61 and 0. That’s how many days have passed thus far in 2025, and how many miniatures I have painted so far this year. It seems my motivation, for painting at least, has not returned, and judging by how long it took me to respond to comments on my last post, neither has my motivation for blogging. (I actually couldn’t remember my WordPress password for a minute there.) My Instagram accounts have been barren wastelands with no posts since January (although I have been commenting and interacting with others), and if not for the many friends I’ve made on IG, I’d consider ditching the platform altogether. Is this how an old hobbyist goes out, not with a bang, but a whimper? Maybe, but I’m not done yet. There is a hobby ember still smoldering deep within my breast. I hope to back in true form for Monster May(hem) and Forgotten Heroes, two challenges I would not willingly miss.
All is not lost. I have managed to get a few (at least tangentially) hobby-related things done this year. Most recently, I sat down with Bruno Galan again to discuss the Satanic Panic of the 1980’s, along with Tenebrae de Profundis and Grim Jim Desborough. We started talking about the Satanic Panic, veered off course for a while to discuss cancel culture and other bullshit, then brought it back around. This was recorded at 1 am my time, so apologies if I ramble somewhat. You can view and listen to it above, if so inclined. If you watch it, please do Bruno a favor and like the video about halfway through. It helps the video get noticed. If you really like it, you can subscribe to his channel, where you can find previous interviews Bruno did with all three of us.
Next, I’ve returned to roleplaying on a regular schedule, something I haven’t done for years, and I’m recording the sessions for eventual release (hopefully–I need to learn sound editing first). Although I’ve run a few games here and there over the past year, prior to that I took a year-long hiatus from gaming after leaving my longtime gaming group for reasons. (They will always be my friends, I just think it’s better that some of us don’t game together any longer.) Truthfully, I missed playing more than I wanted to admit. Since starting an Instagram account during the pandemic, I’ve met some really awesome people from all over the world that I’ve been able to play with remotely. Although I miss sitting around a table chucking dice, I never would have been able to game with these folks otherwise.
Last year (around November 7th or so), I made the decision to focus on something that will make me happy. I decided to kick off a new campaign in 2025 using a classic module for inspiration and setting: the first module I ever owned, played and ran as a DM: Dungeon Module B2, The Keep on the Borderlands. (One of my players suggested I name the campaign “Keith on the Borderlands”, which we all found amusing.) I like actual play podcasts, so I thought I’d give it a try myself by recording these sessions. It’s my hope that I’ll be able to start a podcast of my own, combining actual play with gaming topics. Hardly original, I know, but I’m an old grognard and I have opinions.
I decided to use AD&D 2nd Edition for the rules set, as that is my favorite edition, and I’ve heavily modified the module so there’s more going on than entering caves, killing everything inside and taking their shit (wash, rinse, repeat). So far, we’ve played four sessions and last week we had our first character death. I feel kind of bad, as the player who lost a character has only ever played 5E before, and met the harsh reality of 2E head first. No superhero characters here, no long rests that miraculously restore all your hit points and spells, no three out of five death saves. (Luckily, I prepared my players for the inevitability of character death by having them make several characters.)
I also broke my “read 100 books you own before buying any new books” ban to purchase this book (and read it): CrowNomancer, by some guy named Winstanley. Ever wish you could go back in time and be the coolest kid at school? Ever wish you could use magic? Ever wish you could do all three? Check this out. You can get it on Amazon.
Finally, she-who-is-my-wife occasionally travels to visit friends and family in other parts of the country and the world, while I am left alone and bereft here at my palatial estate. When I know one of these sojourns is coming, I naturally plan all the things I will do in her absence: all the miniatures I will paint, video games I will play, food I will cook, booze I will drink, books I will read, movies I will watch and games I will play, all while temporarily unfettered by the constrictions required to maintain a healthy relationship.
Then, when she’s gone, I do none of those things. I just walk around the house like a guy who got hit in the head with a hammer.
Last month she took one of these trips, and I did something different, something productive. I painted my basement.
My basement is (mostly) my domain, wherein all my stuff sits. All my miniatures, video games, roleplaying games, comic books, my computer (where I write this post) and my painting desk and gaming table (which I never use). It is my version of Mr. Brady’s den, for those familiar with the analogy, so you may be forgiven if you think that my painting of the basement was purely self-serving. It was not. You see, I am a man, and therefore I don’t see things like scuff marks or dust or peeled paint or cobwebs. They don’t exist for me, no matter how many times a certain someone points them out and tells me I really should paint this place, because I’ve owned the house for over a decade and it hasn’t been painted since then, and probably wasn’t painted since the place was built. So my decision to do something productive rather than walk around like a fucking zombie for a week was not made selfishly.
Painting the basement took me most of the week and two gallons of paint (at 50 bucks a gallon–WTF???). I had to do it in stages, as it required me to move all the furniture away from the walls, and there simply wasn’t enough room in the center for everything at once. The worst part was moving the seven Ikea glass display cases full of painted miniatures. I’m happy to say I managed it without catastrophe, and without the need to empty them first. The basement looks much better than it did, as I opted for a brighter white than was on the walls previously. (Naturally, it went unnoticed by anyone but me for weeks, until I had to physically point it out.) Anyway, one of the benefits of moving all the furniture was that I took the opportunity to clean off and organize my painting desk, so when I do go back it will be ready for me.
I know. I already have a post entitled “How Not to Host a Painting Challenge.” Turns out I suck at hosting painting challenges, because I had an entire fucking year to paint a dragon, and I failed. This dead dragon represents my efforts. It’s a resin piece by Dave Stone. I completed it for the Season of Scenery in 2022. (I failed to take part in the Season of Scenery last year, one of the many things at which I failed.)
Now, lest anyone think I didn’t put in ANY effort whatsoever, I planned on painting this classic Sandra Garrity T’Char, Dragon of Flame and Fury. This is how far I got.
I was going to prime him (I’ve decided T’Char identifies as male) white, because I was going to paint him blue. Screw Dragon of Flame and Fury, I have enough red dragons. Now I think I’m going to prime him black after all, because I’ve reconsidered the blue (but he still won’t be red). I filled all the gaps but left the wings off, because while I was fitting them it became obvious that if I glued them to the body prior to painting, I would have problems painting and shading.
Then, I set about finding stuff to add to the base. I added some Nolzur’s treasure piles. but I still have more space to fill. If I was a talented sculptor (like Dave or Roger) I could sculpt some more treasure piles, but I’m not, so I didn’t. Instead, I decided to use the “dungeon dressing” bits from an old Kickstarter I backed, along with an assortment of weapons and stuff to round out the treasure hoard.
That was in late November, when I knew I had to get on the stick and paint this fucking dragon, because I only had a month.
