Category Archives: Fantasy

Berjotr Skaldisson, Monster Slayer

For June’s Character of the Month, I decided to do a Barbarian.

From the night Berjotr Skaldisson was born, it was assumed he would follow in the footsteps of his father Gilvi and become a skald; but by the time he reached his tenth winter, it became apparent that Berjotr had no skill for it. He could not sing, nor could he compose poetry. He could not remember the lineage of his own Jarl, never mind the lines of the Kings of Old. Berjotr could not so much as keep time with a drum while his father sang. He was a disappointment, that was certain; the son of a skald who had none of his father’s skill. But before long, Berjotr Skaldisson discovered where his true skills lay: he was very strong, and he was very good at killing things.

The Winter of Despair is remembered well by the people of Thord. Many died that year, not as warriors, but of starvation; for the summer raiding parties had not returned with plunder enough to last beyond the first snows. To make matters worse, that was the winter of Vargyr, the Great Bear; who devoured livestock and men equally and had no fear of Jarl Hranulf’s warriors.

One night, one of Hranulf’s thanes burst into the hall, bloodied and raving. He told of how Vargyr the Great Bear had devoured his family, after first crashing through the heavy oak door of his house. The warrior had no chance to even fetch his sword before the bear was upon them. He was lucky to escape at all. While the Jarl’s men listened to the thane’s tale in fear and awe, young Berjotr took up a greataxe and quietly left the mead hall. He set out into the cold darkness, pausing only long enough to retrieve two things from a nearby hut: a shovel and a young pig. When he judged himself far enough away from Hranulf’s hall, Berjotr used the shovel to dig a shallow ditch in the frozen ground, big enough for him to lie in. Then he used his greataxe to kill the pig, splitting its body in twain. He pulled the bloody corpse of the pig over him as he lay in the ditch and waited. Vargyr scented the kill and came before the pig’s blood had time to freeze. As the beast began to drag the pig’s corpse away, Berjotr sprang up and–in the time it takes for a man to draw a single breath–killed Vargyr, the Great Bear. The beast didn’t even have time to bellow in pain.

Thus Berjotr, son of Gilvi, decided that if he could not sing the songs of the skalds, he would instead give them songs to sing.

In his twelfth winter, already bigger and stronger than any of Hranulf’s warriors, Berjotr hunted and killed a pair of mated Thunderwyrms. The year after, he killed a snow spider that had built a nest too close to the settlement. Jarl Hranulf began to worry for his throne as Berjotr Skaldisson’s legend began to grow, so Hranulf sent the boy south with raiding parties for the next three years in the hopes he would not come back. Always Berjotr returned.

Unlike the others, Berjotr did not enjoy raiding. He felt always apart from his fellows and though he fought beside them, he called no man friend. He cared nothing for loot. He killed men easily enough, but his heart wasn’t in it. After three years of raiding, he decided he would go no more. He craved more of a challenge than plundering villages could provide, and besides, the longboats made him seasick.

The raiding party returned to Thord to find Hranulf’s mead hall destroyed, the Jarl dead, and most of the villagers gone; taken by trolls several weeks earlier. Berjotr followed the trolls’ trail into the mountains, entered their cave lair, rescued what remained of the villagers, and killed every male, female and young troll he found. Over several more years, he killed countless ogres, serpents, wolves, draugr, tree-men, cold ones, ice toads, and of course, men; for Berjotr Skaldisson’s legend had grown, and always there were those foolish enough to believe the legends untrue. There seemed to be nothing and no one Berjotr Skaldisson could not kill.

Berjotr was known throughout Thord by the time songs of his deeds finally reached the ears of the ice giant Brynnga, who flew to the settlement on his great frost dragon, Orl. From high above the mead hall, the enraged Brynnga bellowed his challenge to Berjotr Skaldisson: meet him in battle or he would lay waste to the hall and slay all the people within. So, Berjotr took up his greataxe once again and strode out to meet the giant, wearing the skin of Vargyr, the Great Bear he killed in the Winter of Despair.

Striding fearlessly into the plumes of Orl’s icy breath, Berjotr killed the dragon. Then, one arm frozen to his side and half his face burned black with frostbite, he killed the giant.

The people of Thord wanted Berjotr to be Jarl, but Berjotr had no interest in sitting in a mead hall while his warriors brought him treasure. Likewise he had no interest settling down and taking a wife. Although he swore he was finished with raiding, he did embark on a longboat once again, this time for lands unknown; for by the age of twenty-one, Berjotr Skaldisson had killed everything he could kill in Thord, and the skalds were hoarse from singing the songs of his deeds. It was time for him to move on.

Berjotr Skaldisson is Reaper’s “Barbarian Axeman of Icingstead” (14620), from their Warlord line. While the backstory is different and the miniature no doubt looks nothing like what he imagines, this Character of the Month is based loosely on my friend’s character in our current D&D 5E game.

Monster May(hem) 2021: Blacksting, Wyvern

This is one of Owen’s miniatures: Blacksting, the Wyvern; from Reaper. It’s all metal and retails for $34.99 nowadays, but Owen bought it years ago when metal was much cheaper. It’s a very early Reaper miniature sculpted by Kevin Contos.

I don’t even like it, and I would never have purchased it myself. Not to shit all over Kevin Contos’s sculpting. It’s fine. It’s just a weird pose, and I hate miniatures with bases like this. They look stupid in my opinion, which means I have to change them, which means more work for me.

