Well, I’m not off to a good start with my 2021 Resolutions. I’m already a month behind on my Character of the Month. For Fem-bruary’s character I chose a to paint a fighter; and here she is, better late than never. Nevertheless, being late doesn’t get me off the hook for another character this month, so watch this space for my official submission for March. In the meantime, this miniature is Rhaine, Rogue; from Reaper Miniatures, sculpted by Werner Klocke. At least, that’s what she’s called now. My blister said “Rhaine, Duelist”; so I decided to stick with that concept for her backstory.
Among the rich and powerful nobility of Evalaux, disputes are often settled at swordspoint. Despite this, most nobles barely know which end of a dueling saber or pistol to hold, never mind how to employ one for its intended purpose. The richest noble houses have fencing masters on staff, ready at a moment’s notice to avenge an insult or satisfy the slighted feelings of their patrons. If, however, yours is not one of the richest houses; or if you have recently suffered the inconvenient (yet permanent) loss of a fencing master due to poor job performance, then you must hire one; else be at the mercy of the social jabs and thrusts of the aristocracy.
Aramise Del’Arco is the most sought-after duelist in Evalaux. She has been offered fencing master positions at the most prestigious and wealthy houses; positions she has declined. Some of the masters of these houses saw her refusal as an insult and made the poor decision to hire a duelist of their own to seek redress. Aramise Del’Arco killed every one without compassion or apology. Thus, the nobility of Evalaux must content themselves with never having the best duelist under permanent retainer; and they must fear that Aramise Del’Arco may one day show up on their own doorstep in the employ of a rival.
Aramise Del’Arco does not work solely for the nobility. In the crowded streets and back alleys of Evalaux, crime lords, cults and other nefarious organizations have all used her talents. Provided you can afford her, Aramise Del’Arco is for hire. But be certain you pay the bill when it comes due.
You may ask why. An illustrative example: before he was known as “No-Nose, One-Eared, One-Eyed Rickard”, Rickard the Butcher was a man to be feared in the dark underworld of Evalaux. When he decided to send three bravos after Aramise Del’Arco rather than pay her fee for her elimination of a rival, Aramise Del’Arco gave him the visually-appropriate nickname he enjoys at present.
As for the bravos, they didn’t get nicknames. They just got dead, and Aramise Del’Arco got her money.
Aramise Del’Arco is a mystery. No fencing master in Evalaux can say she was their pupil or their classmate. No one knows where she came from or how she became so skilled with a blade. All that is known about her is that she is quite possibly the finest swordswoman alive; and that she will work for anyone who meets her price. Once hired, she will work until the terms of the contract have been fulfilled. She cannot be bought off or bribed; but make no mistake: she is no assassin. If an opponent dies in the course of a lawful duel, then so be it; but she will not murder for hire, and sad indeed is the person who would make the mistake of assuming so.
I instantly fell in love with the “unofficial” duelist character class when I saw it collected in Best of The Dragon (magazine) Vol. 4, and promptly made one of my longest-running AD&D characters ever: a half-elf duelist who constantly found himself embroiled in political games with players much bigger than he. I used him as an inspiration for this Character of the Month.
Got the song in your head? good. I’d put a picture of Sebastian the crab here, but the Mouse is known to be one litigious rodent…
Anyway, it had to happen eventually. I made a diorama. I’ve never done one before. While I can marvel at and enjoy a good scene as much as the next guy, I’ve always been more practical when it comes to painting miniatures. I do so assuming I will use them in a game someday (see how that has turned out), so keeping miniatures locked in place holds little utility for me. That, coupled with my ambivalence towards scenery-making, has pretty much kept dioramas off my personal hobby list until now.
Behold: The Mermaids’ Grotto. I actually had the idea to do this a few years ago, but shelved it because I couldn’t get excited about making a diorama. I pretty much followed the tutorial from Eons of Battle for constructing underwater bases. The seaweed is made from twist ties; the shells are from a novelty candle that was full of pink sand (don’t ask), and the “rock” is pink XPS board.
All the miniatures are from Reaper’s Dark Heaven line. This one is Children of the Zodiac: Pisces (03300), sculpted by the legendary Sandra Garrity. She was the first one I painted.
This is Pearl, the Mermaid (03078), sculpted by Werner Klocke.
And finally, Coral, the Mermaid (03554) sculpted by Gene Van Horne. This miniature required some cutting and repositioning, as her original pose was this:
As you can see, her tail disappears for a while under the surface of the water. This wasn’t going to cut it in a scene that’s supposed to take place on the ocean floor, so out came the nippy cutters and the green stuff. It’s not a perfect join, but it looks ok.