I recently reorganized my “miniatures I will never paint before I die” (aka my miniatures), and one of the boxes I labeled clearly indicated that the dungeon dressing bits were inside. They weren’t. That set me off on a quest to find where I put them. A quest that took me two weeks, because of course it was in the last place I looked, because WHY THE FUCK WOULD I PUT DUNGEON DRESSING BITS IN WITH MY OLD WEST PROJECT (which I also will not complete before I die)?
I blame gin. Or whiskey. Something alcoholic, anyway. Like me.
I’ll get it done eventually, and I’ll post it. Just know the shame is real.
My 2024 painting output has been dismal. 43 miniatures. On the plus side, I managed to paint the miniatures for three board games (one of which I actually managed to play): Indiana Jones: Sands of Adventure, Horrified!, and Alien: Fate of the Nostromo. I painted all the old TSR Adventures of Indiana Jones miniatures, something I’m guessing not many folks have done. I even painted two of Dave Stone’s cowboys, which means I now have painted all of Dave Stone’s cowboys (the ones that are human, anyway). I hosted Monster May(hem) without fucking it up and took part in Forgotten Heroes, which is my favorite painting challenge. (When I stop doing that, you know I’m either done for good or dead.)
On the downside, I painted 43 miniatures, which is disgraceful by almost any standard. (Unless you’re one of those unbelievably talented folks who spends six weeks on a miniature and it looks FUCKING ALIVE when you’re done. I’m not one of those people.) I also pretty much dropped off the blogosphere (although I have been active –somewhat–on Instagram), so I am 100% sure I missed some Year of the Dragon submissions, and failed to give proper recognition. I know Dave did more than one dragon (and I’m guessing he probably made at least one himself), but I haven’t been around to see. If you’re so inclined, drop your submissions in the comments section here. I deeply apologize for missing them.
In my defense, 2024 has been a fucking year here in the States (and everywhere else). It’s been tough to focus on anything that brings me joy. To say I have been unmotivated is an understatement. Every year around this time I make some hobby resolutions. I’m not gonna do that this year, since I’ve pretty much failed at the ones I’ve made for the past five years or so. I’ll paint what I paint, I guess.
As far as gaming goes, I’ve actually made some progress. I ended my self-imposed isolation from gaming to run a few games last year: some old-school Marvel Super Heroes and Star Frontiers, some OSL Lamentations of the Flame Princess, a session of Slasher Flick, a session of Hard City, and a couple of sessions of my own original 1970’s Street Crime RPG (to be released at some point). All these game sessions were virtual. I wrote several gaming scenarios for various games, including a new one for my game, entitled “Nicky Fucks Up”. I even got to PLAY in a game rather than run it for a change: a session of Dragonbane, which, despite having anthropomorphic ducks in it, I found to be really fun and a great system I would like to run in future. I’m committing to running at least one campaign in 2025. I even have four players already.
I really enjoyed the “Year of Pop Culture” in 2023, and I have a bunch of miniatures to paint that I didn’t get to back then, so why not bring it back for 2025? I’m not promising anything, mind you. Just considering.
I hope to be around a bit more going forward. Happy New Year, everyone.
At least one guy, anyway. I was recently interviewed by The Crimson Hound himself, Bruno Galan, over on The Bruno Galan Talk Show, one of his YouTube Channels. Bruno asked me to be his guest to talk about miniatures, games, and hobby stuff. And we did, for about an hour, starting at 3 AM my time. (Curse him and crush him!)
Bruno is a friend I met on Instagram several years back. He’s the creator of The Crimson Hound, and he came up with an idea that is pure genius. He invited some really talented gamemasters to run games for him, where he would play his character, The Crimson Hound, kind of a cross between Batman and Blade the Vampire Hunter, but more pulpy. It was up to the individual GM which rules system they would use, and what their individual serials would be. He recorded all the sessions and posted them to YouTube on one of his other channels “The Chronicles of The Crimson Hound“. I tease Bruno that he only did that to ensure he got to play games. He doesn’t deny it.
Anyway, Bruno was always a good sport about me screwing with his character, and he once was part of a playtest group for a Call of Cthulhu scenario I was working on a few years ago, so I owe the guy. He’s asked before but I politely declined because I don’t want to be on YouTube. He told me I don’t have to be on camera, but I still declined, wondering who would give a shit about what I had to say. It’s not like I’m famous, after all. But Bruno is a good dude (despite being a damn, dirty Canadian), and a friend, and he asked again. I’d be kind of an asshole to say no at this point, so I didn’t; but I am still unconvinced anyone cares about my opinions on (and history with) miniatures and gaming (other than Bruno; and, I guess, you guys, since you read this blog).
As I said, we talked for about an hour, and if you’re interested, you can see the video here. You’ll get to see Bruno, but you’ll only get to hear me, as I am far too handsome for YouTube and I didn’t want to make poor Bruno look like my consolation-prize wingman. You’ll also get to see three RPGs I really like, and three RPGs I really want to run or play, but haven’t yet, along with commentary, of course.
By the way, one of the first things Bruno asked me about was Forgotten Heroes. I told him it wasn’t my challenge but it’s my favorite challenge, and gave a shout out to the Carrion Crow.
If you like this interview, be sure to like the video by clicking the thumbs-up sign. If you really like it, subscribe to the channel. Bruno talks to other game designers, comic creators, authors and MMA guys (I know, weird spread). He’s trying to get more visibility for his channels and every bit helps. I’m sure that an interview with a hobbyist of my standing–the esteemed Angry Piper– can only result in a deluge of subscribers for him. Happy to do my part.
Thanks in advance. If you have any comments, leave them on Bruno’s video, or leave them here. I’ll see them either way.
Folks haven’t seen hide nor hair of me around here (or anywhere else on the Internet) for almost three months. I’d like to say it’s because I’ve been busy painting miniatures, specifically a dragon or two, but I can’t say that, because I have painted a total of four miniatures this year, and none are dragons. Instead, I have been mostly playing Red Dead Redemption 2 (at last), and writing scenarios for RPGs I will likely never run or play. Case in point: The Adventures of Indiana Jones; published by TSR in 1984, which is when I bought it at the tender age of 11.
The TSR Indiana Jones RPG has a bit of a reputation, and it’s for being a piece of dogshit. I find that assessment a tad harsh, but it is not a good game by any means. It’s got some serious problems, most infamously the lack of a character creation system. Players take on the roles of Indiana Jones and his friends. Since the game was published shortly after the second Indiana Jones film, Indiana Jones and the Temple of Doom, Indy’s friends are made up of his companions in the first two movies (sadly, no Henry Jones, Sr.). Marion Ravenwood and Sallah from Raiders of the Lost Ark, and Willie Scott and Short Round from Temple of Doom. I guess TSR thought five characters wasn’t enough, so they also included statistics for Jock Lindsey, the pilot from the beginning of Raiders (“There’s a big snake in the plane, Jock!”) and Wu Han, the waiter from Club Obi-Wan who gets shot amidst a cacophony of champagne corks almost immediately in Temple of Doom. Both these characters have maybe three lines of dialogue and less than two minutes of screen time in their respective films, but either one of them is preferable to playing the insufferable Willie Scott.