Of course, I’m not painting Blacksting for me. Not really. I’m painting it for Monster May(hem), and I’m painting it in my continued effort to entreat Owen into taking his pile of lead back and returning to the hobby. I’ve tried this before and met with failure; but since Owen had already assembled this beastie years ago, and it IS Monster May(hem), I decided to go ahead with it.

Fingers crossed.

The first thing was to do something about this stupid base, so I decided to go scenic and made it even bigger. I decided this wyvern was hanging out in a swamp, so I used most of what was left of the Model Magic and sculpted some pools, then I stuck some rocks into the Model Magic and let it dry. After that I primed the whole shebang with some Vallejo black surface primer.

I had some plastic foliage I use for big terrain pieces. I figured I could add some to the base after I primed it black and highlighted it with sickly green. Seems to have worked out ok (see below).

Here’s the finished product. I went with a fairly simple blue-black color scheme. The wings were a pain. They’re pretty flat and not very well textured, so highlighting them was not easy and I think it shows. (This is an early Reaper miniature, for better or worse.)

I wrapped the rock he’s squatting on in Army Painter Poison Ivy, and used the plastic foliage as swamp weeds. I used some Vallejo water effects mixed with craft paint for the pools of swamp water. This stuff is awesome! Roger introduced me to it, and I used it last year in Dave’s Summer of Scenery challenge when I did my Sludge Pool. I still had some left over so I used it!

I put a dab of model glue on his stinger, to make it look like it’s dripping venom.

The one thing I’m not wild about is the eyes. I wanted some colors to contrast sharply with the black-blue of Blacksting himself, but I’m not sure I got the effect I wanted. He has yellow orbs with orange irises and a black slit for a pupil. I considered painting them green. Maybe I’ll revisit the eyes at some point, but TBH I’m glad he’s done and I never really wanted to paint him anyway…so maybe not.

Monster Mayhem was amazing this year, with more participants and more submissions than ever before. Thanks so much to everyone who took part and who helped encourage other hobbyists in our community. You guys are an inspiration and I continue to be in awe of the talent and support you all exhibit. What started as a personal challenge several years ago has grown into something I hope to continue every year!

Once more, here is the blogroll:

Roger from Rantings from Under the Wargames Table returned and did some Prehistoric Cats, then sculpted a horrible Creeping Eye named S’eye’mon (in honor of Blax the Kleric)! It’s all painted now and I can think of a dozen uses for it for all kinds of games; including running a scenario based on the 1958 movie that inspired Roger: The Trollenberg Terror!

Dave from Wargames Terrain Workshop went full-on “Galaxy Far, Far Away” this year and sculpted a Krayt Dragon, Joopa, some Denizens of Jabba’s Palace, and a Wort (that big Tatooine toad!). His sculpting and painting are truly awesome. Wonderful work, Dave!

Carrion Crow also came back this year and did a Wendigo miniature from ParagonStar, and it looks creepy as hell. Definitely not something you want to see in your headlights on a winter’s night…

Matt from PM Painting really went all-out this month, using Monster May(hem) as an excuse to crank out a ton of miniatures from the Cthulhu: Death May Die board game: an Elder Thing, a Shoggoth, a Byakhee, some Ghouls and Deep Ones, a Star-Spawn of Cthulhu , some Hunting Horrors, a CthonianYog-Sothoth, some Fire Vampires, Cthulhu and some Cultists, the Dunwich Horror himself, Wilbur Whately, and he even managed to get a start on the King in Yellow, Hastur! Sadly, Matt went incurably insane; but way to bring it, Matt!

In addition to the usual suspects above, it was great to welcome some new participants this year.

A newcomer to the Monster May(hem) challenge (but definitely not to the blogosphere), Azazel painted a Coral Golem, an Umber Hulk; a Sand Kraken, a Harbinger and some Void Hounds from Shadows of Brimstone; and his own Balor demon. Then went Mesozoic on us and did a Dire Crocodile, A Raptor Pack and two more dinosaurs: a Carnotaurus and a Hornslasher. Then, just to show us he could, he did a Carrion Crawler, some Goliaths, and to finish things up, a T-Rex! Talk about a debut! A truly astounding output for one month, and some marvelous painting!

Azazel and Matt, I can’t keep up! You guys put me to shame!

Another first-timer, Tom from The Good Ground painted a Red Slaad, a (new to me) creepy cryptid named Siren Head, and a Balor Demon! Not bad for your first painting challenge, Tom! I’ll warn you: it gets addictive!

The man, the myth, the legend! Mark A. Morin jumped in this year and promptly redefined the word “monster”. He painted two scary structures: an Aztec Temple Sacrificial Altar; and a High Throne! Welcome, Mark! Come back next year!

Mike, aka @sasquatchminis from Instagram, couldn’t make it this year after all; but his IG account is awesome and he’s a friend. So check out his stuff forthwith!

That’s an end to Monster May(hem) 2021 (unless Azazel or Matt has another submission I didn’t see yet). No time to rest! Tomorrow is June, and that means it’s all about Carrion Crow and his annual Forgotten Heroes challenge! I look forward to this challenge every year; and although I might not be as prolific this time around, I’ll have two submissions for sure. If you want to take part, just let the Crow know. He’s pretty cool about that!

Thanks once again to everyone who made Monster May(hem) so much fun this year!