The octopus and the eel were from Familiar Pack VII, which features a bunch of aquatic critters.
Here’s another shot of Pisces.
Halfway through making this diorama, I realized that my first Fem-bruary submission shows a lot of boobs. Don’t get me wrong, boobs are great; it just wasn’t really my intent to focus so much on them in a month celebrating female miniatures. (I’m not a teenager. It’s just that most mermaids aren’t particularly modest.)
I’m hoping to get a couple more female miniatures done soon, one of which will be my D&D Character of the month; so watch this space.
Ever since Roger from Rantings Under the Wargames Table lent his dulcet tones to the Imperial Rebel Ork Podcast; I’ve been hooked. In fact, I’ve binged all of IRO’s excellent podcasts over the last couple of weeks (yes, that’s right, yet another thing to blame Roger for). It was through listening to IRO’s musings and hobby spotlights that I recently was made aware of a painting challenge heretofore unknown to me: Fembruary, the brainchild of one Leadballoony, a hobbyist also heretofore unknown to me; but one I will certainly follow now.
The rules, such as they are, appear quite simple. Paint at least one female miniature in the month of February. That’s it.
Well, I can do that. In fact, I’ll go one step further and paint ONLY female miniatures in February. Not because I’m an overachiever; but because I have a lot of female miniatures that need paint. (I’m in the middle of working on a diorama that features only female miniatures anyway, so I can count that, too.)
Of course, as cool as Fembruary is, it doesn’t excuse me from my prior obligations (read: Resolutions): like painting a Dungeons and Dragons character class for February. Only this time, she’s gotta be female.
No problem. I got this.
So, fair warning: although as everyone knows Dead Dick’s Tavern is usually a bastion of testosterone and sheer, unbridled masculinity (because of ME), next month I will showcase some badass lady miniatures that have waited far too long for paint.
For my first character of 2021, I created a cleric. The miniature I chose is the War Priest kit from Avatars of War. I picked this miniature for three reasons: one, because he’s awesome; two, because I have had him for at least 8 years; and three, because he was sitting in my side pile, and I didn’t get to him (or anything else in the pile) like I wanted to in December.
Like most Avatars of War miniatures, this kit offers choices when it comes to assembling your hero. I chose two hammers, but I also had the additional options of giving him a holy symbol or a shield. If you have to ask why I would choose two warhammers over these other options, then welcome to Dead Dick’s Tavern, because you’re obviously new here.
While I painted him, I thought up a back story. Here it is:
Yevona is the goddess of purity and virtue, healing and knowledge in the service of good. Yevona’s clergy are many, and are primarily clerics, although many monasteries and knightly orders serve the goddess as well. Priests, mendicants, friars, and healers revere Yevona, as do all good-aligned beings. Several orders of paladins and warrior-priests protect her Faithful and bring her light where it is needed most (and often welcomed least).
Kurn Velden is one of the goddess’s most devout and zealous faithful, raised as a foundling by the Sisterhood of Chadirra; a female monastic order devoted to healing and wisdom. Although the order is peaceful and pacifistic, there have been times in the Sisterhood’s past when they came under threat. As a result, they created the office of Champion of the Order; a position traditionally filled by the most qualified sister, most often a former warrior or soldier retired to the cloistered life. Kurn Velden is the first male to ever hold the office; because, despite the peaceful teachings of the Sisterhood, Kurn Velden has a talent for war.
Velden wields the Strikers of Undjask; twin magical warhammers forged in centuries past, once borne by one of Yevona’s greatest paladins and imbued with the power of the goddess herself. These divine artifacts are potent against the forces of darkness, especially the undead. (D&D 5E: On a critical hit against any undead creature, the Strikers automatically cast Divine Smite at Velden’s current level. This does not use a spell slot.)
While some in the order disapprove of his zeal for combat, others recognize him as a gift from the goddess; a bulwark against those who would do the order harm. Those who would threaten the Sisterhood will find Kurn Velden all too ready to meet them, singing a song of praise to the goddess with hammers in hand.