Herein lies the problem. The question rapidly presents itself: who wants to play a game about Indiana Jones and not play as Indiana Jones? What person is going to want to devote an evening of roleplaying to playing Willie Scott? Not too many people, judging by the dismal sales of the game at a time when both TSR’s boxed games and the Indiana Jones IP were both extremely popular. There was even a TV commercial about them.
The game had a few published adventures, but two of them were just the first two movies adapted as RPG adventures. (How fun!) The game was designed with miniatures in mind, and both the core box and all the published adventures had cardboard, trifold miniatures of characters, NPCs, and even scenery. There was one box set of metal miniatures released as well, and they’re pretty hard to come by (I have them).
So what are the other problems? Well, in addition to no character creation, there’s no character development, either. Indiana Jones and friends will always have the same statistics and know the same languages and skills no matter how many adventures you play. Skills are pretty basic, yet there are skills in the book that no player character has. There’s no mechanic to learn a new skill or language, or use one you don’t have (unless you roll a Lucky Break, which is a 5% chance of success).
The boxed set contains a rulebook, a character dossier booklet (the cover of which doubles as a battle map for miniatures), and a GM screen. You can get away without using the battle map or the miniatures (we never did), but you need everything else to play the game. Several important tables only appear on the GM screen and are not printed in the core rulebook (who knows why?). This means, of course, that if you’re looking for this game on the secondary market, it will be unplayable unless you have a complete game. No getting away with just the rulebook.
So what’s GOOD about it? Well, not much. I recall running it a few times, but with only one player (who played Indy, of course).The introductory adventure is meh and somewhat problematic (it takes place in Africa and features a villain named Solomon Black who is, of course, Black; as well as some questionable depictions of tribesmen), but it does a good job of teaching the rules. It’s designed for one player and one GM and is presented in chapters throughout the rulebook, each one focusing on the preceding relevant rules section. There’s also a pretty interesting chase mechanic in the game that uses a chase flow chart to simulate random twists, turns, dead-ends and hazards. I don’t think we ever used it, but I’d give it a go now, maybe even for use in another game. That’s about it.
TSR lost the license to this game fairly quickly and the game didn’t last long. Nothing was released after 1985, and I don’t think it was ever supported in Dragon magazine. No (legal) PDF exists, and the game isn’t available for download at any of the usual sites. It’s a dead game–until now. Last week I dug out my boxed set and had a look through it. I even found one of the old adventures I wrote as a teenager (Indy goes looking for an old Spanish galleon). Then I got inspired, and for the past week and a half, I’ve been writing a NEW Indiana Jones adventure for use with this game.
To be clear: no one I know (besides me) still owns this game. No one I know (besides me) is producing any content for it. No one I know (besides me) likes anything about it, if they know anything about it at all. And finally, no one I know (besides me) actually wants to play it ever again. No one is asking for this. And yet I’m still working on it, and loving every minute of it.
It’s that time again, when we look back on the past year and look forward towards the next one. Traditionally, it’s the time to review what I’ve accomplished here, and what I plan to do next year.
So, what have I accomplished in 2023? Not much. I’ve painted fewer miniatures this past year than in any year in recent memory. I haven’t played a RPG since March, and have no plans to do so again. My Discord server is a barren, empty wasteland, and don’t get me started on my personal life.
I did write a RPG, run it twice and have two other groups playtest it without my involvement. It seems to be generally well-received, so I should get around to publishing it at some point. That means I need to commission more artwork and learn how to do layout.
So, no big resolutions for 2024, unlike in years past. Rather, I’m going to limit myself a bit. I’m taking inspiration from the many “paint what you’ve got” challenges out there, and I’m planning on doing that all of next year. So, in 2024, I resolve to:
Paint what I’ve got: If I painted one miniature a day for the rest of my life, I would never come close to painting all the unpainted miniatures I have; and as this year’s output can attest, I don’t work anywhere near that fast. So, no new miniature purchases in 2024. Whatever I paint is coming from the pile of shame, and I will not add to it next year.
Read what I’ve got: Although I am an avid (and fast) reader, I have several hundred books I have yet to read, many thousands on my shelves, and I keep buying books as if I’m preparing for a lengthy prison term. In 2024, I’m not buying any new (or used) books. I need to pare down my TBR pile and get rid of the stuff I will never read again. That’s the hardest part. I have a collector’s mentality when it comes to things I love, whether it’s comics, books, miniatures or games (both video and rpgs), and parting is sweet sorrow.(Caveat: I have been on the lookout for certain volumes that regularly sell for stupid prices. If I find one of those at reasonable cost, I’m buying it.)
No new painting challenges: Between Monster May(hem), Forgotten Heroes and the Season of Scenery, I get stretched pretty thin. This past year I also did the “Ogre” challenge in September, where we all painted the same miniature sculpted by friend of the blog Dave Stone; tried (and mostly failed) to paint some Grenadier orcs for Orctober; and hosted Dwarvember last month. I think I’ll limit myself to MM, FH and SoS in 2024, with one exception:
The Year of the Dragon: According to the Chinese zodiac, 2024 is the Year of the Dragon, so what better time to paint a dragon miniature? I have several awaiting paint (some for much longer than others). I propose a year-long challenge: paint at least one dragon sometime in 2024, and hey–if you do it in May, you meet the criteria for Year of the Dragon AND Monster May(hem)! Since it’s a 12-month challenge, there’s little in the way of time crunch to consider. I’ll post more about this soon.
Post more often: They say blogging is dead, and I can see why; but I like having a blog, and I like reading the blogs of others. This past year, I posted once in January, twice in March, four times in April, four times in May, four times in June, once in July and August, twice in September, twice in October, three times in November, and (counting this) three times in December. That’s a total of 27 posts, most of them related to painting challenges. That’s really not a lot when you think about it. I enjoyed my deep-dive into Star Frontiers, and my list of my Top-10 RPGs of All Time, and my Crimson Hound parody AARs. I’d like to do more of that kind of thing, considering I’m not painting as often as I used to.
That’s it. A mellow end to 2023. Time to see what I can finish up out of the side pile before the clock strikes midnight on the 1st.
I just listened to the latest episode of The MIskatonic University Podcast, wherein the hosts rank their top 10 RPGs. It’s due to be a two-part episode, and they are including games they may or may not have actually played. I thought I’d do my own RPG GOAT lists, also in two parts…but this first post will be solely games I’ve played, while the next one will be for games I have yet to play, or haven’t played enough. If RPGs aren’t your thing, feel free to come back and look at the pretty miniatures, which will return soon.
I own many roleplaying games and game supplements for dozens of systems. The above picture represents about half of my overall collection, and it was taken back in 2021. (This is the chain I have forged in life, and like Jacob Marley, I have labored on it since.) But which ones are my favorites? Without further preamble, I give you The Angry Piper’s Top 10 RPGs of All Time, ranked in descending order.