Monster May(hem) 2021: The Baba Yaga

Lately I have become fascinated with the many tales of The Baba Yaga. I’m not sure why. I have no Slavic or Russian heritage of which I am aware; and I’m not particularly into folklore. In fact, the first I ever heard of the Baba Yaga was in the Advanced Dungeons and Dragons Dungeon Master’s Guide, by Gary Gygax; in which her Dancing Hut appeared as an artifact of great power. For many years, this was all I knew of her. She was a witch. She had a hut. It walked around on chicken legs, and it was much bigger on the inside than on the outside.

The Baba Yaga featured prominently in the backstory of last month’s Character of the Month, Doval Lakatos, right around the time I became aware that Reaper miniatures makes a Baba Yaga’s Hut kit in the Bones Black line. It retails for $60.00, which is pretty fucking steep considering it does not include the Baba Yaga herself. (She’s a metal miniature sold separately.) I did not pay the 60 bucks; I paid a third of that on eBay from a guy who must have bought it, assembled it and then decided it was too much of a pain in the ass to deal with. I sympathize. It IS a pain in the ass, that’s for sure. I have some significant problems with this model.

First, it doesn’t stand up straight. When assembled the house leans so far forward you can’t see the front, and the chicken legs don’t sit level. I assumed this was because the guy I bought it from assembled it incorrectly, but that’s not the case. A quick look online shows that that’s how it’s supposed to look. Well, I wasn’t having that. I figured I would sculpt a base so the hut could stand up. Normally I use Magic Sculpt for that, but on a base this size, that’s a lot of Magic Sculpt, and it’s not cheap. I needed another solution.

This is Crayola Model Magic. It’s kind of like clay, but it’s spongy and a little weird. It comes in different colors (which doesn’t matter since I was going to paint over it anyway) and dries without baking. I picked up this package at the dollar store for a dollar (surprise) and smeared it all over a square base big enough to fit the hut, let it dry partially; then stood the hut into the stuff, creating these footprints. Then I let it dry fully. It cracked a little, so I filled the crack with some Magic Sculpt.

As you can see, it stands up just fine now, and it fits so snugly I don’t even need to glue it down. Being able to remove it allowed me easy access to work on the base, so that’s what I did; coating it with craft paint and sand, adding a Nolzur’s wood pile, a campfire from Johnny Borg and a stump sculpted from leftover Magic Sculpt.

With the base out of the way, I was free to concentrate on the hut. I’ve seen some pretty amazing paintjobs on this kit over on Instagram; one in particular by @lyresforhire is really cool with the light streaming out from the windows and cracks in the door. But I wanted the hut to look abandoned and run-down; the kind of place a hag would live.

I decided on a pretty straightforward brownish-gray to represent the weathering of the wood slats and shingles. I used mostly craft paint. I added a little green here and there to represent the damp mold and fungus that has taken root in the wood. I painted the glass panes a few shades of gray before giving them a final highlight of white.

The chicken legs were based in GW’s XV-88, then highlighted with some Tau Light Ochre before a final highlight of Golden Yellow. Believe it or not, I had a hard time deciding how to paint the legs. I found out way more than I ever thought I would about chicken legs while researching this. Turns out they come in all kinds of colors.

So, what are my other problems with the hut? Well, I’m not an expert on her by any means, but I have read a fair bit about the Baba Yaga and her hut; and this doesn’t look like Baba Yaga’s hut. This looks more like Baba Yaga’s dilapidated condo. In traditional folkore, Baba Yaga’s hut is circular, about 10-15 feet in diameter (on the outside), and has no windows or doors (unless she wants it to). This thing here has eleven windows, two doors, a side porch with an enclosed balcony, a cupola and front steps. That’s some hut!

Finally, the kit comes with a skeleton in a cage that I didn’t use. I gather it’s supposed to hang from the eave to the right (our view) of the door. The problem is the scale. The skeleton in the cage is so big that if he was standing up straight he’d be significantly taller than the front door of the hut. I opted not to use it, and I forgot to take a picture. You can see it online if you care to look for it.

What about the hag herself? The Baba Yaga miniature is ok. Baba Yaga is often described as an ogress, so the miniature seems a bit small to me. When she’s not in her hut, she flies around in a magical mortar she steers with a pestle. It might have been nice to have that instead of a skull-headed broom and a bundle of sticks.

Anyway, now you can see why I couldn’t very well tell Mark A. Morin that his sacrificial temple didn’t count as a monster when I planned on submitting a house on chicken legs myself!

Monster May(hem) has been HUGE this year and there are still 9 days left! Here is the blogroll:

Matt from PM Painting continues to dominate the submission list. So far he’s done a ton of miniatures from the Cthulhu: Death May Die board game: an Elder Thing, a Shoggoth, a Byakhee, some Ghouls and Deep Ones, a Star-Spawn of Cthulhu , some Hunting Horrors, a Cthonian, Yog-Sothoth itself, and some Fire Vampires! The man is unstoppable!

Roger from Rantings from Under the Wargames Table did some Prehistoric Cats, then sculpted a horrible Creeping Eye from a 1958 horror film! If you want to see how to sculpt a monster from a ping-pong ball and Roger’s trademarked “support sausages”, check it out! Can’t wait to see it painted!

Carrion Crow has started his Wendigo miniature from ParagonStar, and he may just change my opinion of 3D printed models!

