First off: I hate this WordPress theme, and I’m looking to change it as soon as possible. I just need to find a theme that doesn’t screw up my photos. This was what I could find on short notice. Change to come soon.
When I was a lad, I collected mostly Marvel comics, with the exception of a couple of black and white titles my friend introduced me to in high school. The only one of note was the Teenage Mutant Ninja Turtles. Unlike most comics, TMNT didn’t come out monthly; it came out whenever the creators made a new issue. As a result, we were always hoping for more turtles, and were often disappointed. So, when my Friendly Comic Shop Owner slid a copy of Grimjack #26 in my reserve box, I wondered why… until I discovered the back-up feature, Munden’s Bar, had a story featuring the turtles…and it was in COLOR.
I bought it, of course. The turtles story was fine. The main story was much better. Thus I was introduced to one of my favorite comic books and comic characters of all time: Grimjack.
From Wikipedia: Grimjack is the street name of John Gaunt, a sword-for-hire, ex-paramilitary, war veteran and former child gladiator. He operates from Munden’s Bar in the Pit, a slum area of Cynosure, a pan-dimensional city to which all dimensions connect. All this is true. but it’s pretty bare-bones as far as the character’s full biography goes. He’s a war veteran, sure…but he’s a veteran of the Demon Wars, which has given him some sensitivity to magic; which is also a thing, depending on where you are in the pan-dimensional city of Cynosure. Although this hardly needs be said, he’s also a fucking badass.
There were three main incarnations of the character throughout the comic’s 81-issue run, the entirety of which was written by John Ostrander. A small British miniatures company, Wayne’s World of Wonder (available through Matchlock Miniatures), makes a version of all three. Thanks to the kindness and generosity of a friend, specifically the lovely and talented Carrion Crow, I now own these miniatures. A real bon homme, that Crow…when I opened the unexpected parcel last holiday season, I almost squealed with girlish glee. (OK, I did squeal.) As some of you may know, I have been in a bit of a painting slump lately…so these figures were just what I needed to get my groove back.
First up, the “original” Grimjack; as immortalized by the great Tim Truman’s artwork. This is the version we see at the beginning of the series: Gaunt as a man slightly past it, pushing fifty and hardened by a life of violence and loss. Hands-down my favorite version of the character, this is also the version they brought back when they finally began publishing Grimjack comics again, some fifteen-plus years after the comic ceased production upon the demise of First Comics. (I converted my own versions of two other First Comics characters, Nexus and Badger, for Forgotten Heroes back in June. Forgotten Heroes: a Carrion Crow joint.)
After a while, Grimjack comes to inhabit a much younger, cloned body of himself, and goes by the name “Chaney”. It doesn’t really fool anyone for long, kinda like when Wolverine started calling himself Patch but still popped his claws every issue. Tom Mandrake took over the bulk of the pencils for this incarnation, and it is the version of Grimjack I like the least. It’s not that it’s bad, it’s more that what came before and what comes after is so much better…
Then, in Grimjack #55, the timeline jumps a couple of hundred years. Grimjack is reborn (in fact, he’s doomed to be reborn forever) in the body of James Twilley. Twilley didn’t know he was Grimjack until he was in high school and killed someone; then it all came rushing back. Some of the best Grimjack stories were written during this run, which lasted until the series’s end; and Flint Henry’s artwork is so, so good….
Of course, while painting these miniatures I had to dig out my comics for visual reference. This prompted a re-read of the series, currently ongoing. I’m on issue 31, and aside from some unfortunate, racially-insensitive language (you could get away with that stuff back then, although it adds nothing to the story) and the horrid (yet blissfully temporary) art of Tom Sutton, it holds up pretty well. I remember why it’s so great and I’m looking forward to what I know is coming.
This post also marks the return of my long-neglected Insanity Pile tracker. Sadly, This year I haven’t painted as many miniatures as usual, but neither have I been purchasing many. Once again, I do not count miniatures I repaint (like Heroclix), or Gaslands cars that I convert.
Insanity Pile Progress
Miniatures Purchased: 30
Miniatures Painted: 46