These pictures were taken with my new iPhone, which seems to work just fine with WordPress now. I use the same camera for my Instagram photos. The resolution is insane, so any flaws (and there are many) stick out like a sore thumb. Less work for me, but more unforgiving. Good and bad, I guess…
Four posts with no miniatures? This will not stand! Let me fix that…
In December, I usually focus my attention on my “side pile”, i.e. those unfinished and partially-painted miniatures that have accumulated off to the side of my workspace over the course of the year. Some have been primed, others basecoated; some have just a dab or two of color on them from when I squeezed out a bit too much paint and didn’t want to waste it. There they indefinitely sat, clogging my workspace and staring at me accusatorily; until finally, a few years ago, I made the conscious choice to clear the workspace. It’s worked out great.
Yeah, well…I didn’t do that last month.
I painted a LOT of Star Trek miniatures in 2020; both Modiphius miniatures and Heroclix repaints. Since I started playing Days Gone last month, I simply haven’t had the motivation to paint as much (funny how most of my hobby dry spells coincide with periods of video game obsession). But I only had a few Star Trek miniatures left, and I was bound and determined to get them all done by the end of the year.
I have succeeded. First up: the Heroclix repaints.
I picked up these Heroclix to supplement my Modiphius Romulans. They’re not perfect, because I didn’t remember what paints I used way back when; but they’ll do.
Next, I did the same with these Klingons. Everyone can use more Klingons, and I have plans for these guys…
Sadly, I only managed to get my hands on two Heroclix Cardassian soldiers. I repainted the TNG-era brownish uniform to DS9 black, since I like it much better.
Next, some Ferengi salvage crew, and Daimon Bok. These miniatures are obviously based on the early TNG costuming, which was…well, pretty fucking awful. Don’t believe me? Here’s what the Ferengi uniform was on TNG:
Yikes. I’m guessing most of the show’s first-season budget was blown on special effects, because that looks like medical scrubs and cheap carpet. Dig those fur booties.
Finally, the last of the Heroclix: I did a couple of TNG character repaints: Geordi, Worf and Lt. Barclay; as well as a couple of generic TNG-era Starfleet crew.
I repainted Mugato and some Talosians, as well as a whole bunch of generic Starfleet crew for the TOS era.
Moving on, I finally finished the last Modiphius set: the Iconic Villains. I have a lot of opinions about this set, and let’s start by saying I would never have bought it if I didn’t find it on Amazon for an obscenely low price (like $18 or so). The truth is, I didn’t need or want most of these miniatures, and I think there were a lot of better choices available for the “iconic” Trek villains. Let’s go through them, best to worst. These are my opinions, of course…your mileage may vary.
First: Locutus, Lore, and the Borg Queen. All of these are solid choices for iconic villains. What’s more, Modiphius made a Borg Collective miniature set and the Next Generation Bridge crew and TNG Away team, which makes them easy to use in a miniature wargame or for their Star Trek Adventures roleplaying game. I have no issue with any of these. Love them.
Next: Gul Dukat. He’s a great sculpt, and my personal favorite villain in all of Star Trek; so of course I’m happy to have him. The problem is that Modiphius hasn’t done the Deep Space Nine station crew yet, and also hasn’t done any Cardassians (both of which I’m DYING for); so, he’s of limited gaming utility at the moment. Still, he’s Gul Fucking Dukat, and he’s holding Sisko’s baseball, so I can’t complain too much; although it would be really nice if Modiphius made those other sets soon. In the meantime, I think they could have included a villain that would better compliment the sets they have already released.
Next: Q, in his judge’s robes. As far as iconic villains go, Modiphius would have been remiss not to include Q. BUT: why would you need a Q miniature? Q can do anything and is pretty much invulnerable and omnipotent. I get I’m nitpicking here. Star Trek Adventures is a roleplaying game, and anyone using miniatures for that purpose may have need of a Q miniature simply to show where he’s standing at any given time. But it’s not like Q needs to worry about things like difficult terrain or line-of-sight. He doesn’t need to worry about cover saves. He’s Q. Like I said, Modiphius kinda needed to include him, but the miniature is of limited use in a game setting, particularly a wargame. Also, although the judge’s robes are cool, I would have liked to see him in a Command uniform. But that’s me.
Next: the Gorn Captain. Calling him an iconic villain is a bit of a stretch to me. Also, since he’s the only Gorn miniature made by Modiphius (kinda like Gul Dukat is the only Cardassian), unless you want to replay the classic TOS episode Arena, there’s no point in gaming with him. Meh.
Finally, for some inexplicable reason, Modiphius decided to include two Star Trek movie-era villains: General Chang, and KHAAAAAAAAN!!!!. Why they did this when they haven’t released the movie-era TOS crew is frankly baffling to me.