Dave from Wargames Terrain Workshop sculpted a Krayt Dragon (seen on The Mandalorian) and a Joopa (from Star Wars: rebels) from scratch and painted them both. Guys like Roger and Dave who scratch-sculpt their own stuff really blow me away. Fantastic work!

Azazel painted a Coral Golem, an Umber Hulk, a Sand Kraken and a Harbinger (truly terrifying beasts from Shadows of Brimstone), and a Balor demon! Azazel’s painting is out of this world.

Tom from The Good Ground has jumped in this year and painted a Red Slaad and Siren Head, a cryptid I’d never heard of before! Tom’s just kicking his new blog off, so drop by if you haven’t done so already!

As stated before, Mark A. Morin painted this amazing Aztec Temple Sacrificial Altar; and now he’s added another terrible monstrous Aztec structure: the High Throne! Mark’s hobby project focus is the stuff of legend; the dude never seems to get distracted by anything else. Check out his current Aztec project on his blog!

I’m hoping to get one more miniature done before the end, but it’s also a big one with a lot of base work. At least I found a use for the rest of the Model Magic!

Darl Mandos, “Mandos the Magnificent”; and a Monster May(hem) Update!

Unlike most of those taking part (see below), I’ve been making slow progress on my Monster May(hem) projects this month. I recently hit a wall where I’m doing more staring than painting, so to give myself a kickstart I decided to crank out my Character of the Month for May. This month I decided to do a sorcerer.

(If you don’t care about my sorcerer and are just here for Monster May(hem), scroll down below.)

Even as a youth, Darl Mandos always stood out among the citizens of Snakehollow; renowned as the fattest and laziest halfling any of the village elders could recall. Darl’s appetite and corresponding gluttony was already legendary by the time he reached the age of 55, the so-called prime of his life. There seemed to be nothing he would not eat or drink if it was offered (and often when it was not); nor would he stop until every last morsel was gone. “Enough” was not a word that Darl Mandos ever understood.

When not eating, he was content to while away his days doing nothing, sleeping, or looking for more food. Although he was tolerated by the folk of Snakehollow he pushed the limits of their hospitality on more than one occasion. It turns out that there is such thing as a Halfling who eats too much and does too little, after all.

Put simply, Darl didn’t feel he should do anything he didn’t enjoy. He didn’t enjoy farming. He didn’t enjoy brewing. He didn’t enjoy baking. He DID enjoy meats and vegetables, good beer and fresh bread and pies, though; so he decided he would occupy his time with eating, along with his beloved companion and the one thing able to eat just as much as Darl Mandos: his goat, Mingo.

Darl would have lived a life remarkable only for its idleness had not Tom the Winker moved into a farm on the outskirst of Snakehollow. Tom the Winker was a miserable sort who rebuffed all attempts at friendship and good-neighborly-ness. He got his nickname among the halflings of Snakehollow because of his seemingly uncontrollable habit of winking, a tic he picked up, unbeknownst to them, because a mule he was beating decided to beat back. When Mingo wandered onto his land, Tom the Winker took that to mean Mingo was now his property. He threw the goat into a pen and promptly forgot all about it.

Mingo was likely to starve before he was butchered by Tom the Winker; but, much to the amazement of the people of Snakehollow, Darl Mandos decided to do something he had never even considered before in his life. He decided to act.

When Tom the Winker saw the obese halfling on his doorstep, he laughed aloud. When Darl asked politely for the return of his friend, Mingo, Tom the Winker grabbed a threshing flail and shook it in Darl’s face, threatening to use it on him if he didn’t leave immediately. That’s the last thing Tom the Winker remembers about the encounter. When he awoke from a peaceful slumber several hours later, he found Mingo gone. He also found the half-wheel of cheese that was in his sideboard missing, along with half a dozen eggs and a smoked ham.

The residents of Snakehollow expected Darl to return from Tom the Winker’s farm bruised, bloodied and without a goat. Instead, they discovered something about Darl that he already knew about himself. Darl Mandos was a sorcerer, born with an innate talent for magic. Through magic, he was able to put people to sleep and produce other effects as well, such as opening locked pantry doors and entrances to preserve cellars. While Darl found his abilities more convenient than, say, finding a key first; he didn’t like to use them overmuch because doing so required effort.

Since the folk of Snakehollow learned of Darl’s talents, he has become of service to his people, whether he likes it or not. In truth, he has warmed to his role a bit. He likes to yell things like “Presto!” and “Alakazam!” whenever he pulls off a big spell.

Darl’s familiar is the enormous goat named Mingo who is much like his master: fat, well-fed, good-natured and somewhat lazy. Mingo takes frequent naps.  Most afternoons, Darl joins Mingo if he has nothing else to do (and he rarely does). Darl accepts payment for his magical services in baked goods and beer. He doesn’t want to go adventuring (too much effort); but he does enjoy the feeling that he is contributing something to his community for a change.

The miniature I used for Darl Mandos is Reaper’s Del Brairberry, Halfling Wizard; sculpted by Glenn Harris. The Carrion Crawler is a previous Monster May(hem) submission by Nolzur’s Marvelous Miniatures, painted in 2019.

Just because I’m dragging ass this month doesn’t mean everyone else is. There are some truly awesome Monster May(hem) submissions already, with more to come. Here’s the blogroll!

And here are some links to the submissions so far!