10. Teenage Mutant Ninja Turtles and Other Strangeness (Palladium, 1985) My freshman year in high school, I met two brothers who are still two of my best friends to this day. One of them introduced me to the TMNT comic. I collected Marvel and DC comics and had no idea about independent publishers like Mirage. I immediately was hooked on the black & white, irregularly-published TMNT comic. These turtles were still a long way from the pizza-loving pop culture juggernauts they would become. These turtles were badass.
It was TMNT and Other Strangeness that introduced us to the Palladium system. I have many fond memories of the games we played, most of which degenerated into complete silliness. The character creation system is point-buy: each animal type (and there are many included) has a certain amount of Bio(logical) -E(nergy) points to spend. These points determine things like overall size, stance (biped/qudruped), hand type (partial, like paws, or full), speech and special “Powers” based on the animal type (like the Turtles’ shell). It was a very well-constructed character generation system and we never tired of making up new mutated animal characters.
The system…well, let’s just say I’m not a fan of Palladium’s system for many reasons. We played RIFTS and Heroes Unlimited a few times, but our interest waned pretty quickly and we were on to other games within a couple of years. Still, this quirky game provided us with a lot of fun times, and for that alone, it makes it into the top 10.
9. Star Frontiers: Alpha Dawn (TSR, 1983) I have spoken of my love for the classic Star Frontiers RPG in a series of recent posts. As I stated previously, for me, the real draw of this game is the setting. I cover that, as well as several “problems” with the game extensively here.
We played a lot of Star Frontiers in the 80’s and I’ve revisited the game a couple of times since then. One of my friends even converted it to GURPS, which made the game more complicated and challenging (in a good way). Sadly, I’m the only one among my friends who seems to miss this game nowadays, so if I ever get to play it again I will likely have to run it online.
8. Shadowrun (FASA, 1989) Where man meets Magic and Machine. In 2050, the world is a Gibson-esque cyberpunk dystopia ruled by mega-corporations, connected in virtual reality through a worldwide computer network called the Matrix. In the midst of this futuristic, capitalist nightmare, magic returns to the world and metahumans and creatures from myth and folklore once again walk among us. You play a shadowrunner–someone with a unique set of skills (magic, thievery, computer hacking, combat) who lives on the fringes of regular society. Oh, and there are dragons, too; and one of them becomes President.
Shadowrun, like so many other games that came out last century, has gone through several revisions and updates. I’m only familiar with 1st and 2nd Edition. 2E was better, and we played it most. The game has a timeline and metaplot that has kept continuity throughout all its editions. When the game debuted in 1989, the year in-game was 2050. Now, the current 6th edition of the game is set in the 2080s.
Shadowrun is one of those RPGs that’s immensely fun to play, but just as much fun to read. The sourcebooks are annotated as if they were documents posted to online hacker forums, so there is tons of commentary from the shadow community regarding the veracity of some of the information presented in the supplement. I haven’t played Shadowrun since pre-2000, but I still sometimes break out my old Shadowrun supplements just to read them.
7. Star Trek Adventures (Modiphius, 2017) No big surprise to anyone who visits this blog: I’m a huge Star Trek fan, and I went all in on the Modiphius 2d20 system. It’s a bit more complicated than I like in a system nowadays, but once you get the hang of it it’s pretty awesome. There’s a lot you can do and a lot of different ways to do it. It really captures the feel of the Star Trek Universe better than any previous Star Trek RPG, and it covers all eras of Trek from Enterprise through Discovery.
I first ran this game by converting an old FASA Star Trek module, The Vanished, to this version of the rules. Rather than make their own characters, my friends played Kirk, Spock and the bridge crew of the Enterprise. You can read about it here. Since then I’ve run several one-shots and even a brief campaign set in the Next Generation/DS9/Voyager era. You can find the first post of that campaign here. I’ve had a lot of fun every time, and I definitely will be running more Star Trek adventures in the future.
6. Star Wars (West End Games, 1987) With the ubiquity of everything Star Wars nowadays, it’s tough to remember that after Return of the Jedi was released in 1983, we didn’t have another Star Wars movie (for better or worse) until The Phantom Menace in 1999. Sure, there were novels and comics in between, but when Lucasfilm licensed Star Wars to West End Games to develop a roleplaying game, it was a license to print money, even if the game was shit, which this most definitely was not.
Arguably, the Star Wars RPG did more to keep Star Wars alive than anything else; but more than that, it built upon Lucas’s creation and added so much more to the lore and setting than anything we could ever see on film. Lucas approved all of it, and much of it became and remains canon. The system is D6-based and it works well. There aren’t too many rules to slog through and the action moves quickly. The D6 system is now open license for anyone to use.
I played a lot of this in the 80’s and a fair bit in the 90’s. About 10 years ago, I wrote a quick, one-shot with some pregenerated characters and ran a game for my friends. It was like riding a bike.
There have been 3 companies to publish Star Wars rpgs: West End Games, Wizards of the Coast and Fantasy Flight Games. The current FFG line is expansive (and expensive) and pulls from all eras of Star Wars, something the original WEG version couldn’t do, because none of it was written yet. It’s supposedly quite good; however it’s a testament to the popularity of the original game that Fantasy Flight Games published a 30th anniversary edition of the WEG Star Wars RPG in 2018. (No one talks about the WotC game nowadays.)
5. Vampire: The Masquerade (White Wolf, 1991) Ah, the angst-ridden, tragically hip 90’s, when you couldn’t swing a dead bat and not hit a Siouxsie Sioux, Peter Murphy or Robert Smith lookalike on any college campus in the country. Good times. I played a lot of the first and second editions of this game (as well as Werewolf: The Apocalypse and a little Mage: The Ascension) , and it’s one of the best, most memorable RPG campaigns I’ve ever been involved in. My interest in vampires has pretty much dwindled to nothing at this point in my life; but Vampire: The Masquerade is the game where I created one of my favorite RPG characters of all time: Lucas, a Nosferatu: a beast trying desperately to hold onto his humanity in the brutal and unforgiving Gothic-Punk Chicago of the 1990’s.
The World of Darkness Storyteller system is what really drives this game (aside from, you know, vampires), focusing primarily on roleplaying the trials and tribulations (or perhaps exultations) of being a monster. It’s billed as “a Storytelling game of personal horror,” and although pathos more than orror was the theme of the game in which I played, it is seen as a horror game. VtM has gone through several editions and publishers since the last time I played it, circa 1998 or so; and from what I can determine, it’s quite different nowadays. I’m not particularly interested in playing it again; but it’s definitely a game I played a lot of during my college years, and one I recall fondly.
4. GURPS (Steve Jackson Games, 1986) My regular high school gaming group split up after graduation as we all went to different schools. I was invited to a game in college, and that game turned out to be run by a guy I still game with today. That game was GURPS (3rd edition) Fantasy.