As for General Chang, he’s my least favorite miniature in the set; not because he’s a bad sculpt, but because I’m at a loss as to why he’s here. Sure, he was the bad guy in Star Trek VI, and he was ably played by Christopher Plummer, and he’s a Klingon. And…I got nothing else. Who the hell was asking for a General Chang miniature? Again, the fact that he’s from the movie era and Modiphius hasn’t released any movie-era miniatures makes his inclusion perplexing.
Finally, arguably the MOST iconic Star Trek villain, Khan definitely deserves to be here. His sculpt is pretty good overall, although I don’t think he needed to be clutching a Ceti eel (it looks kind of silly). While Khan should definitely be included, they should have made the younger version of him from “Space Seed” to work with the current TOS Enterprise crew and landing party sets. (Heroclix made a young Khan, but he’s a rare miniature that fetches about $50 on the secondary market; or, as I like to call it: “fuck that expensive”.)
So, aside from replacing old Khan with young Khan, who do I think should have made it into the set instead of Chang, the Gorn Captain, and (even though I love him) Gul Dukat?
Gowron. Played by “Crazy Eyes” Robert O’Reilly in 11 episodes of Star Trek: TNG and DS9, Gowron is definitely an iconic villain who should be here. I am personally offended that he is not, because how can you not love Gowron?
Lursa and B’etor: The Duras Sisters are also recurring antagonists in TNG and DS9 before finally meeting their end in Generations (spoiler alert). Both of them would be welcome.
Sela: The Half-Romulan daughter of Tasha Yar would be a welcome addition, too; although Modiphius seems to have had her in mind when designing the Romulan set. The commander is female, and can easily be painted as Sela. (In fact, I did just that, as you know because you followed my link to the Romulans above.)
Harry Mudd: One of the only recurring characters on TOS, Harry Mudd would be an awesome addition to the set. I love both Mudd episodes (Mudd’s Women and I, Mudd“) and would love it if someone made a miniature of him!
These are my choices for iconic villains that compliment sets already released by Modiphius. Assuming they release DS9 and Voyager crews down the road; who should make it into Iconic Villains 2? (I’m not including Enterprise because I’ve only seen the first season and honestly don’t know if there are any iconic villains to include.)
From Deep Space Nine: Kai Wynn (of course), Weyoun, Damar, the Female Changeling, Enabran Tain, Minister Jaro, Liquidator Brunt and Michael Eddington; from Voyager: Seska. (She’s the only one I can think of, and the only recurring villain other than the Borg Queen, and she’s already been done.)
I actually completed a project! I’m happy to say I’m done with Star Trek for now. I have no more Trek miniatures to paint, although I do have a couple of bridge scenics to get to, courtesy of Wargames Terrain Workshop.
First off, check out all the amazing entries for Old Man Paint’s #oldorcs challenge, over on his blog. There are some really talented painters that took part; some of their work is truly stunning! (You can also see my entry: it’s the one that looks like shit compared to all the others! 🙂 )
Another year, and another missed opportunity to again host Dwarvember. I keep telling myself I should bring it back each year, but I was kind of busy last month between #Oldorcs and The Vamp for Vampifan stuff, and I plumb forgot about it. Maybe I’ll bring back WizarDecember next month instead. Subconsciously, though, Dwarvember must have been working on me, because the first miniature I painted after the Red Duke was this one: Svala, from Hasslefree miniatures.
Regular visitors to this blog will be familiar with my love of all things Dwarvish; but for those who are popping over from Instagram or who happen to have come here accidentally, suffice it to say that I find two things coolest above all else: dwarves and bagpipers. And if you put both those things together, you may very well bring tears of joy to my eyes.
Anyway, I like Hasslefree miniatures a lot; but I usually purchase Kev’s Modern adventurers and martial artists rather than his Fantasy miniatures (even though they’re really good). That’s when I purchase Hasslefree at all; shipping rates are utter bullshit right now and have been for quite a while, so I don’t often “buy British” nowadays. That sucks for me, as there are some great miniatures to be had from companies like Crooked Dice and Heresy (not to mention Wargames Terrain Workshop, a company I just discovered I am powerless to resist, shipping be damned. Hi, Dave!). While looking for something fun to paint, I stumbled across Svala here. I must have tacked her on to an order somewhere and forgot. The last time I ordered from Hasslefree was at least four or five years ago.
Anyway, I decided to paint her up as an older, experienced Dwarf woman; someone who hung up her adventuring gear and now spends most days at the forge. Of course, she’s still a Dwarf; so her warhammer is never very far away.
She seemed like a good enough reason for a post as any. Hope you like her!