Matt from PM Painting has outdone us all so far. He got his hands on Cthulhu: Death May Die and has used Monster May(hem) as an excuse to plow through the awesome miniatures in the game! Good on you, Matt! So far he’s done an Elder Thing, a Shoggoth, a Byakhee, some Ghouls and Deep Ones, and a Star-Spawn of Cthulhu! No way does Matt have all his Sanity anymore; you can paint that many blasphemous horrors and not expect a rubber room in your future!

Roger from Rantings from Under the Wargames Table has jumped in with two Prehistoric Cats, with a possible scratch-build to come! (I love that guy!)

The dread Carrion Crow has started his submission, and all I can say is…“WEN-DIIIIII-GOOOOO!” Happy to see the Crow is back!

Dave from Wargames Terrain Workshop sculpted a Krayt Dragon (seen on The Mandalorian) from scratch and painted it, and man, does it look awesome! You continue to amaze me, Dave!

Azazel is KILLING IT!! He painted a Coral Golem, an Umber Hulk and a Sand Kraken (which is a truly terrifying beast from Shadows of Brimstone)!! HIs painting skills are insaaaane!!!

Tom (no relation to Tom the Winker; wink, wink) from The Good Ground has jumped in this year and painted a Red Slaad! Tom’s the only person I “met” on Instagram who already knew me from this blog, so I’m thrilled he’s on board this year! (To my knowledge, he has never beaten a mule.)

Mark A. Morin painted this amazing Aztec Temple Sacrificial Altar! I know, it’s not technically a monster; but Mark asked if he could include it and it looks so great I couldn’t say no! (Plus, I’d be a hypocrite if I said HIS building doesn’t count as a monster…stay tuned to see why…) Check out Mark’s Aztec project he’s been plugging away at; it’s truly inspiring!

You guys are putting me to shame with the quality and frequency of your submissions. I haven’t had a chance to swing by your respective blogs long enough to leave comments, but I’ll be there shortly! Thanks again for making this so much fun!

Monster May(hem) 2021 Begins!

It’s May 1st! Time for Monster May(hem), so get painting! Those monsters aren’t gonna paint themselves!

Here’s a list of all the current participants, along with links to their blogs (where applicable):

Don’t see your name here yet? No problem! Just email me at angrypiper@angrypiper.com or drop a comment below and let me know you want to participate! It’s never too late to paint a monster!

(Unless it’s June; it which case it’s technically too late.)

Here’s what’s happening so far:

We have our first submission! Matt from PM Painting is Johnny-on-the-spot already! Check out his awesome-looking Lovecraftian Elder Thing!

Although technically not submissions for this year, Dave from Wargames Terrain Workshop is showcasing some amazing Dragons he sculpted AND painted (both masterfully) over on his site right now!

Tom from The Good Ground jumped into the pool with a very cool Red Slaad!

And Azazel painted this beautiful Coral Golem! I love it!

I’m running behind already; and I’m the guy hosting this challenge! It’s the same every year…

Gonna go start mine…

Doval Lakatos, The Silent Piper

For April’s Character of the Month, I decided to do a Bard. Naturally, being me, I chose a piper. I’ve had this particular miniature for at least ten years, sitting quietly in a box with far too many other miniatures that I may or may not ever get to. We only have so many heartbeats, after all…

This miniature is Rhupert Carvolo, Piper of Ord; a Warmachine miniature from Privateer Press. His bagpipes are truly legendary…they look more like a portable calliope or pipe organ than a traditional bagpipe set. In other words, they’re fucking awesome; so I needed a cool backstory. This is what I came up with:

Doval Lakatos was a man of celebration; a minstrel and dancer who could lift even the lowest spirits with just a few notes from his flute or thumps of his drum. As a troubadour, he travelled the roads and byways of Volskad with his people; singing, dancing, and selling the instruments of music he created as only a master craftsman could; often throwing in free lessons for pretty girls. In time, one of these girls, Karin, became his wife; and in time, she bore him a daughter, Mahala, who was his truest joy.

Many winters passed, as, sadly, did Karin; leaving Doval and Mahala to go on together. Mahala grew to be a lovely young woman; blessed with a voice like the sweetest birdsong and a laugh that could chase away storms. It was no surprise when she began to attract the attentions of men. Tragically, one of these men was Baron Drammen Stahl.

Doval Lakatos’s people knew that Stahlmark was a place to be traversed quickly, or better yet, avoided altogether. The people there did not laugh. They had no use for travelers and songs and music; as these were things for other places, places where the Baron did not rule. The Baron was not one to countenance joy in his subjects, only obedience and tribute. He took this tribute in the form of maiden girls, one each year; supposedly to be his brides, yet none were ever seen again. Although Doval Lakatos tried to attract as little attention as possible while travelling through Stahlmark, Mahala was seen by the Baron’s men, and she was taken to him.

Doval Lakatos tried to resist, but how could an old man fight so many of the Baron’s soldiers? Frantic, he cast about for men of courage, anyone who would go with him to bring Mahala back from the Baron. But men of courage were in short supply, especially where Baron Drammen Stahl was concerned. Doval Lakatos raged. He begged and pleaded. And finally, he despaired.

Only a fool or one with nothing to live for would willingly venture into the dark woods to seek The Baba Yaga; but that is what Doval Lakatos did. He found her easily. Why should she make it difficult? The hag always welcomed visitors. And so it was that in a dark clearing lit only by a weak fire, under the watchful, glittering eyes of The Baba Yaga, Doval Lakatos told the hag his story and made his plea. The hag listened while the flickering shadows cast by her obscene, dancing hut played across her hideous visage. The Baba Yaga listened, and she smiled. At the sight of those terrible iron fangs, Doval Lakatos knew real fear.