The Generic Universal Roleplaying System is exactly that. Although it’s great for Fantasy gaming, I’ve played and run horror, sci-fi, superhero, kung-fu, espionage and pulp cliffhangers games using GURPS. One of my favorites is GURPS Old West, which is my favorite Western RPG. GURPS has licensed such RPG properties as Traveller, Vampire: the Masquerade, Deadlands and Discworld; and, over the years, has released some of the best, most informative supplements for roleplaying games ever written. The GURPS Vikings, Martial Arts, Japan and WWII supplements really stand out, but there are so many more. My friend converted Star Frontiers to GURPS, and I even once attempted to run a Chronicles of Amber game using GURPS (but that didn’t work).
There’s a reason it’s been around for so long. There are rules for everything, but you’re free to use whatever you want and make it as simple or complex as you desire. It’s still my go-to generic system for most things.
3. Marvel Super Heroes (TSR, 1984) One of my all-time favorite roleplaying games is free for all at Classic Marvel Forever. I’ve always loved this game. It’s simple and captures the feel of a comic book perfectly. We played a lot of MSH back in high school. It still has a devoted fanbase today, and the innovative FASERIP system has been updated and streamlined by various publishers. (My favorite is Astonishing Super Heroes, by Let’s Start Over, Shall We?-a MSH actual play podcast). I brought this game out of retirement a couple of years ago to run a one-shot for my friends. The first of that four-post writeup is here. Although most of us had fun, a couple of my friends think games of the past should stay there. Undeterred, I ran it again on Discord as recently as March for a group of Instagram friends, and everyone seemed to really like it.
The published adventures are particularly bad; but the rules are simple and easy to learn. This is the only game that I can think of where I never want to make my own character. Although there are detailed character creation rules, I’ve always preferred running games for established heroes like Spider-Man and The X-Men rather than having the players create their own characters, and likewise, I prefer playing as established heroes as well. Sadly, no one I know seems keen on running this game but me. I haven’t been a player in a game of MSH since the mid-90’s, but I remain hopeful.
2. Call of Cthulhu (Chaosium, 1981) I discovered H.P. Lovecraft in 1987 when I was 15 years old, and although I had previously seen ads for the Call of Cthulhu RPG in the pages of Dragon Magazine, I never made the connection until later. Once I did, I knew it was a game I needed to play. A horror roleplaying game? How cool!
My first edition of the game was the 4th Edition, published in 1989. I still remember the first adventure I ran for my friends. It was one of my own scenarios involving a vampire who made his lair in an abandoned watermill. Being a vampire, he had no need to breathe and so he hid from the sun and rested underwater during the day. The group of investigators finally tracked the vampire to the mill, but of course, by then it was night and it was dark. They entered the watermill and found the floor had collapsed, so they waded through the waist-deep water, shining their flashlights around. One of the investigators suddenly realized the vampire could be under the water, and so I called for a Sanity check. He failed. I can still see the look on my friend’s face when I told him he dropped his flashlight into the water.
Call of Cthulhu is now in its 7th and, in my opinion, best edition of the game. I’ve played and enjoyed other horror games (like GURPS), but this is the best fit, both for Lovecraftian horror and horror storytelling that has nothing to do with the Cthulhu Mythos. I love to play this game and I especially love to run it. I always have more ideas for Call of Cthulhu scenarios running around in my head than any other game.
And finally, at #1: Dungeons & Dragons (TSR, 1974) Of course D&D will be my number one. Like so many people, it’s the first RPG I ever played, way back in 1983. It was the Tom Moldvay Red Box B/X system with the great Erol Otus cover art shown above. My aunt, who is only 9 years older than me, gifted me the game on my 10th birthday, pre-Satanic panic. I say this because she has since become an ultra-right wing conservative and staunch religious fanatic (yeah, we have lots in common nowadays), so I guess timing is everything. Anyway, thanks, Auntie Marie.
I’ve played almost every edition of D&D starting with the Moldvay B/X set. in high school, I played lots of AD&D before moving to AD&D 2E, which came out in 1989. I think I probably played 2E the most, though, being involved in several campaigns both as player and DM throughout the 90’s. I took a little break for a while, but came back to D&D with the 3rd edition. I ran a 3.5 campaign from 2011-2014 or so before it eventually broke down. You can read about that here. I skipped 4th Ed. entirely, which is by all reports what I should have done. No regrets.
Which brings us to 5th Edition, which is by far the biggest and most popular edition of the game to date, responsible for millions of dollars in sales and a huge influx of new blood to the roleplaying hobby. Thanks to Critical Role and Stranger Things, D&D is now super-cool; something I and most of my geek generation find amusing, as it certainly was not always so. I am all in favor of bringing new folks into the hobby, although I personally hate 5th edition because it is fundamentally different than the experience I know and love. I do not think the differences are beneficial to the game, but that is my opinion. I could write a whole blog post about why I hate it, but what’s the point? (I might do it anyway.) It’s not my game, but I certainly don’t begrudge others who love it (and they are many).
Dungeons & Dragons stirred my creativity, increased my vocabulary, raised my reading comprehension and fired my imagination. It made me a better speaker, a better writer and a voracious reader. It set me on the road to being the wise and erudite Renaissance man that I am today. It also taught me to be humble and not use words like erudite. But more than that, it gave me strong friendships that endure to this day.
I may play a thousand different games in my life, but I will always return to Dungeons & Dragons…just not any edition after 3.5.
Honorable Mentions
Picking a Top 10 was pretty hard, considering how many games I’ve played in my life. The following to games deserve special notice.
Middle-Earth Roleplaying (Iron Crown Enterprises, 1984) MERP has a special place in my heart, and always will. We played a fair amount of MERP in high school and college, and although I couldn’t tell you anything about the adventures and scenarios we played, I do know we had a lot of fun.
MERP is based on the Rolemaster system, which is not particularly suited for the setting, especially where magic is concerned. The spells and spell lists don’t really align with Tolkien’s portrayal of magic and wizards, for one thing; and the combat system is kind of clunky. MERP is justly famous, however, for the critical hit and critical fumble tables, which are absolutely hilarious and can instantly kill or maim anything, including the acting player character. It was worth it for that alone.
The supplements for MERP are exceptionally well-done, and like the WEG Star Wars RPG, much of the lore was created by the RPG company, not the original source. For example, prior to the release of the RPG, most of the Nazgul did not have names. In fact, Tolkien only named one of the Nazgul, Khamul the Easterling. Iron Crown named all Nine, and gave them backstories, too. They expanded and expounded upon Tolkien’s history and lore of Middle-Earth, and they did it with respect.
Bottom line: great setting and supplemental material. Not-so-great system for the game. Rolemaster may work well for fantasy RPGs, but it’s not a good fit for Middle Earth. Still, this was one we played often. Most MERP books fetch a hefty price on the secondary market nowadays, with good reason.