Insanity Pile Progress
Miniatures Purchased: +49
Miniatures Painted: +55
Total: +6 ( I went on a bit of a spree, as I usually do this time of year. Better make up some time!)
Well, it took me long enough, but I finally finished my vampire miniature painted this month in honor of Bryan Scott, a.k.a. Vampifan; a gamer who sadly passed on earlier this year. I chose The Red Duke from Games Workshop, a classic Vampire Counts miniature that I have had since its release in the late 90’s. Had I known Vampifan better (or at all), I probably would have chose something different, i.e. one that looked a bit more like Ingrid Pitt rather than Christopher Lee.
No one tells me anything. I blame Roger.
Anyway, once I got him positioned how I wanted, I gave him another coat of Vallejo black surface primer and did a quick drybrush of Citadel Celestra Grey to underpaint the model and highlight everything I needed to see in order to paint (my eyes ain’t what they used to be). Then I got to work.
Behold the results of my efforts. I have to say, since I started using Instagram and was forced to begin using my iPhone to take pictures, I have noticed that pictures taken with my actual camera really suck in comparison to anything I take with my phone. For some reason, if I try to load my iPhone pictures into WordPress, it doesn’t work. Normally I would blame Roger for this (and everything else); but it’s far more likely that WordPress is to blame.
Please forgive the shitty quality of these pictures, is what I’m saying.
I followed Duncan Rhodes Jr’s GW recipe for vampire skin: Rakarth Flesh base; followed by an Agrax Earthshade wash; highlight with Flayed One Flesh and finally with Pallid Wych Flesh. Of course, the only skin the Duke is showing is his face; but I think it looks suitably vampiric. The armor is a mix of four or five red washes and paints from different manufacturers (please don’t ask me what I used), as well as the same number of gold metallics. The one thing I’m unsure of is the purple…the more I look at it, the more I think it should be black. But I wanted to add a bit of color to the Duke besides red. What do you think?
Speaking of purple, THIS happened while I was in the midst of painting: I spilled my Druchii Violet wash all over the place, because I accidentally swatted the shitty GW flip-top bottle cap and knocked the whole pot over. Fuck you, GW. Between your paints that dry up far too quickly and your fucking stubborn resistance to dropper bottles, I’ve about fucking had it with your planned obsolescence business model. Know what I’ve never accidentally spilled? ANY PAINT IN A FUCKING DROPPER BOTTLE. Like Vallejo. Or Army Painter. Or Reaper. Or any cheap-ass craft paint I can buy at Wal-Mart. All these paints seem to last a hell of a lot longer, too. Coincidence? DOUBT IT.
Sorry. I’ve been drinking.
One thing I am really happy about is using the cape from the Heroclix Hobgoblin. I did this out of necessity, because I somehow lost the Red Duke’s own cape over the years. (Very unlike me. I’m sure it will turn up somewhere.) I think it looks a lot better than his “official” cape would look; and it adds a bit of realism to the motion of the rearing skeletal steed. (Also, it turns out I didn’t need to sculpt any reins, so…yaay me!)
As a small bonus, I also repainted this Horrorclix Nosferatu. Unlike the Red Duke, it took me about 30 minutes in total to rebase and repaint him, so it’s hardly a huge accomplishment. Still, I thought I’d include him in my Vampifan tribute.
True to form, I waited until the last possible minute to post these miniatures. I hope Vampifan would have liked them. It’s Halloween, and if there wasn’t a pandemic, I’d be expecting trick-or-treaters at my door in a few hours; but it’s looking like it’s going to be a quiet night.
My #oldorcs submission took me longer than anticipated; after all, it’s just one orc model. I should have been able to complete that in an hour or so. But the more I looked at it, the more I put off actually beginning to work on it. I really wanted to capture the Oldhammer painting style; a style I haven’t used since, well, since the Oldhammer days of my youth. I painted the basic green skin tone and left the model to sit for a bit while I prepped my Vamp for Vampifan, the Red Duke.
I’ve been having an odd sleep schedule lately, and I found myself thinking about him at 3 am. It was a night of soaking rain here. Usually that helps me sleep, but I had Ork on the brain. I got up and went to my painting table, and I stared. I stared at the Ork for 15 minutes or so, while the rain came down on my bulkhead. I stared, and he stared back. And then I knew what I was going to do.
I decided to make him a Death Skull; because I’ve always been partial to their blue facepaint. Once I did that, the rest of the model came pretty quickly.