The Baba Yaga told him that Baron Drammen Stahl was more than a man; that he was a vorvalaka; one of the undead who reveled in cruelty and fed upon the blood of innocents. As such, Mahala was already dead; there was nothing to be done. The Baba Yaga laughed, then; her fetid breath stinking of decayed things and enveloping him like a wet blanket. She told him that she had eaten already this night; but that didn’t mean she was sated. She advised Doval Lakatos should leave her clearing while he still could, and turned her back on him.

But he did not leave. Mahala was all he cared for; all he would ever care for. He told the hag what she wanted to hear: that he would give anything to ensure Mahala lived and the Baron died. The Baba Yaga slowly turned. If he was willing to give that which he loved dearly, then the hag could help him. Doval said he loved nothing more than Mahala; the hag could have anything else. She smiled again, and agreed. And then she told him what he must do.

Doval Lakatos constructed a set of bagpipes according to The Baba Yaga’s instructions, using the finger bones of dead men that she gave him. Instead of dry cane, these hollow bones would serve as bagpipe reeds. She warned him not to play the pipes once they were complete. There could be no testing and tuning of this instrument. These pipes could be played only once, and only in the presence of the Baron. If done correctly, they would provide Doval Lakatos with the opportunity he would need to free Mahala from the Baron’s bondage. Once his daughter was freed, though, Doval Lakatos must present himself to The Baba Yaga so that she could collect payment for her services.

On the night he finished the bagpipes, Doval Lakatos took a pony and rode to the gates of the Baron’s castle in the rain. The Baron’s men mocked him and made to turn him away; until one of them recognized him as the father of the Baron’s newest plaything. Doval Lakatos begged the men to be allowed to perform for the Baron; to see his daughter one last time. Although they knew the Baron had no interest in music, these men were cruel; and thought the Baron would enjoy tormenting the old man for a while before killing him. They let Doval Lakatos into the main ballroom where a feast was laid in front of a roaring fire. The Baron sat upon his throne, and Mahala sat next to him, eyes wide with fear; for she knew that by coming here her father had sealed his own fate.

The Baron Drammen Stahl fixed his gaze upon him and demanded to know his business. Doval Lakatos returned the Baron’s stare without flinching, and asked if he could play his pipes for him and for his daughter one last time, before she ceased to be his daughter and became instead the Baron’s wife. The Baron agreed with a laugh. After all, he said, it would most certainly be the last time. At this, his men laughed, too; anticipating Doval Lakatos’s imminent imprisonment, torture and death.

Doval Lakatos placed the chanter to his lips and blew air into the bellows. It inflated slowly, and the drones began to hum. When all three were in unison, everyone in the Baron’s hall began to feel uneasy. Smiles vanished. Laughter died. Heads began to swim. Bones began to vibrate. Then Doval Lakatos began to play, and the screaming started.

The Baron could feel the power of the pipes. He realized too late that he made a huge mistake. He tried to move, but was powerless to lift even a finger. He could only stare in dawning horror at the old minstrel, the man whose hair was turning white before the Baron’s eyes as he continued to play his deadly tune. Everyone in the hall save Mahala and Doval Lakatos clapped their hands to their ears, desperately trying to drown out the sound. Like the Baron, they stood transfixed, rooted to the spot as blood began to seep from their ruined ears through their fingers and down their cheeks.

Beneath the discordant melody of the pipes other sounds could be heard: screaming, bestial snarls and mad laughter coming from deep below the castle, from the catacombs, where the Baron’s previous wives were interred; a fate surely intended for Mahala, once the Baron tired of her. They burst into the room a short time later; undead things, haggard, filthy and hungry for blood and vengeance. They fell upon the guards and the Baron’s guests, shrieking and tearing into them with ragged claws and broken teeth. The room was soon awash with blood. But they ignored Doval Lakatos and his daughter, who shut her eyes tightly and cowered beneath her chair.

When there were none but he and Mahala left alive in the room, Doval Lakatos finished his tune. He unhooked the pipes from their harness and let the instrument fall to the ground. Then he calmly picked up a fallen sword and approached the Baron, still rooted to his chair, unable to move. With a deft stroke, he cut the Baron’s head from his shoulders and tossed it into the roaring fireplace. Then, he took his daughter by the hand and led her from the castle, through the carnage and the cackling, feasting ghouls, to the pony that waited outside the gates. He kissed and embraced her, then sent her on her way with a heavy heart; for he had a meeting with The Baba Yaga he had to keep, and he did not think he would return.

Once again, the hag was not difficult to find. She was stirring her great mortar and pestle in the shadows of her dancing hut. At the sight of Doval Lakatos, she smiled her terrible grin and beckoned him close. She had felt the passing of the Baron and knew that her evil magic had worked. As such she had the right to claim payment, and claim it she would.

Briefly, The Baba Yaga considered simply swallowing Doval Lakatos whole, as she was hungry again; and he no doubt expected nothing less. But that was not the bargain that was made. No, Doval Lakatos had to lose that which he loved dearly. If not his precious daughter, it could be only one thing.