Lamentations of the Flame Princess (Lamentations of the Flame Princess, 2009) Lamentations of the Flame Princess is basically an OSR clone of Moldvay B/X D&D, although with a lot of updates (ascending Armor Class! Yaaay!) and changes that make the game much, much darker in tone. Whereas D&D is Tolkien-inspired high fantasy, LotFP is more grimdark and low-magic. It’s billed as Weird Fantasy, and it lives up to the name. There are no Fireballs or Lightning Bolts here; but Summoning is only a 1st-level spell, meaning it’s available to Magic-Users from the jump. Just because you can summon something, though, doesn’t mean you’ll summon what you want to, or that you can control it when it arrives, so beware.
Although LotFP has rules for demi-humans like Elves, Dwarves and Halflings (and, like B/X D&D, these races double as classes), much of the published material is designed without these fantasy races in mind, more of a late 16th/17th century European setting. In the words of James Edward Raggi IV, the game’s creator, this period of human civilization was hands-down the most miserable time to be alive in history. As a result, character survivability is low in LotFP. The published content is, without question, adult in nature; and has been the target of pearl-clutchers everywhere since the beginning. This only increased over the years when the cancel culture mob got the company in its sights. Sadly, that hasn’t gone away; but Raggi is well and truly done apologizing for anything at this point, and I, for one, am glad of that. Fuck that noise. Censorship is bullshit.
In March, I wrapped up a year-long Witch Hunter (i.e. Solomon Kane) campaign I ran for some folks on my Discord server. It was dark and grim and demonic, as it should be. We all had a great time, and I will likely use LotFP for my fantasy rules of choice going forward, unless of course I’m looking for something more forgiving and high fantasy.
That about does it for this post. Coming soon: my top 10 RPGS that I have yet to play (enough).
I love this picture, painted by the great Larry Elmore. I was fortunate enough to meet him at Gen Con in 2012, and I bought this signed print from him. It was the cover art for the second edition of the Star Frontiers RPG, renamed Star Frontiers: Alpha Dawn. Until then, the only sci-fi RPG of note was Traveller, which many people found somewhat inaccessible. This game was marketed to a younger crowd, and the system was much less complicated than Traveller (which isn’t really saying much).
A separate, compatible game, Star Frontiers: Knight Hawks, was released a year later in its own box, and dealt specifically with spaceships and space combat. Although it also had roleplaying elements, it was a spaceship combat wargame that used cardboard counters on a hex mat. I played a lot of Alpha Dawn but only dabbled in Knight Hawks. (We really just used the rules for ship design.) Both games enjoyed a decent amount of product support in the form of adventure modules and articles and scenarios published in Dragon Magazine.
The real draw of Star Frontiers, at least for me, is the setting. It takes place in a region of space known as The Frontier, where the boundary of known space meets whatever else is “out there”. Players create characters from four playable races: Humans, who are pretty much like us, but live longer; Vrusk, a race of insectoid beings that resemble mantids, only without the big claws; Dralasites, an amoeba-like race that can change their physical form; and Yazirians, a race similar to flying monkeys, only with anger issues.
These races worked together almost immediately, freely exchanging information and technology, sharing scientific advancements and generally getting along. They formed the Pan-Galactic Corporation (PGC), a massive conglomerate that, like it’s name implies, spanned the galaxy. They even developed a language called Pan-Galactic (PanGal) that all four races could speak which allowed them to effectively communicate, given their differing anatomy and communication methods. It was a pretty good time.
Of course, good times don’t last forever, and another alien race, known as the Sathar, suddenly attacked the Frontier with what seemed like the intent to destroy everything the PGC had built. The Sathar are a wormlike race with strange telepathic powers who are aggressively xenophobic. No one knows much more about them, because any Sathar will kill itself rather than be taken captive, and they’re not much for chit-chat. To combat the Sathar threat, the PGC formed a combined military force called the United Planetary Federation, or UPF (not to be confused with the United Federation of Planets, which would have probably got TSR sued by the Star Trek guys over at Paramount). The UPF managed to drive the Sathar back to wherever they came from, but not for long.
Knowing that they can’t take the UPF in a fight, the Sathar have since turned to espionage and treachery to topple it from within. Sathar agents from all the frontier races actively work to undermine the UPF, so the UPF created another organization: Star Law. Star Law Rangers travel the galaxies looking for these agents in order to bring them to justice.
And that’s Star Frontiers in a nutshell. The published adventures assume your players will work for either the PGC or Star Law; but nothing says you have to stick to that. You can be pirates, privateers, salvage crews, planetary explorers or even military agents of the UPF. I’m pretty sure my group was a group of mercenaries, because it was the 80’s and I live in America and that was pretty much every movie of the Reagan era; but the game actively discourages this. The first adventure, Crash on Volturnus, effectively strips your characters of all their weapons and useful equipment right at the beginning, forcing them to survive on a hostile planet using their wits and diplomacy; a big departure for groups used to kicking in doors, killing everything in sight and looting the bodies.
There are a couple of big problems with the game. The system is a percentile-based system: roll under your attribute or skill and you’re successful; over and you fail. Pretty standard for TSR boxed games of the time, and still used by many games today. That being said, the system is sometimes a bit more complicated than it needs to be, especially where skills are concerned. Each character can picks a Primary Skill Area, such as Military or Science. Each one of these PSAs have a group of skills under their umbrella, each with a rating of 1-6. Each of these skills are improved individually and usually offer a 10% bonus per level of the skill. The problem is there are too many skills, so advancement takes a long time.
Combat is another matter. It takes forever because of clunky design, and if there’s one thing I can’t stand in games, both as a player and GM, it’s combat that drags on forever (J’accuse, 5E!). There are a ton of different weapons in Star Frontiers, each of which does a different type of damage (electrical, energy, sonic, projectile, etc.) There are an equal amount of defensive suits and screens, all of which are usually effective against only one type of damage. Having the right defense for the right attack is tedious and pretty much down to luck; but equipped properly, your characters can trade shots all day with little danger of dying. Even if not properly equipped, your characters can take a few shots before they have to worry, because most weapons that aren’t energy weapons do shitty damage.
Energy weapons and defensive screens use power tracked by Standard Energy Units (SEU). Tracking SEU use is a bit of a chore. In the case of weapons, the damage you inflict is directly proportionate to how many SEU you expend. For example, a standard laser pistol has a damage rating of 1d10 per SEU (max 10 SEU), and a standard ammo clip contains 20 SEU. That means you could get twenty 1d10 shots out of a clip, or you could burn the entire clip in two 10d10 shots before you’d need to reload.