When I painted my Warhammer Orc and Goblin army decades ago, I used the same orc skin recipe on almost all the models: Snot Green base, Goblin Green tone, Scorpion Green highlight (all are avialable through Coat D’Arms nowadays). I didn’t want to do that here, so instead I used a base of Citadel Caliban Green, followed by Reaper’s Turf Green and Meadow Green. This resulted in a slightly darker skin tone than I liked, so I once again added some Scorpion Green highlights. For the blue face paint, I based it in Vallejo Prussian Blue, highlighted with Reaper’s Dragon Blue, and then a final highlight of Vallejo Andrea Blue.
The rest was pretty easy: I just went back to the brightly-colored John Blanche/Mike McVey Oldhammer palette that was the norm when I first started playing. You can see plenty of examples of it in old White Dwarf and Dragon magazines, if you have them; or of course any old codices, catalogs and army books of the time. Barring that, there’s always the Internet…
This was a fun little diversion and my first Instagram painting challenge. Thanks to Old Man Paints for hosting it! There are prizes to be won, but they weren’t my motivation. I really just needed the kick in the pants to get back to hobbying.
Roger from Rantings From Under the Wargames Table has organized a tribute to fellow blogger and miniatures enthusiast, Vampifan (Bryan Scott), who sadly passed away earlier this year. I knew Vampifan from his blog, Vampifan’s World of the Undead, and from Painting Challenges like Zomtober and Forgotten Heroes. We tread the same internet and blog byways, but I can’t recall ever corresponding with him directly. I wish I had. By all accounts, he was a great guy, a veteran gamer generous with his advice and encouragement; a good friend, a real credit to the hobby, and a man who will be missed.
This month, to honor an absent friend, Roger has proposed painting a vampire miniature in lieu of simply raising a glass in Vampifan’s memory (although feel free to do that, too). I’ve got a vampire miniature, so count me in.
The miniature I have chosen is one I have had for about 25 years: The Red Duke, by Games Workshop. I bought him right around the time GW split their Undead army into Vampire Counts and Tomb Kings. I chose to go with (though never played) Vampire Counts; the Red Duke was to be my general.
As you can see, he was primed black some time ago, and 25 years of being knocked around in a box has worn some of that off. He also had a cape at one point, but I seem to have lost it. No matter. This Heroclix Hobgoblin shall donate his. You may recall this particular Heroclix has already donated his left arm to my Nexus Forgotten Heroes submission earlier this year. I’ve also removed his head and cut him off the glider. Waste not, want not.
You never know when you’ll need an empty goblin glider. Ask Norman Osborn how dangerous they can be…
Anyway, I don’t want him to go on a boring cavalry slotta base. I’m going for a more dynamic pose: I want him on a rearing skeletal steed! The billowing cape should help the overall effect. I chose a 60mm round base, then added a 30mm base for height and applied some Magic Sculpt to level everything out.
A bit of green stuff, drilling and test-pinning, and I think I’m ready for a re-prime. I’m going to paint the Duke and the steed separately before fitting them together. It seems I may have to use more of the dreaded green stuff to sculpt some reins, as his new, more dynamic pose doesn’t “sit the saddle” the way it was intended.
At this stage of the game, I’m happy with what I have. It looks like this could be a good-looking miniature when I’m done, if I don’t fuck up the paint job. Fingers crossed!
The other day I stumbled across an Instagram painting challenge for Orctober. Old Man Paints is running his Old Orcs Challenge. The rules are on his site (which is a cool site to visit anyway), but put simply they are: paint an old orc miniature from the Oldhammer era (mid 80’s-early 90’s) and post it on Instagram by the end of the month. (There are hashtag requirements and stuff like that, but that’s about the gist of it.)
Well, if there’s one thing I have a lot of, it’s Oldhammer Orcs. Sadly, all of mine are painted already, and one of the rules is a “before” picture is necessary. It seems I was out of luck.
Well, it just so happens I have had a 40K Ork army as a planned project for about 10 years. This makes no sense, as I don’t play 40K anymore; but who among you can say you don’t have similar nonsensical ambitions in your pile of shame? I have a ton of Orks, most still on the sprue, just waiting for assembly and painting. (I’m in no hurry.) The vast majority of these are from this millennium. In other words, most of them.
Then I found this guy, along with a handful of other Rogue Trader-era Boyz. I’m back in business.
I have no expectation of actually winning this challenge, considering the level of talent I see on Instagram; but I figure I can pretty easily paint one ork in my sleep by the end of the month, so why not participate? Next time you see this guy, he’ll have paint (and arms) on him.