The Baba Yaga’s curse was powerful, and final. No more would Doval Lakatos compose melodies. No more would he perform with pipe, string or drum. No more could he dance or lift his voice in song; for the price of Mahala’s freedom was Doval Lakatos’s love of music. From that day until the day he died a bitter, miserable man, Doval Lakatos could no longer bear to hear music; every tune, reel, jig or dirge was torture to his ears. He could be a man of celebration no longer; the zils on his tambourine would be forever silent.

Doval Lakatos never regretted the bargain he made to save Mahala, for she was his truest joy; but there were many times he wished that The Baba Yaga had simply swallowed him whole.

Monster Month starts in five days, and there’s still time to get in on the fun! Just drop me a comment here or email me at angrypiper@angrypiper.com and let me know you want to participate! As of now, we have some of the usual suspects as well as some new faces! Check them out below:

I have a big project planned, and some stuff left over from last year that I need to get off my desk (yes, really!). Looking forward to seeing what everyone else does!

Monster May(hem) fast approaches!

Gather ‘round, ladies and gents! (Are there any ladies in the house?) It’s almost May; time for the second annual Monster May(hem); to be hosted right here at Dead Dick’s Tavern! But wait…SECOND annual? It seems like this has been going on for more than two years…

Aaaah. Yes. Three, actually. It used to be known as Monster Month, but then Roger changed it. (Sigh. Roger. I friggin’ love that guy.)

Anyway, what is Monster May(hem)? Why, it’s the month you paint monsters, of course. Any monster will do, although it should be a proper MONSTER; not an orc or a vampire, or something equally as lame. I mean something truly beastly; like a dragon or manticore or giant sandworm. Check out the last couple of years by looking at that handy “Archives” drop-down menu on the right and picking any May (starting in 2018); or, if you’re too lazy to do that, you can get a pretty good idea what I’m talking about by looking at this post and this post.

I can hear the choruses now. “I wanna join the club, PIper! But, how do I participate?”

It’s easy! Simply let me know in the comments below, or shoot me an email at angrypiper@angrypiper.com. I’ll add your name and website to the blogroll once May starts; and, if it’s not there already, I’ll post a link to your site in my sidebar menus. You might even pick up a few regular visitors to your blog! Don’t have a blog or a website? That’s ok. Send me your pictures, and I’ll post them here and ensure you receive proper attribution.

If you’re looking for some good monster miniatures but don’t want to break the bank, Reaper Bones or Nolzur’s Marvelous Miniatures are your friends! You can get some great plastic monsters for under 5 bucks, and even more for under ten. Or you can splurge and spend fifteen bucks and get something like this T-Rex from Nolzur’s Marvelous Miniatures:

But no one’s saying it has to be a Fantasy monster. Got a particularly nasty Tyranid or Elder God you want an excuse to paint? Well, look no further. Here’s your excuse. You can also sculpt your own, if you have the inclination and you’re the daring sort. Roger did just that last year, and he even named it after me! The likeness is uncanny… (I told you I love that guy.)

Monster May(hem) officially starts on the first of May (duh). Chances are I’ll be posting something soon after. I have a couple of miniatures in mind, including one really big project planned. I’ve been pretty productive in past years; but invariably I post a few stragglers in early June as my reach tends to exceed my grasp. Guess we’ll see if this year is the same…

Raphinfel, “The Adored”

My “Character of the Month” for March isn’t MY character at all. Raphinfel, “The Adored”, is the creation of Jon, producer and creator of the brilliant Tale of the Manticore podcast, which you should all be listening to. As such, Raphinfel’s story isn’t mine to tell, so apologies in advance for those expecting my customary prose. You can hear it for yourself by checking out Tale of the Manticore: 31 short episodes and counting, all really good.

Unless I’m completely missing the point, I can say with a fair degree of certainty that Raphinfel is a wizard. Not the good kind of wizard. The other kind.

The miniature I used is Lamann, Sorcerer (02807), by Reaper Miniatures, sculpted by James van Shaik; but as I said, Raphinfel is a Wizard (actually called a Magic-User in Basic Dungeons & Dragons), not to be confused with the “official” D&D Sorcerer class, which will get its own “Character of the Month” at some point.

Although I’m pretty happy with how he turned out (and hope Jon is, too), this miniature would be a perfect miniature to display some Object Source Lighting (OSL) techniques as that crystal ball is begging for it. But I suck at that, and I wanted Raphinfel to look good, not sucky. Maybe if I wasn’t on a timetable I would be more inclined to mess around, but to be honest I’m a coward when it comes to risking the work I’ve already put into a model.

I haven’t decided what class will be featured next month yet. In the meantime, Imperial Rebel Ork has put out a call for hobbyists to display their geeky T-Shirts this month. Although I have far too many to display, here are a couple I’m proud of.

I bought this at Gen-Con in 2012, and to be honest I forgot I had it. It recently resurfaced from the depths of my dresser. While I was disappointed by Cloverfield, I have never been disappointed by my old furry pal, Grover. (He’s the Monster at the End of this Book, after all.)

Next, This T-shirt just arrived yesterday, all the way from Ireland, which is why it’s so wrinkled from the long trip over the water. It should come as no surprise to any who regularly visit this site that I would be powerless to resist the Vitruvian Dwarf, made by Quertee, purveyor of limited edition T-shirt designs. I am trying desperately not to give in and buy their “Surf Arrakis” and “Let’s Summon Demons” shirts. I’m managing.