Either way, you’re unlikely to kill your target. Most characters have an average of 60 hp (their Stamina score). The average d10 roll is a 5.5, rounded up to 6. I suppose it’s possible that a character could burn 10 SEU (10d10 damage) and get a result over 60, which would kill someone with 60 hp (assuming you hit), but it’s unlikely. It becomes even more unlikely when you factor in defensive screens and suits, which will reduce the damage even further. Why anyone would bother shooting a 1d10 shot is beyond me. Even at maximum damage (10) that’s not enough to be more than an irritation. If the target is wearing any kind of defense whatsoever, forget it. You’re just wasting ammo.
Both these issues are easily fixable with some house rules which I use. First, I cut down the number of skills. The military PSA as written, for example, contains a separate skill for each type of weapon, which is ridiculous. Is it safe to assume that military-trained characters know how to shoot all kinds of guns? Yeah. I’d say so. So let’s just group all those separate skills together and call it “firearms” skill. For combat, no more adjustable shots based on SEU use. Laser pistols, for example, do 5d10 damage and a clip contains 10 shots. That makes them more dangerous and more effective then they are in the rules. I use two types of defensive screens: energy and inertia, not an individual one for every conceivable type of attack. Inertia protects against projectiles and explosives, energy protects against electricity, energy and sonic attacks. Two screens, no more. Same with suits. One for energy, one for inertia. Mix and match as you like, but no more nonsense.
It should be noted that combat in Star Frontiers was probably not intended to be deadly. Like I said, it was marketed to a younger crowd. There are plenty of non-lethal weapons in the game: stunners, needler guns, and the iconic doze and tangler grenades, which render an opponent unconscious or immobile, respectively. The equipment lists are both futuristic and a bit dated…for example characters are often equipped with a chronocom, which is a wristwatch/ video communicator with a range of…wait for it…10 whole kilometers! It’s an amusing reminder of when the game was written, long before cell phones were commonplace or the internet even existed.
I’m not the only one who has a love of Star Frontiers, not by a long shot. There are two fanzines that are regularly published: The Star Frontiersman and Frontier Explorer, both of which have a ton of fan-generated content that’s worth looking at. Both of these zines used to be free, but now they’re available for sale at (sigh) DriveThru RPG. The original Star Frontiers rules are also available there in PDF and Print on Demand format.
Up next: a short coda to the Star Frontiers posts, as I discuss…the miniatures!!!!
Back in the 80’s, during the heyday of roleplaying games, TSR Hobbies released a ton of RPGs in addition to Dungeons & Dragons: original properties like Gamma World, Top Secret, Boot Hill, and Gangbusters; and licensed games like Marvel Super Heroes, Indiana Jones, and Buck Rogers. These games were sold as boxed sets, just like the Basic and Expert D&D games. With the exception of Indiana Jones, the rest of these games were successful enough to warrant at least a second edition (some, like Gamma World and Gangbusters, would get more than that) in addition to a line of adventure modules and sourcebooks.
I never played Gamma World or Buck Rogers. I played Boot Hill, Gangbusters and Top Secret, and I enjoyed them all very much. I played Indiana Jones, and…well…let’s just say I played it. But my favorites, hands-down, were Marvel Super Heroes and Star Frontiers. I love MSH so much I still play it. In fact, I just ran Marvel Super Heroes in February for a group of Instagram friends over on my Discord server. I also planned on running Star Frontiers last year, but it never happened. The last time I played the game was a few years ago; but it wasn’t technically Star Frontiers. Like many of these 80’s TSR games, the system was a bit basic and we wanted more, so my friend converted it to GURPS. It was a lot of fun to revisit the setting, but we didn’t play for very long.
A couple of years ago, I heard a new version of Star Frontiers was in the works and I grew excited; at least until it turned out to be a racist, homophobic shit show of a game.
Here’s a summary, best as I can deliver it. Keep in mind, this is my opinion, and my knowledge, such as it is, may not be 100% accurate. If you really want to know, check the internet yourself.
TSR Hobbies, the original company that published Dungeons & Dragons, went out of business in 1997, and was acquired by Wizards of the Coast, the company that, until then, was most famous for publishing Magic: the Gathering. WotC was later acquired by Hasbro, and is a shitty company with a history of trying to fuck over creators, but that has no bearing on the rest of this story. It’s just me stating my opinion.
Anyway, back in 2011, Gary Gygax’s sons, Luke and Ernie Jr., along with another guy started a company called TSR Games in order to publish a new Top Secret game. Apparently, Luke and the other guy missed a trademark filing date in 2020, so Ernie Jr. filed for the TSR name and the two brothers cut ties with each other. It seems to be a bit acrimonious, as now there are two companies with the TSR name run by two brothers who apparently don’t much like each other. WotC doesn’t seem to like either of them, either.
While promoting his new company, Ernie did an interview where he made racist remarks about Native Americans, mocked Trans people and people who support them, and implied that being anti-racist is bad; and people who agreed with him should be very happy with “his” TSR. It got so bad that his brother Luke and a ton of well-known names in the hobby industry, like Jeff Dee and Skip Williams, officially cut ties with Ernie Jr. Larry Elmore even returned money Ernie had paid him for work he had done already.
Which brings us to Star Frontiers. Ernie Jr. decided he was going to revive Star Frontiers, and came up with a new game called Star Frontiers: New Genesis. A playtest doc for that game leaked and…well, shit. It wasn’t the Star Frontiers game of old, that’s for sure. There’s a lot of explicitly racist stuff in it, like how Humans are now split into “sub-races”, one of which is inherently superior to the other in every way. One of these “sub-races” is described as Nordic, and the other is described as Negro. Care to take a guess which one is said to be the superior race by racist asshole and known Caucasian Ernie Gygax, Jr.?
Wizards of the Coast has filed a lawsuit against Ernie’s TSR, not wanting to be associated with his bigotry and evident assholishness. They want to make sure the game never gets published; and they claim they are the true owners of the Star Frontiers IP and the TSR logo, both of which they purchased when they bought the original TSR back in 1997.
My feelings on censorship are well-known. I think it sucks. I feel that Ernie Gygax, Jr. can say whatever shit he wants, and that includes racist, transphobic stuff. He can make games about it and publish them, and if people want to play them because they share his racist, transphobic, alt-right views, they can. Those of us who do not share those views are free to not buy his shit game, and we are free to decry his bullshit views, as I have done here, and will continue to do. But he should not be censored.
Unless, of course, WotC owns the trademarks. In which case, fuck Ernie Gygax, Jr.
Well, this was supposed to be a post about my love of the OLD, ORIGINAL, not intentionally racist Star Frontiers RPG, and I have veered off the mark. Guess I’ll make this a part 1 and talk about the game I actually like in the next post.
Well, 2023 is here, and it’s time for a look back at last year’s resolutions and what I accomplished; then it’ll be time to set some new ones. Last year wasn’t great, in particular I had a pretty crappy third and fourth quarter, to be sure. Still, I managed some things better than others. So, what were my resolutions, and did I meet my goals? And what do I want to do in 2023?
