nothing like what he imagines, this Character of the Month is based loosely on my friend’s character in our current D&D 5E game.

Forgotten Heroes 2021: Jon Sable, Freelance

Jon Sable: Freelance was a comic book (and a comic book character) created by Mike Grell, the same guy who created DC’s Warlord. It was one of the First Comics flagship titles and ran from 1983-1988; with another series, simply titled Sable, following afterwards. (That series didn’t last very long.) Unusual for its time, Jon Sable: Freelance was wholly owned by Mike Grell; who presumably still owns the rights to this day.

Jon Sable has had a somewhat bumpy publication history. Once First Comics folded in 1991-1992, Jon Sable didn’t get another comic book series until 2005, when IDW published a six-issue miniseries. The character hasn’t been seen in a comic book since 2010.

Jon Sable was an Olympic athlete at the 1972 Munich games. After witnessing the massacre there he moved to Rhodesia where he used his training as a mercenary and bounty hunter to organize safari trips and become a game warden (because why not?). His family was murdered by poachers, so Sable killed the poachers and moved back to the US to resume work as a freelance mercenary. When he’s working, he paints his face, dresses in black and carries a 1917 Broomhandle Mauser, which he uses to shoot people. When not working, he hides in plain sight by masquerading as B.B. Flemm, an author of children’s books. Yes, he writes the books and supposedly, they’re pretty good, because his publisher is always on his ass about his deadlines, even though she knows he’s really a merc-for-hire and not a children’s book author.

There was a (mercifully) short-lived TV series, Sable, that ran for only seven episodes in the 80’s. It’s based on the comic, with some minor differences, like a character called Cheesecake who is a hacker who (wait for it) likes cheesecake; and the fact that Sable is the alter-ego of author NIcholas Fleming (not B.B. Flemm), not the other way around, as it is in the comic. The series starred Lewis Van Bergen as Sable, who you may remember from nothing you’ve ever even remotely given a shit about; and a young Renee Russo as Sable’s publisher, Eden Kendall. I remember watching it in high school as I knew about the comic, but I forgot about most of it until Tom found the pilot episode on YouTube and told me about it. I warn you…it’s a tough slog. Van Bergen’s 80’s mullet is truly extraordinary, however, and it may be worth the watch for that alone.

For my Jon Sable conversion, I was going to use these two Heroclix: Daredevil and Quicksilver. (Quicksilver has served me well in past Forgotten Heroes challenges; I used his head for Jack Frost and his body for Water Wizard before). I also needed to find a 28mm Broomhandle Mauser; which you think would be easy. It’s not. I had to buy this weapon pack from Pulp Alley to find one.

Before I got the Pulp Alley accessories, I noticed this Bullseye Heroclix. He’s carrying a submachine gun that could pretty easily be converted into a Mauser. D’oh! I decided not to use Daredevil or the Pulp Alley accessories after all.

One quick head-swap and some filing, and here’s the result. Kinda looks like Jon Sable already. I also cut off a bit of the back of his gun, so it looks more like a Mauser pistol.

Here’s the finished result. It wasn’t particularly difficult, considering Sable’s “costume” is a black outfit with a holster for his pistol and some face paint. Sometimes he uses a knife, too.

This close-up shows I wasn’t as thorough as I could have been when filing off bits of Bullseye’s costume. In my defense, I can’t see shit anymore. Now that I’m aware of it, I could fix it. Or not, considering I’ll never use Jon Sable for anything, ever.

Forgotten Heroes has provided me with a chance to make miniatures for several First Comics heroes: Badger, Nexus, and now Jon Sable. Add one of the Grimjack miniatures my friend Jeremy (Carrion Crow) gifted me with, and it’s almost the full roster! Still, I hesitate to really call this a submission, as it took almost no time to complete once I had the idea.

I have at least one more entry coming this month, possibly two. In the meantime I look forward to seeing what everyone else is doing!

It’s the most wonderful time of the year…

It’s June, and that means it’s time for my most favoritest, bestest painting challenge ever, Forgotten Heroes! I look forward to this every year, and I will always take part unless Carrion Crow says I can’t, or I’m dead.

What is Forgotten Heroes? Go here. The Crow will explain all.

So…what do I have planned for this year? Two submissions; one that’s going to be easy as pie (I hesitate to call it a proper submission); and another that may take a little more effort. Two submissions is not much for me, but I’m still trying to get through my Aliens: Another Glorious Day in the Corps miniatures, and finish up my British Vospers for Cruel Seas; both of which were put on pause for Monster May(hem) last month. Plus, I will have June’s Character of the Month to do…

Still, a mere two submissions isn’t sitting well with me. This is Forgotten Heroes, man. It’s time to bring it, brah! (I call people “brah” now.)

So if YOU want to take part in Forgotten Heroes, drop by Carrion Crow’s Buffet if you haven’t already and let the man know. Bring something shiny (crows like shiny things) and/or something dead (crows like carrion) to improve your chances.

Just kidding. He lets everyone join. Even me.

Don’t bring him anything dead.