So far.

Anyway, this fulfills my Character of the Month resolution with weeks to spare, unlike last month. New post soon!

Aramise Del’Arco; Arbiter of Disputes

Well, I’m not off to a good start with my 2021 Resolutions. I’m already a month behind on my Character of the Month. For Fem-bruary’s character I chose a to paint a fighter; and here she is, better late than never. Nevertheless, being late doesn’t get me off the hook for another character this month, so watch this space for my official submission for March. In the meantime, this miniature is Rhaine, Rogue; from Reaper Miniatures, sculpted by Werner Klocke. At least, that’s what she’s called now. My blister said “Rhaine, Duelist”; so I decided to stick with that concept for her backstory.

Among the rich and powerful nobility of Evalaux, disputes are often settled at swordspoint. Despite this, most nobles barely know which end of a dueling saber or pistol to hold, never mind how to employ one for its intended purpose. The richest noble houses have fencing masters on staff, ready at a moment’s notice to avenge an insult or satisfy the slighted feelings of their patrons. If, however, yours is not one of the richest houses; or if you have recently suffered the inconvenient (yet permanent) loss of a fencing master due to poor job performance, then you must hire one; else be at the mercy of the social jabs and thrusts of the aristocracy.

Aramise Del’Arco is the most sought-after duelist in Evalaux. She has been offered fencing master positions at the most prestigious and wealthy houses; positions she has declined. Some of the masters of these houses saw her refusal as an insult and made the poor decision to hire a duelist of their own to seek redress. Aramise Del’Arco killed every one without compassion or apology. Thus, the nobility of Evalaux must content themselves with never having the best duelist under permanent retainer; and they must fear that Aramise Del’Arco may one day show up on their own doorstep in the employ of a rival.

Aramise Del’Arco does not work solely for the nobility. In the crowded streets and back alleys of Evalaux, crime lords, cults and other nefarious organizations have all used her talents. Provided you can afford her, Aramise Del’Arco is for hire. But be certain you pay the bill when it comes due.

You may ask why. An illustrative example: before he was known as “No-Nose, One-Eared, One-Eyed Rickard”, Rickard the Butcher was a man to be feared in the dark underworld of Evalaux. When he decided to send three bravos after Aramise Del’Arco rather than pay her fee for her elimination of a rival, Aramise Del’Arco gave him the visually-appropriate nickname he enjoys at present.

As for the bravos, they didn’t get nicknames. They just got dead, and Aramise Del’Arco got her money.

Aramise Del’Arco is a mystery. No fencing master in Evalaux can say she was their pupil or their classmate. No one knows where she came from or how she became so skilled with a blade. All that is known about her is that she is quite possibly the finest swordswoman alive; and that she will work for anyone who meets her price. Once hired, she will work until the terms of the contract have been fulfilled. She cannot be bought off or bribed; but make no mistake: she is no assassin. If an opponent dies in the course of a lawful duel, then so be it; but she will not murder for hire, and sad indeed is the person who would make the mistake of assuming so.

I instantly fell in love with the “unofficial” duelist character class when I saw it collected in Best of The Dragon (magazine) Vol. 4, and promptly made one of my longest-running AD&D characters ever: a half-elf duelist who constantly found himself embroiled in political games with players much bigger than he. I used him as an inspiration for this Character of the Month.

Check back soon for March’s submission!

Fem-bruary: Under the Sea…

Got the song in your head? good. I’d put a picture of Sebastian the crab here, but the Mouse is known to be one litigious rodent…

Anyway, it had to happen eventually. I made a diorama. I’ve never done one before. While I can marvel at and enjoy a good scene as much as the next guy, I’ve always been more practical when it comes to painting miniatures. I do so assuming I will use them in a game someday (see how that has turned out), so keeping miniatures locked in place holds little utility for me. That, coupled with my ambivalence towards scenery-making, has pretty much kept dioramas off my personal hobby list until now.

Behold: The Mermaids’ Grotto. I actually had the idea to do this a few years ago, but shelved it because I couldn’t get excited about making a diorama. I pretty much followed the tutorial from Eons of Battle for constructing underwater bases. The seaweed is made from twist ties; the shells are from a novelty candle that was full of pink sand (don’t ask), and the “rock” is pink XPS board.

All the miniatures are from Reaper’s Dark Heaven line. This one is Children of the Zodiac: Pisces (03300), sculpted by the legendary Sandra Garrity. She was the first one I painted.

This is Pearl, the Mermaid (03078), sculpted by Werner Klocke.

And finally, Coral, the Mermaid (03554) sculpted by Gene Van Horne. This miniature required some cutting and repositioning, as her original pose was this:

As you can see, her tail disappears for a while under the surface of the water. This wasn’t going to cut it in a scene that’s supposed to take place on the ocean floor, so out came the nippy cutters and the green stuff. It’s not a perfect join, but it looks ok.

The octopus and the eel were from Familiar Pack VII, which features a bunch of aquatic critters.

Here’s another shot of Pisces.

Halfway through making this diorama, I realized that my first Fem-bruary submission shows a lot of boobs. Don’t get me wrong, boobs are great; it just wasn’t really my intent to focus so much on them in a month celebrating female miniatures. (I’m not a teenager. It’s just that most mermaids aren’t particularly modest.)

I’m hoping to get a couple more female miniatures done soon, one of which will be my D&D Character of the month; so watch this space.