More Roleplaying Stuff: Goal met. I wanted to post more stuff about RPGs last year, and I did. I posted a couple of Character Studies for Call of Cthulhu and Star Trek Adventures; I started a review/repair post for old adventures that I want to continue, starting with the Call of Cthulhu classic “Trail of the Loathsome Slime”; I started my own homebrew game, The Hub, based on 1970’s street crime movies like Taxi Driver and Dog Day Afternoon, set in Boston; I wrote a post about the utility of swapping systems from games to use in other games, and I bitched and moaned about censorship, the double standard and general hypocrisy over at DriveThruRPG.
I wanted to do more, and in the coming year, I will.
As far as actually PLAYING RPGs, 2022’s gaming plans didn’t turn out the way I expected. Out of five one-shot games I planned to run, I ran exactly zero. That’s not to say I didn’t run games (I did), they just weren’t the ones I planned on running. Instead, I ran a couple of Star Trek Adventures sessions to introduce the game to new players. I ran a Call of Cthulhu scenario for Halloween, and I even ran a couple of sessions of my own homebrew 1970’s Boston street crime game, The Hub. I ran a short-lived Mutant: Year Zero game for some friends before I came to my senses and decided I don’t enjoy being aggravated (and I don’t mean by the game); but the main thing I ran was a monthly Witch Hunter-themed campaign using Lamentations of the Flame Princess.
I plan on running a new campaign and more games this year, and I have posted my 2023 Gaming page; so check it out if you’re interested in playing some RPGs. I also opened up my Discord server to new players and hobbyists. (Yesterday, I even got to have my first Discord conversation with none other than Dick Garrison himself, Roger Webb! I know, pretty cool, right?) Drop me a line if you’re interested in joining the server.
Painting Challenges: Goal met (kind of). I took part in Fembruary, Forgotten Heroes, and Deadcember (over on Instagram); and I hosted Monster May(hem) again. Then the world went to shit for me smack in the middle of Dave’s Season of Scenery, and I had to bail on it completely, after first abandoning my idea to finally build my Deep Space Nine model. The one challenge I’m amazed I was able to complete (and on time, every time!) was…
One Character a Month: I didn’t host it this year, but I took the opportunity to paint all old-school metal miniatures for this challenge. I’m pretty happy with the results.
Here’s a group shot. Top left to bottom right: January through December.
This year, I will absolutely host Monster May(hem) again, and I hope to take part in all the other painting challenges from last year, including the Season of Scenery, dammit. In addition, I am continuing the Character of the Month personal challenge, but this year I’m making it all demi-humans! Tom is also hosting the challenge again (he calls it #paintanadventuringparty); but his take is a bit different. Remember the old Ral Partha 3-stage characters? He’s doing that: paint a character as a rookie, experienced and veteran version. That’s a bit too much for me to commit to, given my other projects, but YMMV. Drop him a line if interested!
More AARs: Goal not really met. I started my Star Trek gaming project, The Pawn, all the way back in March. The premise of the project was to tell a story based on the results of games played. Well, I definitely told a lot of story so far; but I only managed to play ONE underwhelming AAR before I took a break and never got back to it. We left Lieutenant Barclay in a precarious position, pursued by Romulans on the ice moon of Varuna 3; and we left the rest of the Enterprise-D heading back to that system after almost starting a war in the Neutral Zone. Will I get back to it? I sure hope so. I have a lot more story to tell. Just need to find the time. You can enjoy what I did manage to write thus far if so inclined. All the posts are tagged “The Pawn”.
I also planned on getting back to my Green Hornet game, and even a new Christmas scenario featuring The Crimson Hound again…but you see how that turned out. This year I want to return to both those games and some Super Mission Force; but we’ll see what the cards hold. In the meantime, I’m living vicariously through Matt, who posted a shit-ton of AARs on his site last year!
Personal Projects: Goals partially met. I had two: paint my Star Wars: Imperial Assault miniatures and make 2022 the Year of Pop Culture. I managed to paint The Bespin Gambit and one expansion (Bossk), but I still have a couple of expansions to paint before I can call that set all done; then it’s on to Hoth or Jabba’s Palace for 2023, I’m not sure which one yet.
As far as the Year of Pop Culture is concerned, I painted a lot of pop culture miniatures in 2022; but nowhere near what I wanted to. So, the Year of Pop Culture continues into 2023; where I suppose I should consider renaming the challenge, since it’s more than a year.
That Cthulhu Jawn is an actual-play Call of Cthulhu podcast set in 1980’s Philadelphia. I discovered the podcast through Instagram and It’s a lot of fun. George, the GM, contacted me a couple of months back and asked me if I do commission painting. He’d seen my IG account and liked my work. I was quite flattered that anyone would think my stuff is good enough to pay for, and I told him so; but I offered to paint some miniatures for him for free if it wasn’t too big a job. It wasn’t.
George wanted these two miniatures painted for his players’ characters in a different game (I can’t remember what). I think they’re 3D prints from HeroForge. I didn’t think to take any “before” pictures. so this is the finished product. George picked the colors.
Anyone who knows me knows I need little if any excuse to paint a dwarf, or at least a dwarf miniature. I like this guy.
The minotaur was not so much fun. I admit I’m not really a fan of this miniature, but once I started rolling it came together pretty quickly.
The axe handle had broken off at some point below the hand , leaving him with a comically-short, massive cleaver. I fixed it with some plastic rod and green stuff. (The benefit of never throwing anything away is that I had the correct diameter rod at hand.)
One of the questions I never thought to ask is why these two very different characters are adventuring together. They seem an unlikely pair. Now that I think about it, the dwarf’s gun and wrench and the minotaur’s weird jet-pack thing give me a Spelljammer vibe. Maybe I’ll ask George if I remember.
As you may know, the last few months have been somewhat trying for me. George had to wait a bit for his miniatures, but at last they are finished and are winging their way home to him via the United States Postal Service.
Also leaving Dead Dick’s Tavern after an extended stay: Owen’s miniatures! This almost four-feet high stack of Plano boxes contains hundreds of classic Ral Partha and Grenadier miniatures, as well as a fair amount of other manufacturers. Several years ago (for those who don’t want to follow the link), my good friend Owen gave these to me; as he was done with painting and just wanted the space. I’ve been holding onto them ever since, hoping he would take them back. I even painted a few of them and posted them here to taunt him with his own miniatures.
It didn’t work. He really was done.
A couple of weeks ago, he asked if I still had them. Of course I did. He said that if I was ok with it, and if I still wanted to get rid of them, I could give them to his niece. She grew up watching her uncle play roleplaying games and paint miniatures. She’s in her 30’s now, running games of her own.
Of course I was ok with it. I’ve always said these were never my miniatures. They were Owen’s miniatures, I just held onto them for him. I told him that if I couldn’t give them back to him, then I would gladly pass them on to the next generation of Owen gamers, and I did.
